It's a wise and wacky look at our recent past seen through a fun-house mirror...it's a satire on our violent, inexplicable, wonderful world...and it's a mind trip inward to expose our deepest hopes and fears.The missing plutonium a terrorist group turns into nuclear devices, the Mad Fishmonger, the future America called Unistat, our hero Benny "Eggs" Benedict, and the Invisible Hand are real but beyond the Black Hole, out of space, out of time—in the universe next door.

    But now Cobb is just an aging alcoholic waiting to die, and the big boppers are threatening to absorb all of the little boppers--and eventually every human--into a giant, melded consciousness. Some of the little boppers aren't too keen on the idea, and a full-scale robot revolt is underway on the moon (where the boppers live). Meanwhile, bopper Ralph Numbers wants to give Cobb immortality by letting a big bopper slice up his brain and tape his "software." It seems like a good idea to Cobb.

    Helliconia is emerging from its centuries-long winter. The tribes of the equatorial continent emerge from their hiding places and are again able to dispute possession of the planet with the ferocious phagors. In Oldorando, love, trade and coinage are being redisovered,This is the first volume of the Helliconia Trilogy -- a monumental saga that goes beyond anything yet created by this master among today's imaginative writers.

    In a society where the ability to see the higher end of the color spectrum denotes a better social standing, Eddie Russet belongs to the low-level House of Red and can see his own color—but no other. The sky, the grass, and everything in between are all just shades of grey, and must be colorized by artificial means. Eddie's world wasn't always like this. There's evidence of a never-discussed disaster and now, many years later, technology is poor, news sporadic, the notion of change abhorrent, and nighttime is terrifying: no one can see in the dark. Everyone abides by a bizarre regime of rules and regulations, a system of merits and demerits, where punishment can result in permanent expulsion. Eddie, who works for the Color Control Agency, might well have lived out his rose-tinted life without a hitch. But that changes when he becomes smitten with Jane, a Grey, which is low-caste in this color-centric world. She shows Eddie that all is not well with the world he thinks is just and good. Together, they engage in dangerous revolutionary talk.

    His only clues point to a conspiracy that reaches far beyond his own murder, and survival lies in discovering other fugitives who know the truth about the ultimate weapon of chaos and salvation. Reprint.

    Destroyer of Worlds. Conqueror of Other Worlds. Mad Genius. Ex-Warlord of Earth.Not bad for a guy without a spine.But what's a villain to do after he's done . . . everything. With no new ambitions, he's happy to pitch in and solve the energy crisis or repel alien invaders should the need arise, but if he had his way, he'd prefer to be left alone to explore the boundaries of dangerous science. Just as a hobby, of course.Retirement isn't easy though. If the boredom doesn't get him, there's always the Venusians. Or the Saturnites. Or the Mercurials. Or . . . well, you get the idea. If that wasn't bad enough, there's also the assassins of a legendary death cult and an up-and-coming megalomaniac (as brilliant as he is bodiless) who have marked Emperor for their own nefarious purposes. But Mollusk isn't about to let the Earth slip out of his own tentacles and into the less capable clutches of another. So it's time to dust off the old death ray and come out of retirement. Except this time, he's not out to rule the world. He's out to save it from the peril of THE SINISTER BRAIN!

    The Wersgorix, whose scouting ship it is, are quite expert at taking over planets, and having determined from orbit that this one was suitable, they initiate standard world-conquering procedure. Ah, but this time it's no mere primitives the Wersgorix seek to enslave; they've launched their invasion against free Englishmen! In the end, only one alien is left alive; and Sir Roger's grand vision is born. He intends for the creature to fly the ship first to France to aid his King, then on to the Holy Land to vanquish the infidel. Unfortunately, he has not allowed for the treachery of the alien pilot, who instead takes the craft to his home planet, where, he thinks, these upstart barbarians will have no choice but to surrender. But that knavish alien little understands the indomitable will and clever resourcefulness of Englishmen, no matter how great the odds against them. . .

    Ballard's mesmerizing and ferociously prescient novel imagines a terrifying future in which solar radiation and global warming have melted the polar ice caps and Triassic-era jungles have overrun a submerged and tropical London. Set during the year 2145, the novel follows biologist Dr. Robert Kerans and his team of scientists as they confront a surreal cityscape populated by giant iguanas, albino alligators, and endless swarms of malarial insects. Nature has swallowed all but a few remnants of human civilization, and, slowly, Kerans and his companions are transformed—both physically and psychologically—by this prehistoric environment. Echoing Joseph Conrad's Heart of Darkness—complete with a mad white hunter and his hordes of native soldiers—this "powerful and beautifully clear" (Brian Aldiss) work becomes a thrilling adventure and a haunting examination of the effects of environmental collapse on the human mind.

    Did some cryptic patron race begin the job long ago, then abandon us? Or did we leap all by ourselves? That question burns, yet a greater mystery looms ahead, in the furnace of a star. Under the caverns of Mercury, Expedition Sundiver prepares for the most momentous voyage in our history – into the boiling inferno of the sun, seeking our destiny in the cosmic order of life.

    He was the first man to see a Martian...but he wasn't the last!It was estimated that a billion of them had arrived, one to every three human beings on Earth—obnoxious green creatures who could be seen and heard, but not harmed and who probed private sex lives as shamelessly as they probed government secrets.No one knew why they had come. No one knew how to make them go away—except, perhaps, Luke Devereaux. Unfortunately Devereaux was going slightly bananas, so it wouldn't be easy.But for a science-fiction writer nothing was impossible...

    In this nightmare society, air pollution is so bad that gas masks are commonplace. Infant mortality is up, and everyone seems to suffer from some form of ailment.

    With reckless abandon, he used his talent in the pursuit of pleasure. Then, one day, his power began to die... Universally acclaimed as Robert Silverberg's masterwork, Dying Inside is a vivid, harrowing portrait of a man who squandered a remarkable gift, of a superman who had to learn what it was to be human.

    Roger McPherson, head of the prestigious Neuropsychiatric Research Unit at University Hospital in Los Angeles, is convinced he can cure Benson through a procedure called Stage Three. During this highly specialized experimental surgery, electrodes will be place in the patient's brain, sending monitored, soothing pulses to its pleasure canyons.Though the operation is a success, there is an unforseen development. Benson learns how to control the pulses and is increasing their frequency. He escapes -- a homicidal maniac loose in the city -- and nothing will stop his murderous rampages or impede his deadly agenda. . .

    He finds himself on a collision course that results in a desperate romance, and a journey into the ecstasy and dread that mirror each other at the heart of the postmodern experience.

    Hellstrom's Project 40 was a cover for a secret laboratory, a special team of agents was immediately dispatched to discover its true purpose and its weaknesses—it could not be allowed to continue. What they discovered was a nightmare more horrific and hideous than even their paranoid government minds could devise.First published in Galaxy magazine in 1973 as "Project 40," Frank Herbert's vivid imagination and brilliant view of nature and ecology have never been more evident than in this classic of science fiction.