It includes poems by Edmund Blunden, Rupert Brooke, Robert Graves, Wilfred Owen, Isaac Rosenberg, Siegfried Sassoon and sixty-six others.

    Some of the letters collected here are eloquent declarations of love and longing; others contain wrenching accounts of fear, jealousy and betrayal; many share sweet dreams of home. But in all the correspondence – whether from British, American, French, German, Russian, Australian and Canadian troops in the height of battle, or from the heartbroken wives and sweethearts left behind – there lies a truly human portrait of love and war. Each of the letters, many of which have never before been published, is introduced by a brief piece about the characters, some of whom were parted for ever by the tragedy of war; others reunited. A century on from the start of the First World War, these letters offer an intimate glimpse into the hearts of men and women separated by conflict, and show how love can transcend even the bleakest and most devastating of realities.

    This selection, made by a poet who shares Edward Thomas's deep but unsentimental feeling for and response to nature, reinforces Thomas's claim to centrality.

    Although they knew each other for just a few short years and spent a great deal of that time due to Keats' worsening illness, which forced him to live abroad, Keats wrote again and again about Fanny--his very last poem is called simply "To Fanny"--and wrote love letters to her constantly. She, in turn, would wear the ring he had given her until her death.This remarkable volume contains the love poems and correspondence composed by Keats in the heat of his passion, and is a dazzling display of a talent cruelly cut short.

    You'll be good at it. And I had said, 'Are you on crack?' And he replied, continuing to fold a blue twill jacket, ""Yes, a little.""--Lorrie Moore'Hey,' Paul yelled out. 'Why's everybody talking behind the patient's back?' 'Shut up, we're having sex,' she called back. She poured a cup for herself. 'He seems pretty chipper this morning.' 'Yeah, I don't know what to hope for,' I said. 'Quality, I guess. And then not too much quantity.' --David Gates'If everything we said had been a poem, the index of first lines would have formed a pattern: 'Do you remember', 'Tell me if I remember wrong', 'There was that time', 'Wasn't it funny when' --Anne BeattieAnd Abeer Ayyoub, Bernard Cooper, Olivia Laing, Laura Kasischke, Thomas McGuane, Colin McAdam, Katherine Faw Morris, Melinda Moustakis, Norman Rush, Edmund White and Joy Williams

    Acclaimed poet and World War II veteran Harvey Shapiro's pathbreaking gathering of work by more than sixty poets of the war years includes Randall Jarrell, Anthony Hecht, George Oppen, Richard Eberhart, William Bronk, and Woody Guthrie.

    During that time, the Revolution came closer to being lost than at any time in the previous half dozen. The British still held New York, Savannah, Wilmington, and Charleston; the Royal Navy controlled the seas; the states--despite having signed the Articles of Confederation earlier that year--retained their individual sovereignty and, largely bankrupt themselves, refused to send any money in the new nation's interest; members of Congress were in constant disagreement; and the Continental army was on the verge of mutiny.William Fowler's An American Crisis chronicles these tumultuous and dramatic two years, from Yorktown until the British left New York in November 1783. At their heart was the remarkable speech Gen. George Washington gave to his troops evcamped north of New York in Newburgh, quelling a brewing rebellion that could have overturned the nascent government.

    The war at sea was a critical contest, as sea-lanes provided the logistical arteries for British and subsequent Allied armies fighting on the three continents of Africa, Asia, and Europe. Land forces ultimately won World War II, but the battles at sea fundamentally altered the balance of military power on the ground.

    in the first 20 months of US involvement in the First World War. Of these, over 50,000 were killed on European soil. These were the Doughboys, the young men recruited from the cities and farms of the United Sates, who travelled across the Atlantic to aid the allies in the trenches and on the battlefields. Without their courage and determination, the outcome of the war would have been very different. Why did America become involved in the First World War? What was the fighting experience of the A.E.F. in France and Russia? Most importantly, why has the vital contribution made by the Americans been largely neglected by historians of the Great War? Drawing upon the often harrowing personal accounts of the soldiers of the A.E.F., this book establishes the pivotal role played by the Americans in the defeat of the central powers in November 1918. In this fascinating study, based on original research, Gary Mead adjusts the balance of history in favour of these unsung heroes. Drawing on a rich selection of engaging personal accounts, he brings us the stories of the young men whose courage and tenacity changed the course of the war. ‘The appearance of the Americans was decisive...the achievements of the doughboys were unfairly forgotten’ – John Keegan, Daily Telegraph ‘Gary Mead argues that Europeans, especially the British and French, have allowed a fog of ignorance and forgetfulness to obscure the decisive role of America's doughboys...Their story is well worth telling.’ – Charles Wheeler, Literary Review ‘Mead has done a good job in placing the AEF where it heroically belongs...[he] does well to set the record straight.’ – Cal McCrystal, Financial Times ‘A fine account of the Great War...an impressive historical debut that gazes behind time's curtain at the startling, pivotal experiences of the American fighting men of WWI’ – Kirkus Reviews Gary Mead was a journalist for the Financial Times for ten years and has worked extensively with the BBC. Endeavour Press is the UK’s leading independent publisher of digital books.

    One hundred years after his release from Reading Gaol, the life and work of Oscar Wilde has lost none of its fascination. In his day, his wit and writings enchanted and scandalized society in equal measure; his downfall came at the height of his powers. Devastated by his notorious trial for indecency, imprisoned for ``homosexual offenses,'' he was to spend two ruinous years in solitary confinement. As he was later to tell Andre Gide, Reading Gaol ``was not fit for dogs. I thought I would go mad.'' The Ballad was written from personal experience, and there was to be no more writing after this. As Wilde observed: ``Something is killed in me.'' Bankrupt, disgraced, and in exile, Wilde was to die not long after his release at the age of 46. His final resting place is the cemetery of Pere Lachaise in Paris. His tomb bears an inscription from The Ballad of Reading Gaol: ``And alien tears will fill for him/Pity's long broken urn/For his mourners will be outcast men/And outcasts always mourn.'' This commemorative edition of the poem is illustrated with the powerfully moving wood engravings of Garrick Palmer. 48 pp 5 x 8 8 wood engravings

    They must truly accept the tragic past or risk losing the peace of the future together. First U.S. publication. Simultaneous with a hardcover library edition.

    More witty and stylish poetic therapy for the Venus and Mars generation.

    Disillusioned with the dullness and amorality of the banking world, he escapes back to the army for a third tour of duty. But in Afghanistan he discovers the savage, dehumanizing effects that war has on both the body and the mind. Diagnosed with chronic PTSD on his return, he must now fight the last enemy—himself—in order to exorcise the ghosts of his past. Brutally honest and beautifully written, this memoir brings home the harsh reality of frontline combat in Iraq and Afghanistan, and the courage of the troops who risk their lives for their country, as well as revealing the devastating aftereffects of service.

    Evincing the power of translation as a poetic device to navigate historical and linguistic borders, it explores Edward Said's notion of "the intertwined and overlapping histories" in regards to South Korea and the United States through innovative deployments of voice, story, and poetics. Like its sister book, Hardly War, it holds history accountable, its very presence a resistance to empire and a hope in humankind.

    He has shared these PostSecrets on his award-winning blog, in an internationally traveling art exhibit, and in three electrifying books: the bestselling PostSecret, My Secret, and The Secret Lives of Men and Women.Now, in his most extraordinary book yet, Warren again delves into our collective confessions, presenting a never-before-seen selection of provocative and moving PostSecrets. A Lifetime of Secrets lays bare our private fears, hopes, regrets, and desires, from people as young as eight and as old as eighty. From painful admissions of infidelity to breathtaking revelations and endearing sentiments, Warren’s latest collection will shock and move readers of every age, revealing secrets that have haunted their creators for a lifetime.