Simak (1904-1988). When the Science Fiction Writers of America began bestowing their Grand Master awards, Simak was the third writer so honored. Only Robert Heinlein and Jack Williamson preceded him, and he received his award before such luminaries as Fritz Leiber, Isaac Asimov, and Ray Bradbury. Simak earned this distinction by producing, over a long period of time, a significant body of popular, respected, often award-winning work, including his classics City and Way Station, and many shorter works, eight of which are contained in this collection. Readers unfamiliar with Simak are in for a treat. More than half of the stories here were among the best stories of their respective years. "The Big Front Yard" (1958) won a Hugo. "A Death in the House" (1959) was selected by Judith Merril for Year's Best SF: Fifth Annual Edition. "Over the River and Through the Woods" (1965) made the cut for World's Best Science Fiction: 1966 edited by Donald Wollheim.Contents: A Death in the House The Big Front Yard Goodnight Mr. James Dusty Zebra Neighbor Over the River & Through the Woods Construction Shack Grotto of the Dancing Deer [He] wrote for so long and always so well that his excellence came to be taken for granted, as we take sunlight for granted until we go blind. - Poul Anderson I read Cliff's stories with particular attention, and I couldn't help but notice the simplicity and directness of the writing - the utter clarity of it. I made up my mind to imitate it, and I labored over the years to make my writing simpler, clearer, more uncluttered, to present my scenes on a bare stage. - Isaac Asimov Without Simak, science fiction would have been without its most humane element, its most humane spokesman for the wisdom of the ordinary person and the value of life lived close to the land. - James Gunn Good fantasy - and that includes science fiction - takes off from the known for its flights into the new. Cliff Simak was a master of the art. His known was the rural Midwest that he loved. His new could reach to the ends of space and time, but never beyond reality. Even his cosmic aliens always had half human dimensions that made them believable. I loved him, as so many did, for his unfailing warmth and a wit that was keen but never cruel. I heard from him often during the painful time after his wife's death. His own death touched me deeply, and I'm happy to see him remembered with this collection of his best-loved stories. - Jack Williamson I always loved his stories, short or long. He made me love them -and the rural America of his childhood - as much as he did. - Lester del Rey Ten years ago it would have been inconceivable that a volume of the best stories of Clifford Simak (author of the classic City) would not have been published by Putnam or Del Rey, but today we have to be grateful to the one-man firm of Tachyon Publications for preserving Over the River and Through the Woods, which includes some of Simak's best stories, including two Hugo Award winners. After all, Simak is dead, which means his career is flatlined, even if Robert Heinlein said, "to read science fiction is to read Simak. The reader who does not like Simak stories does not like science fiction at all." Simak was a master of a special kind of nostalgic science fiction that reconciled the values of his youth (the rural Midwest of the 1920s) with the larger universe. Material that became ludicrous cliche in the hands of lesser writers - all those endless flying saucers landing in the hillbilly's back acre - was by Simak handled with elegance and dignity."A Death in the House" is typical: A farmer finds a dying alien. He does what he can, but that's very little. The farmer conceals the grave, wanting to give his "guest" that much dignity. But the alien is plantlike. It (or its young) sprouts out of the corpse. Human and alien struggle toward understanding. In "The Big Front Yard," a rural handyman finds his house transformed into a gateway to other worlds. The common people have the good sense; trouble starts when profiteers and the government get involved. The tone is light, friendly and clever. This is not to suggest that Simak was a writer with no hard edges. "Good Night Mr. James" is a horror story, about a duplicate human being created to destroy a particularly nasty alien illegally smuggled to Earth. But the gentler mode was more typical, and he could also write humor. "Dusty Zebra" is a long technological joke, maybe a bit slight to be included when a 50-year career must be distilled into 218 pages. Simak's last story, the last in the book, "The Grotto of the Dancing Deer," is about an immortal caveman, quite different from de Camp's "Gnarly Man." He is the original artist who painted that cave art the scientists keep finding; after all this time, he just has to tell someone. The story won both the Hugo and the Nebula for 1980, because both readers and fellow professionals wanted to say "thank you." - The Washington Post Book World Clifford D. Simak is another classic SF writer who staked out a distinctive territory based on his rural midwestern roots - only a couple hundred miles north of Bradbury's - but he never strayed very far from a few classic SF themes which he treated with considerably more rigor than Bradbury, if sometimes with as much sentimentality. Simak's City is at least as important to the history of SF as Bradbury's The Martian Chronicles - some would say more so, given its more challenging conceptual framework - and his other short stories are among the most enduring in the genre, as Over the River & Through the Woods, a new limited edition from Tachyon Publications, attests. Yet Simak, like Sturgeon, seems in danger of fading into the limbo of historical anthologies; while his work was once as widely available as that of any of the giants, today these stories seem almost like new discoveries - and are just as fresh. Part of the reason may be not that Simak's folksy language seems to belie the underlying sense of alienation and tragedy that characterizes much of his work; part may be due to the rediscovery of American regional idioms among younger SF writers from Terry Bisson to Nancy Kress . . . 'Over the River & Through the Woods' contains eight Simak stories from 1951 through 1980 - which means it includes none of the classic stories like "Desertion" or "Huddling Place", which later went to make up City, but does include his late Hugo and Nebula-winning masterpiece "The Grotto of the Dancing Deer" and the Hugo-winning "The Big Front Yard." One of the first things that comes to mind when rereading the latter story after several years - it concerns a characteristically laconic farmer with a dog named Towser (the only name Simak seems to have permitted for dogs) who finds on his property a gateway to distant worlds - is that few contemporary writers would have let such a simple and elegant premise be confined to a novella. Simak's focus is on the unimpressed rustic whose very lack of response to the wonder at his doorstep intensifies our own. When a rustic is impressed by an alien presence, such as in "A Death in the House," it is less likely to be from a sense of wonder than from a sense of companionship. Simak's roots may be firmly in SF, but he writes of alien encounters in a way Willa Cather might have written of them. Aliens are strange but unthreatening, and in some cases (as in "Neighbor") they can turn the entire neighborhood into a pastoral Shangri-la, isolated from the outside in a way that encapsulates what must be Simak's own drams of lost innocence. But Simak could write about more than wonderful things happening to remote farmers. "Good Night, Mr. James" is a very early treatment (1951) of what we would today call a cloning story, done with the kind of cynical humor that is needed for what is essentially a double- and triple-cross tale. It reveals Simak's healthy streak of humor, as does "Dusty Zebra," in which trivial objects are zapped into another dimension in return for high-tech wonders. "Construction Shack" ironically explores an almost Stapledonian notion of whole solar systems being engineered by ancient aliens (Pluto is the construction shack of the title), cast in terms of the matter-of-fact space jockeys so familiar from pulp SF. Simak may be at his best, however, when his theme is isolation and abandonment. The title story concerns children from the future sent back to the refuge of the 1890s. The best tale in the collection and one of the high points of Simak's late career, "The Grotto of the Dancing Deer," concerns an anthropologist who comes to realize that his assistant seems to know far too much about certain ancient cave paintings, and may in fact have been their creator. Simak's evocation, in a few pages, of the sheer loneliness of immortality and the daunting perspectives of time involved, again could be a lesson to a generation of younger writers, and reminds us brilliantly of what Simak was capable of. - Locus

    It centers on three editors, Harry Bates, F. Orlin Tremaine, and John W. Campbell, who created the magazine now known as Analog (until 1960 it was called Astounding Science Fiction). Clarke gives his reaction to the writers and illustrators who first aroused his interest in science fiction. The scientific ferment of the 1930s and the 1940s is related to the ideas of the period and to the author's work in rocketry and radar. A sweeping view of popular science and popular fiction.- Katherine Thorp, St. Louis Univ. Lib.Copyright 1990 Reed Business Information, Inc.

    A short story to be read after Outage 5: The Change due to spoilers A year after The Great Storm has ended, two survivors cope with the aftermath.

    In most of Norton's works, alienated outsiders undertake a journey through which they realize their full potential. Many planets in the books are Earth-like places, where humans can live without special protection, and have extensive flora and fauna which are described in considerable detail and often have substantial bearing on the plot.On February 20, 2005, the Science Fiction and Fantasy Writers of America, which had earlier honored her with its Grand Master Award in 1983, announced the creation of the Andre Norton Award, to be given each year for an outstanding work of fantasy or science fiction for the young adult literature market, beginning in 2006. Nobody today is telling better stories of straight-forward interstellar adventure.Included in this volume:Book One: Storm Over Warlock - Stranded on the alien world of Warlock, Shann Lantree's expedition camp has been wiped out by the Throgs, beings so alien that humans have yet to communicate with them. Lantree must quickly learn how to survive under harsh conditions while being chased by the Throgs -- and how to distinguish the real from the dreamed when he meets the mysterious Wyverns. A satisfying and mature novel which readers will seize upon if they want to enjoy a good adventure story...Book Two: Star Born - When the oppressive global dictatorship of Pax took over Earth they put a stop to space exploration. Still, a few rebels escaped in the sleeper ships to found free new colonies -- or perish in the attempt. Those few colonists that reached inhabitable worlds were cut off for centuries, and in that isolation and freedom they developed the mysterious mental powers that "civilization" had all but destroyed...Book Three: Star Hunter - Somewhere on the jungle world of Jumala, there was a man in hiding--a man whose mind had been reconditioned with another's brain pattern and for whom there was a fabulous reward. Star Hunter is a thrill-packed account of that other-worldly game of hide-and-seek between a man who did not know all his own powers and an interstellar safari that sought something no man had a right to find...Book Four: Plague Ship - A fast-moving suspense tale, full of unusual detail and unexpected turns. Several highlights make the book really shine: the sunset gorp hunt on the reefs of an oily sea; a raid on an asteroid's emergency station; and a landing in the Big Burn, resulting in an encounter with the mutant life-forms that reside there...Book Five: Voodoo Planet - Dane Thorson of the space-trader 'Solar Queen' found himself embroiled in a desperate battle of minds between the rational science of the spaceways and the hypnotic witchcraft of the mental wizard that ruled the Voodoo Planet...Book Six: The Gifts of Asti - Varta, the last priestess of Asti, lives alone with Lur, a telepath of the lizardfolk, in Asti's isolated mountain retreat. Decadent Memphir has long since drifted away from the austere paths of Asti, and now the barbarians of Klem are sacking the city, and the smoke of its burning drifts up to the temple...Book Seven: The People of the Crater - "Send the Black Throne to dust; conquer the Black Ones, and bring the Daughter from the Caves of Darkness." These were the tasks Garin must perform to fulfill the prophecy of the Ancient Ones--and establish his own destiny in this hidden land!This are the original and unabridged versions of these tales.

    It’s a nice, quiet, peaceful life. Apart from the kidnappings. And the aliens. Michael Marshall Smith is the winner of the Philip K. Dick Award, the August Delerth Award, the International Horror Guild Award, six British Fantasy Awards and the Prix Bob Morane, nominated for five World Fantasy Awards and CWA Silver Dagger — and the only author ever to win the BFS Award for Best Short Story four times. Now, for the first time, his internationally-revered short fiction is finally becoming available in ebook format...

    We attach no manacles to the word truth to bind it to our visions. Instead we free it to find its own way through the minds of the two dozen writers who have shared their vision of the future in either sensitively written allegorical tales such as Relics by Louise Marley, a woman who grew up bucking hay in Montana and moved on to a talented musical performer and successful novelist; or the raw humor of Adam Troy-Castro in his Q & A, which takes on the verbal veracity of Donald J. Trump. Jim Wright (of Stonekettle Station) imagines Trump giving the Gettysburg Address. Blaze Ward, Daniel Kimmel, Janka Hobbs and I explore dystopias. Marleen Barr and Adam Troy-Castro envision humorous, kinky, and scatological endings. What can I say? It rocks.

    In doing so, the book triumphed over a very strong shortlist, including collections by one Booker Prize winner in Anne Enright and two authors who have been Booker shortlisted in Shena Mackay and Ali Smith (the latter a winner of the Whitbread Prize).When announcing the winner, one of the judges – James Walton, journalist and chair of BBC Radio 4’s The Write Stuff – said, “I suspect Chris Beckett winning the Edge Hill Prize will be seen as a surprise in the world of books. In fact, though, it was also a bit of surprise to the judges, none of whom knew they were science fiction fans beforehand.”In 2012 the Sunday Times named Chris’ latest novel Dark Eden the best science fiction novel of the year, and it is currently shortlisted for the BSFA Award in the same category. NewCon Press are delighted to be publishing The Peacock Cloak, the latest collection from one of Britain’s most distinguished and accomplished genre authors. Contains twelve stories (85,000 words) all previously uncollected.

    Never before published stories about monsters, deadly combat tech, treachery, and honor:Big Plush by Aaron Allston—The Dollgangers, artificial people made in mankind's image, take up arms in a desperate bid to win their freedom.Comrades in Arms by Kevin J. Anderson—A damaged cyborg soldier and an enemy alien fighter turn their backs on the war and try to escape. But the human and alien governments can't tolerate the two deserters working together, so they join forces to hunt them down.Shores of the Infinite by Loren L. Coleman—Separated from command & control, Combat Assault Suit troopers force a beachhead to liberate a new planet from the cyborg threat.The Black Ship by B.V. Larson—A human settlement on the deadliest planet ever colonized clings to life … but today new invaders are coming down from the stars.Out There by Michael A. Stackpole—The Qian have discovered humanity and welcomed them into their star-spanning empire. The benefits they offer humanity are many, and they don't want much in return: just the best human pilots available to take apart a most diabolical enemy.

    What did they have to do with the rise of industrial power in Europe? Read Kim's story and find out! A novel set in Eric Flint's 1632 Universe.This story was previously serialized in the Grantville Gazette.

    Frizzle's class is building a wonderful diorama of the desert, but learning about such a harsh environment has gotten Phoebe worried. What happens to all the animals in the desert without any water to sustain them in the scorching heat? Ties in with the PBS-TV series beginning in October 1995. Full color.

    In order to get free of it, he'll need to use every bit of his trader cunning. If he does it just right, he might stay out of prison. With a little luck, he'll even manage to turn a profit.He's given up his old ways--mostly--thanks to his cushy life on a PAC space station. But behind his mild-mannered shopkeeper's facade, he's hiding a whole lot more.Sometimes you have to break the rules to do the right thing.The Cost of Business is a quiet story of cleverness and empathy. For some heroes, wits are much stronger than firepower.Books in the Dragonfire Station universe in written order: (each series is self-contained and need not be read in order)Dragonfire Station Book 1: Translucid Dragonfire Station Book 2: Fragments Dragonfire Station Book 3: Coalescence (series complete) Intersections: Dragonfire Station Short Stories Mercenary Warfare Book 1: Selling Out Mercenary Warfare Book 2: Blood Money Mercenary Warfare Book 3: Hell to Pay Mercenary Warfare Book 4: Calculated Risk Mercenary Warfare Book 5: Going for Broke (series complete) Chains of Command Book 1: New Blood Chains of Command Book 2: Blood and Bone Chains of Command Book 3: Cut to the Bone Chains of Command Book 4: Out for Blood(series complete)

    Join the crew as they discover all is not as it seems...Originally published in Andromeda Spaceways #3

    Frizzle and her students embark on numerous entertaining scientific journeys. The books are based on the PBS television series.

    She discovers that grandma Edna was a "collector." As she boxes up the spare rooms full of junk, Tiffany gets to know her grandmother. She also gets to know the ghosts from Edna's past when she opens a room in the attic and they begin to appear whenever she goes inside. Approximate words: 11,000Page count: 41 pagesGenre: Mystery / ParanormalAges: New Adult / Adult

    Technological intrigue-international and intersteller- a hard edged conflict with alien races.Contents:• Ernie • (1979) • Raison D'Etre • (1981) • The Price of Survival • (1981) • Between a Rock and a High Place • (1982) • Houseguest • (1982) • Time Bomb • (1988) • The President's Doll • (1987) • Banshee • (1987)