Leaving behind a madcap, fishing-obsessed family, Gus decides to strike out on his own, taking refuge in a secluded cabin on a remote riverbank to pursue his own fly-fishing passion with unrelenting zeal. But instead of finding fishing bliss, Gus becomes increasingly troubled by the degradation of the natural world around him and by the spiritual barrenness of his own life. His desolation drives him on a reluctant quest for self-discovery and meaning, ultimately fruitful beyond his wildest dreams. Here, then, is a funny, sensitive, unforgettable story about the relationships among men, women, the environment, and the human soul.

    He travels east in search of his brother, moving on foot against the great push to the west. Driven back over and over again on his journey through vast expanses, Håkan meets naturalists, criminals, religious fanatics, Indians, and lawmen, and his exploits turn him into a legend. Díaz defies the conventions of historical fiction and genre (travel narratives, the bildungsroman, nature writing, the Western), offering a probing look at the stereotypes that populate our past and a portrait of radical foreignness.At first, it was a contest, but in time the beasts understood that, with an embrace and the slightest push, they had to lie down on their side and stay until Håkan got up. He did this each time he thought he spied someone on the circular horizon. Had Håkan and his animals ever been spotted, the distant travelers would have taken the vanishing silhouettes for a mirage. But there were no such travelers—the moving shadows he saw almost every day in the distance were illusions. With the double intention of getting away from the trail and the cold, he had traveled south for days.Hernán Díaz is the author of Borges, Between History and Eternity (Bloomsbury 2012), managing editor of RHM, and associate director of the Hispanic Institute at Columbia University. He lives in New York.

    A young boy and his adopted aunt become separated when the youngster is kidnapped by his wealthy, eccentric great-uncle, but mysterious ties continue to link the two unknowingly over the fifteen-year separation.

    Its sprawling, encyclopedic narrative, and penetrating analysis of the impact of technology on society make it an intellectual tour de force.

    Twenty-five years later, the prodigal daughter returns to confront her dying parents, her best friend, and her conflicted past, and finds herself caught up in an altogether new drama. The post-millennial farming community has been invaded by Agribusiness forces at war with a posse of activists, the Seeds of Resistance, who travel the country in a camping car, “The Spudnick,” biofueled by pilfered McDonald’s french-fry oil. Following her widely hailed, award-winning debut novel, My Year of Meats, Ruth Ozeki returns here to deliver a quirky cast of characters and a wickedly humorous appreciation of the foibles of corporate life, globalization, political resistance, youth culture, and aging baby boomers. All Over Creation tells a celebratory tale of the beauty of seeds, roots, and growth—and the capacity for renewal that resides within us all.

    An elderly widower who has lived through three wars and fought in two of them, the captain enjoys his rootless, solitary existence.In Wichita Falls, he is offered a $50 gold piece to deliver a young orphan to her relatives in San Antonio. Four years earlier, a band of Kiowa raiders killed Johanna’s parents and sister; sparing the little girl, they raised her as one of their own. Recently rescued by the U.S. army, the ten-year-old has once again been torn away from the only home she knows.Their 400-mile journey south through unsettled territory and unforgiving terrain proves difficult and at times dangerous. Johanna has forgotten the English language, tries to escape at every opportunity, throws away her shoes, and refuses to act “civilized.” Yet as the miles pass, the two lonely survivors tentatively begin to trust each other, forming a bond that marks the difference between life and death in this treacherous land.Arriving in San Antonio, the reunion is neither happy nor welcome. The captain must hand Johanna over to an aunt and uncle she does not remember—strangers who regard her as an unwanted burden. A respectable man, Captain Kidd is faced with a terrible choice: abandon the girl to her fate or become—in the eyes of the law—a kidnapper himself.

    Filled with an abiding sense of love and family, and of the forces that test them to the breaking point, Wildlife—first published by Atlantic Monthly Press in 1990 and now reissued as a Grove Press paperback—is a book whose spare poetry and expansive vision established it as an American classic.

    First published in the 1950s, at the height of the McCarthy era, Warlock is not only one of the most original and entertaining of modern American novels but a lasting contribution to American fiction.

    No other work of fiction so faithfully conveys both the sharp physical realities and the mythic sweep of the transformation of the American frontier—and the transformation of the people who settled it. Cather's heroine is Alexandra Bergson, who arrives on the wind-blasted prairie of Hanover, Nebraska, as a girl and grows up to make it a prosperous farm. But this archetypal success story is darkened by loss, and Alexandra's devotion to the land may come at the cost of love itself.At once a sophisticated pastoral and a prototype for later feminist novels, O Pioneers! is a work in which triumph is inextricably enmeshed with tragedy, a story of people who do not claim a land so much as they submit to it and, in the process, become greater than they were.

    In this peeled-paint coal town deep in Appalachia, Kevin quickly falls in with a half-wild hollow kid named Buzzy Fink who schools him in the mysteries and magnificence of the woods. The events of this fateful summer will affect the entire town of Medgar, Kentucky. Medgar is beset by a massive mountaintop removal operation that is blowing up the hills and back filling the hollows. Kevin's grandfather and others in town attempt to rally the citizens against the "company" and its powerful owner to stop the plunder of their mountain heritage. When Buzzy witnesses a brutal hate crime, a sequence is set in play that tests Buzzy and Kevin to their absolute limits in an epic struggle for survival in the Kentucky mountains.

    Set on the Côte d'Azur in the 1920s, it is the story of a young American writer, David Bourne, his glamorous wife, Catherine, and the dangerous, erotic game they play when they fall in love with the same woman. "A lean, sensuous narrative...taut, chic, and strangely contemporary," The Garden of Eden represents vintage Hemingway, the master "doing what nobody did better" (R. Z. Sheppard, Time).

    If you want sweet dreams, you've got to live a sweet life." So says Loyd Peregrina, a handsome Apache trainman and latter-day philosopher. But when Codi Noline returns to her hometown, Loyd's advice is painfully out of her reach. Dreamless and at the end of her rope, Codi comes back to Grace, Arizona to confront her past and face her ailing, distant father. What she finds is a town threatened by a silent environmental catastrophe, some startling clues to her own identity, and a man whose view of the world could change the course of her life. Blending flashbacks, dreams, and Native American legends, Animal Dreams is a suspenseful love story and a moving exploration of life's largest commitments. With this work, the acclaimed author of The Bean Trees and Homeland and Other Stories sustains her familiar voice while giving readers her most remarkable book yet.

    Her only companions are the scientists studying there, odd and quirky refugees from the mainland living in rustic conditions. They document the whales and seals around the island, the bold trio of sharks called the Sisters that hunt the surrounding waters, and the overwhelming, violent bird population.Shortly after her arrival, Miranda is assaulted by one of the island’s inhabitants. A few days later, her assailant is found dead, perhaps the result of an accident. As the novel unfolds, Miranda gives witness to the natural wonders of this astonishing place. She grapples with what has happened to her, deepens her connection to (and her misgivings about) her companions, and succumbs to the spell of the place nicknamed “the Islands of the Dead.” And when more violence occurs, each member of this strange community falls under suspicion.The Lightkeepers upends the traditional structure of a mystery novel—an isolated environment, a limited group of characters who might not be trustworthy, a death that might not have been accidental, a balance of discovery and action—while also exploring wider themes of the natural world, the power of loss, and the essence of recovery. It is a luminous debut novel from a talented and provocative writer.

    Believing she might discover it in an old book her mother is lovingly translating, she sets out in search of its author. Across New York an old man called Leo Gursky is trying to survive a little bit longer. He spends his days dreaming of the lost love who, sixty years ago in Poland, inspired him to write a book. And although he doesn't know it yet, that book also survived: crossing oceans and generations, and changing lives...

    Scott Fitzgerald, the iconic American writer of The Great Gatsby who is more widely read today than ever.I’d Die For You is a collection of the last remaining unpublished and uncollected short stories by F. Scott Fitzgerald, edited by Anne Margaret Daniel. Fitzgerald did not design the stories in I’d Die For You as a collection. Most were submitted individually to major magazines during the 1930s and accepted for publication during Fitzgerald’s lifetime, but were never printed. Some were written as movie scenarios and sent to studios or producers, but not filmed. Others are stories that could not be sold because their subject matter or style departed from what editors expected of Fitzgerald. They date from the earliest days of Fitzgerald’s career to the last. They come from various sources, from libraries to private collections, including those of Fitzgerald’s family. Readers will experience Fitzgerald writing about controversial topics, depicting young men and women who actually spoke and thought more as young men and women did, without censorship. Rather than permit changes and sanitizing by his contemporary editors, Fitzgerald preferred to let his work remain unpublished, even at a time when he was in great need of money and review attention. “I’d Die For You,” the collection’s title story, is drawn from Fitzgerald’s stays in the mountains of North Carolina when his health, and that of his wife Zelda, was falling apart. With the addition of a Hollywood star and film crew to the Smoky Mountain lakes and pines, Fitzgerald brings in the cinematic world in which he would soon be living. Most of the stories printed here come from this time period, during the middle and late1930s, though the collection spans Fitzgerald’s career from 1920 to the end of his life. The book is subtitled And Other Lost Stories in recognition of an absence until now. Some of the eighteen stories were physically lost, coming to light only in the past few years. All were lost, in one sense or another: lost in the painful shuffle of the difficulties of Fitzgerald’s life in the middle 1930s; lost to readers because contemporary editors did not understand or accept what he was trying to write; lost because archives are like that, and good things can wait patiently in libraries for many centuries sometimes. I’d Die For You And Other Lost Stories echoes as well the nostalgia and elegy in Gertrude Stein’s famous phrase “a lost generation,” that generation for whom Fitzgerald was a leading figure. Written in his characteristically beautiful, sharp, and surprising language, exploring themes both familiar and fresh, these stories provide new insight into the bold and uncompromising arc of Fitzgerald’s career. I’d Die For You is a revealing, intimate look at Fitzgerald’s creative process that shows him to be a writer working at the fore of modern literature—in all its developing complexities.