We cannot quote Shakespeare to describe a headache. We must, Woolf says, invent language to describe pain. And though illness enhances our perceptions, she observes that it reduces self-consciousness; it is "the great confessional." Woolf discusses the cultural taboos associated with illness and explores how illness changes the way we read. Poems clarify and astonish, Shakespeare exudes new brilliance, and so does melodramatic fiction!On Being Ill was published as an individual volume by Hogarth Press in 1930. While other Woolf essays, such as A Room of One’s Own and Three Guineas, were first published by Hogarth as individual volumes and have since been widely available, On Being Ill has been overlooked. The Paris Press edition features original cover art by Woolf’s sister, the painter Vanessa Bell. Hermione Lee’s Introduction discusses this extraordinary work, and explores Woolf’s revelations about poetry, language, and illness.

    Drawing on photos, anecdotes, and, most important, the way he hears the music, Dyer imaginatively reconstructs scenes from the embattled lives of some of the world's greats: Lester Young fading away in a hotel room; Charles Mingus storming down the streets of New York on a too-small bicycle; Thelonius Monk creating his own private language on the piano. However, music is the driving force of But Beautiful, and Dyer brings it to life in luminescent and wildly metaphoric prose that mirrors the quirks, eccentricity, and brilliance of each musician’s style.

    Its uniqueness springs from qualities that anticipate the preoccupations of modern-day narrative. Not content with being a love story fraught with risk and intrigue, the poem is layered with responses to the troubadour tradition of love and poetry, as well as the Bible and the classics. Though among the most bookish of romances, its tone is invariably ironic, comic, and satirical. This playfulness may be measured by the variety and vehemence of critical response to the poem. Is it a vindication of the troubadour ideal, a mockery of the Church, a satire on jealous husbands, or an undermining of the ideals that romance is said to inscribe? Or is it all of these elements held in suspense? The introduction confronts these questions.The most recent edition and translation of "Flamenca," by Hubert and Porter, is now out of print; their translation was into octosyllabic couplets that match the original. Blodgett's translation is unrhymed and line-for-line, on pages facing the edition; it adhers as closely as possible to the literal meaning of the original. The edition follows the recent text prepared by Gschwind.

    Here, at his adventurous best, he is out and about with people who work in freight transportation.Over the past eight years, John McPhee has spent considerable time in the company of people who work in freight transportation. Uncommon Carriers is his sketchbook of them and of his journeys with them. He rides from Atlanta to Tacoma alongside Don Ainsworth, owner and operator of a sixty-five-foot, eighteen-wheel chemical tanker carrying hazmats. McPhee attends ship-handling school on a pond in the foothills of the French Alps, where, for a tuition of $15,000 a week, skippers of the largest ocean ships refine their capabilities in twenty-foot scale models. He goes up the tight-assed Illinois River on atowboat pushing a triple string of barges, the overall vessel being a good deal longer than the Titanic. And he travels by canoe up the canal-and-lock commercial waterways traveled by Henry David Thoreau and his brother, John, in a homemade skiff in 1839.Uncommon Carriers is classic work by McPhee, in prose distinguished, as always, by its author's warm humor, keen insight, and rich sense of human character.

    The ultimate back story of the original Dracula, and its creator, Bram Stoker.Best-selling author Frank Delaney deconstructs the Vampire myth through the ages, and shows us how Stoker’s 1897 novel, one of the most widely read books of all time, heightened the allure of sex, the glamour of blood, and the defeat of death in a way that continues to pulse - and faster than ever - on the page and on the screen.

    Gordon Thomas's 1999 publication of Gideon's Spies, resulting from closed-door interviews with Mossad agents, informants, and spymasters as well as from classified documents and top-secret sources, revealed previously untold truths about the Israeli intelligence agency. And now, in this edition, Thomas updates his classic text and shows the Mossad as it truly is: brilliant, ruthless, and flawed, but ultimately awesome.Three all-new chapters cover topics including:- How the Mossad planned to assassinate Saddam Hussein- Saddam's food-testing ritual, and the surprising "source" within his government- China's U.S.-based front-companies, and its relationship with bin Laden- Mossad's untold role in the events before and after 9/11- Mossad and revelations about Princess Diana's death- The disappearance of the millions transferred from the Vatican Bank to the Polish Solidarity movement- How extremists recruit suicide bombers, including women- Mossad's untold role in the Iraq war and the hunts for Saddam and bin Laden- Saddam's plans for trial

    She is a lover of art, the humanities, and the sciences. She is a novelist and a feminist. Her lively, lucid essays in A Woman Looking at Men Looking at Women begin to make some sense of those plural perspectives.Divided into three parts, the first section, “A Woman Looking at Men Looking at Women,” investigates the perceptual and gender biases that affect how we judge art, literature, and the world in general. Among the legendary figures considered are Picasso, De Kooning, Jeff Koons, Louise Bourgeois, Anselm Kiefer, Susan Sontag, Robert Mapplethorpe, the Guerrilla Girls, and Karl Ove Knausgaard.The second part, “The Delusions of Certainty,” is about the age-old mind/body problem that has haunted Western philosophy since the Greeks. Hustvedt explains the relationship between the mental and the physical realms, showing what lies beyond the argument—desire, belief, and the imagination.The final section, “What Are We? Lectures on the Human Condition,” discusses neurological disorders and the mysteries of hysteria. Drawing on research in sociology, neurobiology, history, genetics, statistics, psychology, and psychiatry, this section also contains a profound and powerful consideration of suicide.There has been much talk about building a beautiful bridge across the chasm that separates the sciences and the humanities. At the moment, we have only a wobbly walkway, but Hustvedt is encouraged by the travelers making their way across it in both directions. A Woman Looking at Men Looking at Women is an insightful account of the journeys back and forth.

    The complete collection of articles and emails from 27bslash6 such as Overdue Account, Party in Apartment 3 and Strata Agreement plus articles too litigious to be on the website.

    The collection consists of five short stories: 'The Small Rain', 'Lowlands', 'Entropy', 'Under the Rose', and 'The Secret Integration', as well as an introduction written by Pynchon himself for the 1984 publication. The five stories were originally published individually in various literary magazines but in 1984, after Pynchon had achieved greater recognition, Slow Learner was published to collect and copyright the stories into one volume. The introduction also offers a rare insight into Pynchon's own views on his work and influences.

    In this selection of essays, he ranges from reflections on his boyhood schooling and the profession of writing to his views on the Spanish Civil War and British imperialism. The pieces collected here include the relatively unfamiliar and the more celebrated, making it an ideal compilation for both new and dedicated readers of Orwell's work.

    Rather than improving life, multitasking, "user-friendly" technology, and the culture of convenience are producing disorders that range from depression to attention deficit disorder to borderline personality disorder. Byung-Chul Han interprets the spreading malaise as an inability to manage negative experiences in an age characterized by excessive positivity and the universal availability of people and goods. Stress and exhaustion are not just personal experiences, but social and historical phenomena as well. Denouncing a world in which every against-the-grain response can lead to further disempowerment, he draws on literature, philosophy, and the social and natural sciences to explore the stakes of sacrificing intermittent intellectual reflection for constant neural connection.

    Master of the short story form, Edgar Allan Poe composed tales of terror, horror, death, ruin, murder, and revenge. Many of the sixty-eight tales included in this collection—"The Pit and the Pendulum," "The Black Cat," "The Fall of the House of Usher," "The Masque of the Red Death," and "The Tell-Tale Heart," for example—have become landmarks of our literature. Poe also wrote the world's first detective story, "The Murders in the Rue Morgue," which introduced C. Auguste Dupin, the paragon of that now ubiquitous modern character: the thinking man's sleuth. This volume also includes Poe's novella The Narrative of Arthur Gordon Pym, an unearthly sea adventure replete with shipwrecks, ghastly specters and the eternal lure of the unknown.

    This book will help you make of love a healthful experience.

    Thompson, Charles Bukowski, and William S. Burroughs, and has been called “a grand storyteller” (Diario Jornada) and “an icon” (Frente). In these seven surreal and unsettling tales, he portrays the comedy and brutality of a region that has captivated the North American imagination.Akin to Márquez’s Macondo or Faulkner’s Yoknapatawpha County, Velázquez’s PopSTock! is a fictional territory in a familiar but strange northern Mexico. Throughout the stories is woven the Cowboy Bible—a mystical and protean object that first appears as the talisman of a Santería-practicing luchador, DJ, and art critic, then later morphs into an unbeatable marathon drinker, a scion of a fried-chicken vendor dynasty who becomes a Communist guerilla freedom fighter, and the leather for a pair of boots so coveted that it leads a man to grant the devil a night with his wife. With such otherworldly scenarios, pop-culture panache, and Velázquez’s linguistic inventiveness, The Cowboy Bible is a brazen commentary on modern Mexican reality.

    Judt masterfully crystallizes what we’ve all been feeling into a way to think our way into, and thus out of, our great collective dis-ease about the current state of things.As the economic collapse of 2008 made clear, the social contract that defined postwar life in Europe and America – the guarantee of a basal level of security, stability and fairness -- is no longer guaranteed; in fact, it’s no longer part of the common discourse. Judt offers the language we need to address our common needs, rejecting the nihilistic individualism of the far right and the debunked socialism of the past. To find a way forward, we must look to our not so distant past and to social democracy in action: to re-enshrining fairness over mere efficiency.Distinctly absent from our national dialogue, social democrats believe that the state can play an enhanced role in our lives without threatening our liberties. Instead of placing blind faith in the market—as we have to our detriment for the past thirty years—social democrats entrust their fellow citizens and the state itself.Ill Fares the Land challenges us to confront our societal ills and to shoulder responsibility for the world we live in. For hope remains. In reintroducing alternatives to the status quo, Judt reinvigorates our political conversation, providing the tools necessary to imagine a new form of governance, a new way of life.