Eustace is the bastard son of an earl, Giselle the sheltered daughter of a dotting gentry father, and Robert the son of an impoverished village carpenter. In ordinary times, their lives would not intersect. But when Robert breaks his uncle out of Earl Roger FitzWalter’s gaol, he sets in motion a series of events that sends their lives colliding in a maelstrom of murder and revenge that drives them all outside the laws and customs of England. Step into the tumultuous years of the Twelfth Century, and stand alongside Eustace as he schemes to inherit his father’s title, lands, and power, using every means within his grasp; Giselle as she fights to free herself from a forced marriage and to save her inheritance; and Robert as he struggles to rise above the limitations of his birth in the face of Eustace’s quest for vengeance. A saga to rival Ken Follett’s Pillars of the Earth, The Outlaws sweeps from serene English villages and quiet forest glens, to French battlefields, remote Welsh fortresses, and even the court of King Henry II, where nobles and clergy vie for power and wealth, and disputes are often decided with steel and blood. The Outlaws is sure to please fans of the Stephen Attebrook mysteries, for it reveals the truth about the founding of the powerful Attebrook family — a secret that family would sooner forget.

    Such is a fair summary of the evidence offered in Hildegard of Bingen, a biography by Fiona Maddocks (the chief music critic for London's The Observer). Hildegard is today best known for her haunting musical compositions. She was also, in Maddocks's description, "a polymath: a visionary, a theologian, a preacher; an early scientist and physician; a prodigious letter writer who numbered emperors and popes among her correspondents ... Her boldness, courage, and tenacity made her at once enthralling and haughty, intrepid, and irksome." This is a straightforward, chronologically organized biography, beginning with Hildegard's girlhood (she entered a male monastery when she was 8 years old) and ending with the story of her canonization and a contemporary account of the procession that occurs annually on her feast day in Eibingen, the site of the second convent she founded. Throughout, Maddocks reminds readers of the rich historical background of Hildegard's life (the Crusades, the rise of monasticism, the beginnings of the Renaissance), offering not only an account of one extraordinary woman but of an era whose influence on our own is still being felt. --Michael Joseph Gross

    This text presents a new reading of the Bayeux tapestry that radically alters our understanding of the events of 1066 and reveals the astonishing story of early Medieval Europe's greatest treasure.

    Juxtaposing theology and science, poetry and mysticism, Eco explores the relationship that existed between the aesthetic theories and the artistic experience and practice of medieval culture.  “[A] delightful study. . . . [Eco’s] remarkably lucid and readable essay is full of contemporary relevance and informed by the energies of a man in love with his subject.” —Robert Taylor, Boston Globe “The book lays out so many exciting ideas and interesting facts that readers will find it gripping.” —Washington Post Book World  “A lively introduction to the subject.” —Michael Camille, The Burlington Magazine “If you want to become acquainted with medieval aesthetics, you will not find a more scrupulously researched, better written (or better translated), intelligent and illuminating introduction than Eco’s short volume.” —D. C. Barrett, Art Monthly

    Peasants, servants, prostitutes and beggars all found their place, along with knights and clerics, engaged in impudent antics in the margins of prayer-books or, as gargoyles, on the outsides of churches. Camille brings us to an understanding of how marginality functioned in medieval culture and shows us just how scandalous, subversive, and amazing the art of the time could be.

    Since then, a number of historians have built on Jonathan Riley-Smith's original conclusions. Now in its fourth edition, this classic starting point for the study of the crusading movement has been updated to take into account the latest developments in the field.What Were the Crusades?   elucidates key ideas and institutions which have been neglected in the past   demonstrates, through the analysis of European campaigns, that the movement was not confined to expeditions launched to recover the Holy Land - or to defend the Christian presence there - and shows that it continued, in one form or another, into the eighteenth century and perhaps beyond   draws attention to the increasing interest of historians in the motivation of crusaders   now includes material on a child crusader and concludes with a short discussion of the current effects of aggressive Pan-Islamism   features a new map illustrating the different theatres of war       Original in its conception, this essential guide is a contribution of major importance to crusading scholarship. In its clear and concise treatment of the issues, it remains an unequalled introduction to the subject for students and general readers alike.

    The name evokes grandeur and exoticism - gold, cunning, and complexity. In this unique book, Judith Herrin unveils the riches of a quite different civilization. Avoiding a standard chronological account of the Byzantine Empire's millennium - long history, she identifies the fundamental questions about Byzantium - what it was, and what special significance it holds for us today.Bringing the latest scholarship to a general audience in accessible prose, Herrin focuses each short chapter around a representative theme, event, monument, or historical figure, and examines it within the full sweep of Byzantine history - from the foundation of Constantinople, the magnificent capital city built by Constantine the Great, to its capture by the Ottoman Turks.She argues that Byzantium's crucial role as the eastern defender of Christendom against Muslim expansion during the early Middle Ages made Europe - and the modern Western world - possible. Herrin captivates us with her discussions of all facets of Byzantine culture and society. She walks us through the complex ceremonies of the imperial court. She describes the transcendent beauty and power of the church of Hagia Sophia, as well as chariot races, monastic spirituality, diplomacy, and literature. She reveals the fascinating worlds of military usurpers and ascetics, eunuchs and courtesans, and artisans who fashioned the silks, icons, ivories, and mosaics so readily associated with Byzantine art.An innovative history written by one of our foremost scholars, Byzantium reveals this great civilization's rise to military and cultural supremacy, its spectacular destruction by the Fourth Crusade, and its revival and final conquest in 1453.

    Did they bring their treasure to North America, as some legends say? This definitive work about the Templars and their presumed hidden knowledge addresses many such fascinating questions, with rare photos from the Rosslyn Chapel Museum (Scotland) included.

    The illicit liaison triggers a chain of events that will destroy two kingdoms and bring down a dynasty.Set against the backdrop of the pagan-Christian conflict between kings Penda and Oswiu The Song of Heledd sweeps the reader from the ancient kingdom of Pengwern to the lofty summits of Gwynedd where Heledd battles to control both her own destiny and that of those around her. Judith Arnopp has carried out lengthy research into the fragmented ninth century poems, Canu Llywarch Hen and Canu Heledd, and the history surrounding them to produce a fiction of what might have been.

    During a day tour to Glasgow, they visit a medieval museum on a whim – something Katie is not so excited about. As John falls in love with the medieval displays, Katie can't help but notice a strange, squirmy little man seemingly following her. “Can I help you?” The squirmish man – startled, looks up at Katie. “I am Dr. Oscar Wellesley.” He introduces himself and invites both Katie and John into a vault in the basement, to pick out a love story which describes two ancient Picts – a startling resemblance in looks to both Katie and John. They were involved in fighting off the Romans and, according to the story, were key to the withdrawal of the Romans from Southern Scotland.  “What the hell.” As the two are shocked by what they read in the book, they find themselves losing grip on reality. As they come back to consciousness, there is no museum, no vault – just mud, grass and an ancient battlefield. During this time and era, Katie and John discover their true past and begin to realize who they are and what they have become. What happens to Katie and John as they make their way through time? Will they ever make it back to present day? Do they find the love which had once bonded the two together? Find out in this heartwarming Scottish Historical Time Travel Romance.

    150 and c. 750, came to differ from "Classical civilization."These centuries, as the author demonstrates, were the era in which the most deeply rooted of ancient institutions disappeared for all time. By 476 the Roman empire had vanished from western Europe; by 655 the Persian empire had vanished from the Near East.Peter Brown, Professor of History at Princeton University, examines these changes and men's reactions to them, but his account shows that the period was also one of outstanding new beginnings and defines the far-reaching impact both of Christianity on Europe and of Islam on the Near East. The result is a lucid answer to a crucial question in world history; how the exceptionally homogeneous Mediterranean world of c. 200 became divided into the three mutually estranged societies of the Middle Ages: Catholic Western Europe, Byzantium and Islam. We still live with the results of these contrasts.

    In this book, award-winning author Richard Fletcher illuminates English society and politics in the years around the Norman Conquest, threading together scanty documentary evidence to produce a rich narrative.

    He only stops travelling when he reaches Kent and there his life is dramatically altered, when he is adopted by a loving old lady and her roguish son Tom.

    In a revised edition of Furta Sacra, Patrick Geary considers the social and cultural context for these acts, asking how the relics were perceived and why the thefts met with the approval of medieval Christians.