Fest tells and interprets the extraordinary story of a man's and a nation's rise from impotence to absolute power, as Germany and Hitler, from shared premises, entered into their covenant. He shows Hitler exploiting the resentments of the shaken, post-World War I social order and seeing through all that was hollow behind the appearance of power, at home and abroad. Fest reveals the singularly penetrating politician, hypnotizing Germans and outsiders alike with the scope of his projects and the theatricality of their presentation. Fest also, perhaps most importantly, brilliantly uncovers the destructive personality who aimed at and achieved devastation on an unprecedented scale. As history and as biography, this is a towering achievement, a compelling story told in a way only a German could tell it, "dispassionately, but from the inside." (Time)

    It was then and there that Adolf Hitler's obsession with the Habsburg Imperial family became the catalyst for his vendetta against a vanished empire, a dead archduke, and his royal orphans. That hatred drove Hitler's rise to power and led directly to the tragedy of the Second World War and the Holocaust. The royal orphans of Archduke Franz Ferdinand-offspring of an upstairs-downstairs marriage that scandalized the tradition-bound Habsburg Empire-came to personify to Adolf Hitler, and others, all that was wrong about modernity, the twentieth century, and the Habsburg's multi-ethnic, multi-cultural Austro-Hungarian Empire. They were outsiders in the greatest family of royal insiders in Europe, which put them on a collision course with Adolf Hitler.As he rose to power Hitler's hatred toward the Habsburgs and their diverse empire fixated on Franz Ferdinand's sons, who became outspoken critics and opponents of the Nazi party and its racist ideology. When Germany seized Austria in 1938, they were the first two Austrians arrested by the Gestapo, deported to Germany, and sent to Dachau. Within hours they went from palace to prison. The women in the family, including the Archduke's only daughter Princess Sophie Hohenberg, declared their own war on Hitler. Their tenacity and personal courage in the face of betrayal, treachery, torture, and starvation sustained the family during the war and in the traumatic years that followed.Through a decade of research and interviews with the descendants of the royal Habsburgs, scholar James Longo explores the roots of Hitler's determination to destroy the family of the dead Archduke. And he uncovers the family members' courageous fight against the Führer.

    Could it have been poisoned? Drawing on vivid court documents, eyewitness accounts, and an early autopsy report, historian Thomas Robisheaux brings the story to life. Exploring one of Europe's last witch panics, he unravels why neighbors and the court magistrates became convinced that Fessler's neighbor Anna Schmieg was a witch—one of several in the area—ensnared by the devil. Once arrested, Schmieg, the wife of the local miller, and her daughter were caught up in a high-stakes drama that led to charges of sorcery and witchcraft against the entire family. Robisheaux shows how ordinary events became diabolical ones, leading magistrates to torture and turn a daughter against her mother. In so doing he portrays an entire world caught between superstition and modernity.

    He would never have come to power if Germany’s leading politicians had not responded to a spate of populist insurgencies by trying to co-opt him, a strategy that backed them into a corner from which the only way out was to bring the Nazis in. Hett lays bare the misguided confidence of conservative politicians who believed that Hitler and his followers would willingly support them, not recognizing that their efforts to use the Nazis actually played into Hitler’s hands. They had willingly given him the tools to turn Germany into a vicious dictatorship.Benjamin Carter Hett is a leading scholar of twentieth-century Germany and a gifted storyteller whose portraits of these feckless politicians show how fragile democracy can be when those in power do not respect it. He offers a powerful lesson for today, when democracy once again finds itself embattled and the siren song of strongmen sounds ever louder.

     Kaiser Wilhelm II, the cold, brutal ruler who represented the pride and swagger of Imperial Germany, and must take the bulk of the responsibility for the First World War. But who was the real man behind the image? Although his caricature is firmly etched on the mind, the Kaiser remains an elusive figure. Alan Palmer has set out to tell the story of the extraordinary life of this temperamentally insecure man who was outwardly so full of swagger and bombast -the epitome of the new, self-confident Germany. Born in a Prussia that was the supreme militaristic society of the post-Napoleonic era and accustomed from his earliest days to all the trappings and sounds of soldiery, Wilhelm was obsessed through-out his adolescence by the need to appear every inch a soldier. Alan Palmer has examined the Anglo-German background to Wilhelm's life and reign and he emphasizes his changing attitudes towards Britain - a country he both admired and resented. In particular he has thrown new light on the clash of imperial-isms in the 1890s, the Kaiser's visit to England in 1907 and on the attitude of the British government in the 1930s towards the exiled monarch. 'The Kaiser' is the definitive biography of one of the crucial figures of early 20th-century history, and essential reading for anyone who wants to understand the era he dominated. Praise for Alan Palmer: ‘Mr Palmer is one of those rare historians who can unravel and enliven the motivations of diplomacy.' NEW STATESMAN 'This biography is in the classic tradition, a pleasure to read and unlikely to be replaced for many years.' Philip Ziegler, THE TIMES 'As may confidently be expected of so experienced an author's work, this is a lucid, scholarly study, tackling with skill the narration of a biography which is tangled with detail, true and false, because it is the story of a master of dissimulation and intrigue.' DAILY TELEGRAPH 'Mr Palmer, who has established a deservedly high reputation as a biographer with his studies of Metternich and Tsar Alexander I, here adds worthily to his oeuvre. He develops a new depth for English readers in Bismarck's personal and domestic life.' THE ECONOMIST Alan Palmer was head of the History Department at Highgate School from 1953 to 1969 when he gave up his post to concentrate on historical writing and research. His many books include ‘Metternich: Councillor of Europe’; ‘Alexander I: Tsar of War’ and ‘Bismarck’. Endeavour Press is the UK's leading independent publisher of digital books.

    In that tradition, this handsome commemorative volume gives a unique perspective on one of the most pivotal and volatile events of modern history.   In World War I in 100 Objects, military historian Peter Doyle shares a fascinating collection of items, from patriotic badges worn by British citizens to field equipment developed by the United States. Beautifully photographed, each item is accompanied by the unique story it tells about the war, its strategy, its innovations, and the people who fought it.

    Written in the tradition of Tolstoy's War and Peace, Grossman's Life and Fate, and Solzhenitsyn's The Gulag Archipelago, Yuri Slezkine's gripping narrative tells the true story of the residents of an enormous Moscow apartment building where top Communist officials and their families lived before they were destroyed in Stalin's purges. A vivid account of the personal and public lives of Bolshevik true believers, the book begins with their conversion to Communism and ends with their children's loss of faith and the fall of the Soviet Union.Completed in 1931, the House of Government, later known as the House on the Embankment, was located across the Moscow River from the Kremlin. The largest residential building in Europe, it combined 550 furnished apartments with public spaces that included everything from a movie theater and a library to a tennis court and a shooting range. Slezkine tells the chilling story of how the building's residents lived in their apartments and ruled the Soviet state until some eight hundred of them were evicted from the House and led, one by one, to prison or their deaths.Drawing on letters, diaries, and interviews, and featuring hundreds of rare photographs, The House of Government weaves together biography, literary criticism, architectural history, and fascinating new theories of revolutions, millennial prophecies, and reigns of terror. The result is an unforgettable human saga of a building that, like the Soviet Union itself, became a haunted house, forever disturbed by the ghosts of the disappeared.

    Historians and reviewers worldwide have hailed Antony Beevor's magisterial Stalingrad as the definitive account of World War II's most harrowing battle. In August 1942, Hitler's huge Sixth Army reached the city that bore Stalin's name. In the five-month siege that followed, the Russians fought to hold Stalingrad at any cost; then, in an astonishing reversal, encircled and trapped their Nazi enemy. This battle for the ruins of a city cost more than a million lives. Stalingrad conveys the experience of soldiers on both sides, fighting in inhuman conditions, and of civilians trapped on an urban battlefield. Antony Beevor has interviewed survivors and discovered completely new material in a wide range of German and Soviet archives, including prisoner interrogations and reports of desertions and executions. As a story of cruelty, courage, and human suffering, Stalingrad is unprecedented and unforgettable.

    of photos. 2 maps.

    In my younger years I avoided that subject, be it in literature or in entertainment, whenever I possibly could. That was not easy. Television was full of programs in which Germans looked stupid and heinous. My own children watched these things with glee; I fled into another room. Since I have always read a lot, I was at least aware of the avalanche of books that were published about the Holocaust. Still, I kept my blinkers on. I firmly told myself that it was not my business, since I was just a child during that time. Sooner or later such an attitude will have to come to an end. It did for me after I fled a difficult marriage and finally began to examine my life. This was a slow process, aided by a patient psychiatrist. Now, years later, I want to write about my life and about the conflicted feelings such a search will cause in a woman of German nationality.

    Writer, Sailor, Soldier, Spy brings to light for the first time this riveting secret side of Hemingway’s life—when he worked closely with both the American OSS, a precursor to the CIA, and the Soviet NKVD, the USSR’s forerunner to the KGB to defeat Adolf Hitler and the Nazis.Reynolds dig deep into Hemingway’s involvement in World War II, from his recruitment by both the Americans and the Soviets—who valued Hemingway for his journalistic skills and access to sources—through his key role in gaining tactical intelligence for the Allies during the liberation of Paris, to his later doubts about communist ideology and his undercover work in Cuba. As he examines the links between his work as a spy and as an author, Reynolds reveals how Hemingway’s wartime experiences shook his faith in literature and contributed to the writer’s block that plagued him for much of the final two decades of his life. Reynolds also illuminates how those same experiences also informed one of Hemingway’s greatest works—The Old Man and the Sea—the final novel published during his lifetime.A unique portrait as fast-paced and exciting as the best espionage thrillers, Writer, Sailor, Soldier, Spy illuminates a hidden side of a revered artist and is a thrilling addition to the annals of World War II.

    It is must reading for every aficionado of modern military history.” –San Francisco ChronicleErwin Rommel’s instinct for battle and leadership places him among the great commanders of history. In this definitive biography, David Fraser, an acclaimed biographer and distinguished soldier, looks at Rommel’s career and shows how wild and superficially undisciplined Rommel’s bold style of leadership could be, and how it inspired the men under his command to attack with ferocity and pursue with tenacity—qualities that served him well in his great battles in the North African desert and throughout his entire military career. Fraser also thoroughly explores the question of Rommel’s possible involvement in the plot against Hitler and the reason for his forced suicide, even though there was no criminal evidence against him.Revealing his failings as well as his genius, Knight’s Cross is a fascinating biography of a soldier whose distinguished career has become a part of history.

    Yet it is also one of the most complex and misunderstood, in a war only imperfectly grasped.Conventional wisdom holds that the battle began in February 1916 and lasted until December, when the victorious French wrested all the territory they had lost back from the Germans. In fact, says historian John Mosier, from the very beginning of the war until the armistice in 1918, no fewer than eight distinct battles were waged for the possession of Verdun. These conflicts are largely unknown, even in France, owing to the obsessive secrecy of the French high command and its energetic propaganda campaign to fool the world into thinking that the war on the Western Front was a steady series of German checks and defeats.Although British historians have always seen Verdun as a one-year battle designed by the German chief of staff to bleed France white, Mosier’s careful analysis of the German plans reveals a much more abstract and theoretical approach.Our understanding of Verdun has long been mired in myths, false assumptions, propaganda, and distortions. Now, using numerous accounts of military analysts, serving officers, and eyewitnesses, including French sources that have never been translated, Mosier offers a compelling reassessment of the Great War’s most important battle.

    It was also one of the war's bloodiest and most pivotal battles, whose outcome would shape international politics for decades to come.Cornelius Ryan's compelling account of this final battle is a story of brutal extremes, of stunning military triumph alongside the stark conditions that the civilians of Berlin experienced in the face of the Allied assault. As always, Ryan delves beneath the military and political forces that were dictating events to explore the more immediate imperatives of survival, where, as the author describes it, “to eat had become more important than to love, to burrow more dignified than to fight, to exist more militarily correct than to win.”It is the story of ordinary people, both soldiers and civilians, caught up in the despair, frustration, and terror of defeat. It is history at its best, a masterful illumination of the effects of war on the lives of individuals, and one of the enduring works on World War II.

    All of these conflicts, including the hostilities between Arabs and Israelis that have flared yet again, come down, in a sense, to the extent to which the Middle East will continue to live with its political inheritance: the arrangements, unities, and divisions imposed upon the region by the Allies after the First World War.In A Peace to End All Peace, David Fromkin reveals how and why the Allies came to remake the geography and politics of the Middle East, drawing lines on an empty map that eventually became the new countries of Iraq, Israel, Jordan, and Lebanon. Focusing on the formative years of 1914 to 1922, when all-even an alliance between Arab nationalism and Zionism-seemed possible he raises questions about what might have been done differently, and answers questions about why things were done as they were. The current battle for a Palestinian homeland has its roots in these events of 85 years ago.