Even though she was the daughter of the emperor, Izta had no desire to marry a man of wealth and power. Instead, she fell in love with Popoca, a brave warrior who fought in her father’s army—and a man who did not offer her riches but a promise to stay by her side forever.   The emperor did not want his daughter to marry a mere warrior, but he recognized Popoca’s bravery. He offered Popoca a deal: If the warrior could defeat their enemy, Jaguar Claw, then the emperor would permit Popoca and Izta to wed. But Jaguar Claw had a plan to thwart the warrior. Would all be lost?   Today two majestic volcanoes—Popocatépetl and Iztaccíhuatl—stand overlooking Mexico City. They have been admired and revered for countless generations, and have formed the basis of many origin and creation myths. In The Princess and the Warrior, award-winning author and illustrator Duncan Tonatiuh retells one of Mexico’s cherished legends.

    It comes as no surprise that a wolf is able to blow down the first two pigs' houses. When the wolf can't blow down the third pig's brick house, everyone comes together and the fun begins. The first two pigs give him potato chips and sody-pop, and the third pig makes everyone a healthy meal. Since only one pig has a house left, the other two pigs and the wolf move in with her. The somewhat bad wolf is no longer hungry.

    But will the prince find Cinderella after her ball gown turns back into rags? This classic tale is retold by Ruth Sanderson with the very youngest of readers in mind.

    Zelinsky has once again with unmatched emotional authority, control of space, and narrativecapability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold.Zelinsky's retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story's fundamentals to be about possessiveness, confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture,interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child's inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginningof their adulthood.As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky's work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.

    Siblings Mintoo and Chintoo are busy gathering flowers to make into colorful powders to toss during the festival. And when at last the big day comes, they gather with their friends, family, and neighbors for a vibrant celebration of fresh starts, friendship, forgiveness, and, of course, fun!

    Pictures and text of moving and harmonious simplicity". - Saturday Review.

    Instead, this sweet heroine remains steadfast in her kind, gentle ways, and her generosity flows like a mountain stream. This tale of virtue rewarded is as charming and rich as any prince. McClintock's warm, humorous, and lucious artwork that reflects the story's French roots, coupled with her disarming text will insure that this book will be loved and cherished -- happily ever after.

    Candace finds herself cast out of her home by jealous older sisters, but with the help of a witch woman and a magical moss gown, she captures the heart of the young plantation owner.

    She learned it from her grandfather, a poor scholar who taught her. When he dies, Raisel finds work in the home of a rabbi. His jealous cook makes Raisel toil from sunup to sundown. And as the Jewish holiday of Purim approaches, Raisel works even harder. The rabbi's son presides over the Purim dinner, and Raisel listens closely when he responds to riddles posed by his guests. Is it possible that this young man can answer Raisel's riddle? Erica Silverman's lively retelling of the Cinderella story features a heroine for whom knowledge is as essential to happiness as love. In striking paintings, Susan Gaber captures all her beauty, external and internal.

    But slicing the bitterleaf, grinding the pumpkin, measuring out the shrimp--it just takes too long. Yoyo is confident that her variation on the stew will be good enough.As Mama C�cile and Yoyo set off to market, Mama reminds Yoyo what will happen if she refuses a fair price for the stew--Brother Coin, the Great Spirit of the Market, will put a curse on their market bowl. When Yoyo refuses to heed Mama's advice, she is faced with the task of trying to regain a blessing from the god himself.An original folktale set in modern-day Cameroon, THE MARKET BOWL teaches readers a lesson about patience, humility, and the value of a fair price. Back matter includes further information about Cameroon and its people and traditions as well as a recipe for ndol�--Cameroon's national food dish.

    He presents no match for the spunky heroine and her quick-thinking cat TeJean, though, as they use some strong Cajun hot sauce to teach Claude a lesson he will never forget!The combination of hilarious rhyme and exaggerated art creates a highly original retelling of the classic fairy tale. A pronunciation guide/glossary accompanies a tempting dialect that begs to be read aloud or acted out again and again. This is Little Red Riding Hood as she's never been seen before: Cajun and ducky.

    Visit Germany, Italy, and the Philippines, and find out who is guarded by a flesh-eating monster, and whose hero flies off on a magical winged horse.

    Readers young and old will be enchanted by the vision and mastery of Kinuko Y. Craft's luminous paintings, inspired by the lavish artwork of late seventeenth-century France and embellished with extraordinary borders and ornamentation.Rich with radiant color and astonishing detail, here is a dream come true for anyone who has ever believed in living happily ever after.

    Business is so good, in fact, that the three siblings can live comfortably in their very own homes -- Percy in his straw bungalow, Pete in his log cabin, and Prudence in her brick cottage. Then Tempesto, the meanest wolf on the block, shows up and wants more than waffles for breakfast -- he wants the three little pigs! Here is a zany retelling of a classic folktale from master storyteller Steven Kellogg.

    Lloyd Alexander's story of a young man visiting -- and then becoming -- the village fortune-teller is brought to vibrant life with some of Caldecott Medalist Trina Schart Hyman's most memorable artwork.