Inexpensive and collectible, they are the first single-volume publications of these classic tales, offering a closer look at this underappreciated literary form and providing a fresh take on the world's most celebrated authors.

    With acute psychological insight, Dávila follows her characters to the limits of desire, paranoia, insomnia, and fear. She is a writer obsessed with obsession, who makes nightmares come to life through the everyday: loneliness sinks in easily like a razor-sharp knife, some sort of evil lurks in every shadow, delusion takes the form of strange and very real creatures. After reading The Houseguest—Dávila’s debut collection in English—you’ll wonder how this secret was kept for so long.

    Krúdy conjures up a world that is entirely his own—dreamy, macabre, comic, and erotic—where urbane sophistication can erupt without warning into passion and even madness.In Sunflower young Eveline leaves the city and returns to her country estate to escape the memory of her desperate love for the unscrupulous charmer Kálmán. There she encounters the melancholy Álmos-Dreamer, who is languishing for love of her, and is visited by the bizarre and beautiful Miss Maszkerádi, a woman who is a force of nature. The plot twists and turns; elemental myth mingles with sheer farce: Krúdy brilliantly illuminates the shifting contours and acid colors of the landscape of desire.John Bátki’s outstanding translation of Sunflower is the perfect introduction to the world of Gyula Krúdy, a genius as singular as Robert Walser, Bruno Schulz, or Joseph Roth.

    This volume collects many of his most famous short works and is a fitting compendium of his literary achievements for newcomers or longtime Hawthorne fans alike.

    / Pablo Neruda --As I am ... as I was / Lino Novás-Calvo --The drum dance / Arturo Uslar Pietri --The third bank of the river / João Guimarães Rosa --Jacob and the other / Juan Carlos Onetti --The beautiful soul of Don Damian / Juan Bosch --The tree / María-Luisa Bombal --Tarciso / Dinah Silveira de Queiroz --Warma Kuyay / José María Arguedas --How Porciúncula the Mulatto got the corpse off his back / Jorge Amado --End of the game / Julio Cortázar --My life with the wave / Octavio Paz --Miracles cannot be recovered / Adolfo Bioy-Casares --Encounter with the traitor / Augusto Roa Bastos --Marcario / Juan Rulfo --Madness / Armonía Somers --The switchman / Juan José Arreola --Concerning señor de la Peña / Eliseo Diego --The dogs / Abelardo Díaz Alfaro --The smallest woman in the world ; Marmosets / Clarice Lispector --In the beginning / Humberto Costantini --Paseo / JosACe Donoso --The handsomest drowned man in the world / Gabriel García Márquez --A nest of sparrows on the awning / Guillermo Cabrera Infante --The two Elenas / Carlos Fuentes --Weight-reducing diet / Jorge Edwards --Sunday, Sunday / Mario Vargas Llosa

    Disfigured and covered in a blanket of bees, little Simonopio is for some locals the stuff of superstition, a child kissed by the devil. But he is welcomed by landowners Francisco and Beatriz Morales, who adopt him and care for him as if he were their own. As he grows up, Simonopio becomes a cause for wonder to the Morales family, because when the uncannily gifted child closes his eyes, he can see what no one else can—visions of all that’s yet to come, both beautiful and dangerous. Followed by his protective swarm of bees and living to deliver his adoptive family from threats—both human and those of nature—Simonopio’s purpose in Linares will, in time, be divined.Set against the backdrop of the Mexican Revolution and the devastating influenza of 1918, The Murmur of Bees captures both the fate of a country in flux and the destiny of one family that has put their love, faith, and future in the unbelievable.

    Backgrounded by these wars, the story follows the history of the Terra-Cambaras, during 150 years, in the southern part of Brazil. The men ... Mais were lusty fighters and lovers; the women pulled the strings and ran their men's lives behind the scenes. They bore them children, legitimate and illegitimate, and buried them when need came. Bandits became respectable. Foreigners, Germans chiefly, made and kept their places in the community. And certain symbols stood, through successive generations, for the family:- the silver dagger, brought by a missionary priest, and kept in site as a reminder of a sin almost committed; old pruning shears, which had cut the umbilical cords of successive new born babies; the wind, destined to herald events in the family history, and the Sobrado, the great castle like mansion, which tempted and betrayed them, and housed them all, though the Cambaras had come by it through intermarriage with the Amarals, titular owners. There's a kind of authenticity in the feel and mood of story and setting, in the characteristic blend of realism, superstition, violence and poetry, but the story itself seems to ride off in all directions, and the thread loses itself again and again. Possibly, the shift back and forth in time, from 1745 to 1895, makes it not wholly successful in what the author aims to do, but at its close, the scattered pieces seem to fit into a whole. Not always easy reading, there are moments when it recalls the traditional novels of the picaresque pattern. The publishers have perhaps more confidence in its sales potentials than we have, so watch it.

    In "Near-Extinct Birds of the Central Cordillera," an ornithologist being held hostage in the Colombian rain forest finds that he respects his captors for their commitment to a cause, until he realizes that the Revolution looks a lot like big business. In "The Good Ones Are Already Taken," the wife of a Special Forces officer battles a Haitian voodoo goddess with whom her husband is carrying on a not-entirely-spiritual relationship. And in "The Lion's Mouth," a disillusioned aid worker makes a Faustian bargain to become a diamond smuggler for the greater good. With masterful pacing and a robust sense of the absurd, each story in Brief Encounters with Che Guevara is a self-contained adventure, steeped in the heady mix of tragedy and danger, excitement and hope, that characterizes countries in transition.

    The story of her life is the story of the paintings, and painters, who matter to her. Her intimate, digressive voice guides us through a gallery of moments that have touched her.In these pages, El Greco visits the Sistine Chapel and is appalled by Michelangelo’s bodies. The mystery of Rothko's refusal to finish murals for the Seagram Building in New York is blended with the story of a hospital in which a prostitute walks the halls while the narrator's husband receives chemotherapy. Alfred de Dreux visits Géricault's workshop; Gustave Courbet's devilish seascapes incite viewers “to have sex, or to eat an apple”; Picasso organizes a cruel banquet in Rousseau’s honor. . . . All of these fascinating episodes in art history interact with the narrator's life in Buenos Aires—her family and work; her loves and losses; her infatuations and disappointments. The effect is of a character refracted by environment, composed by the canvases she studies.Seductive and capricious, Optic Nerve is a book that captures, like no other, the mysterious connections between a work of art and the person who perceives it.

    The Master is about his infective influence—on his younger, less attractive brother Henry; on Henry's wife Alison; and on those narrators whom Stevenson so skilfully employs to present their experiences of this charming, ruthless, and evil man.

    Selected by a vote of the membership of the Science Fiction Writers of America (SFWA), these 26 reprints represent the best, most important, and most influential stories and authors in the field. The contributors are a Who's Who of classic SF, with every Golden Age giant included: Isaac Asimov, Ray Bradbury, Arthur C. Clarke, John W. Campbell, Robert A. Heinlein, Fritz Leiber, Cordwainer Smith, Theodore Sturgeon, and Roger Zelazny. Other contributors are less well known outside the core SF readership. Three of the contributors are famous for one story--but what stories!--Tom Godwin's pivotal hard-SF tale, "The Cold Equations"; Jerome Bixby's "It's a Good Life" (made only more infamous by the chilling Twilight Zone adaptation); and Daniel Keyes's "Flowers for Algernon" (brought to mainstream fame by the movie adaptation, Charly). The collection has some minor but frustrating flaws. There are no contributor biographies, which is bad enough when the author is a giant; but it's especially sad for contributors who have become unjustly obscure. Each story's original publication date is in small print at the bottom of the first page. And neither this fine print nor the copyright page identifies the magazines in which the stories first appeared. Prefaced by editor Robert Silverberg's introduction, which describes SFWA and details the selection process, The Science Fiction Hall of Fame: Volume One, 1929-1964 is a wonderful book for the budding SF fan. Experienced SF readers should compare the table of contents to their library before making a purchase decision. Fans who contemplate giving this book to non-SF readers should bear in mind that, while several of the collected stories can measure up to classic mainstream literary stories, the less literarily-acceptable stories are weighted toward the front of the collection; adult mainstream-literature fans may not get very far into The Science Fiction Hall of Fame: Volume One, 1929-1964. --Cynthia Ward· Introduction · Robert Silverberg · in · A Martian Odyssey [Tweel] · Stanley G. Weinbaum · nv Wonder Stories Jul ’34 · Twilight [as by Don A. Stuart; Dying Earth] · John W. Campbell, Jr. · ss Astounding Nov ’34 · Helen O’Loy · Lester del Rey · ss Astounding Dec ’38 · The Roads Must Roll · Robert A. Heinlein · nv Astounding Jun ’40 · Microcosmic God · Theodore Sturgeon · nv Astounding Apr ’41 · Nightfall · Isaac Asimov · nv Astounding Sep ’41 · The Weapon Shop [Isher] · A. E. van Vogt · nv Astounding Dec ’42 · Mimsy Were the Borogoves · Lewis Padgett · nv Astounding Feb ’43 · Huddling Place [City (Websters)] · Clifford D. Simak · ss Astounding Jul ’44 · Arena · Fredric Brown · nv Astounding Jun ’44 · First Contact · Murray Leinster · nv Astounding May ’45 · That Only a Mother · Judith Merril · ss Astounding Jun ’48 · Scanners Live in Vain · Cordwainer Smith · nv Fantasy Book #6 ’50 · Mars Is Heaven! · Ray Bradbury · ss Planet Stories Fll ’48 · The Little Black Bag · C. M. Kornbluth · nv Astounding Jul ’50 · Born of Man and Woman · Richard Matheson · vi F&SF Sum ’50 · Coming Attraction · Fritz Leiber · ss Galaxy Nov ’50 · The Quest for Saint Aquin · Anthony Boucher · ss New Tales of Space and Time, ed. Raymond J. Healy, Holt, 1951; F&SF Jan ’59 · Surface Tension [Lavon] · James Blish · nv Galaxy Aug ’52 · The Nine Billion Names of God · Arthur C. Clarke · ss Star Science Fiction Stories #1, ed. Frederik Pohl, Ballantine, 1953 · It’s a Good Life · Jerome Bixby · ss Star Science Fiction Stories #2, ed. Frederik Pohl, Ballantine, 1953 · The Cold Equations · Tom Godwin · nv Astounding Aug ’54 · Fondly Fahrenheit · Alfred Bester · nv F&SF Aug ’54 · The Country of the Kind · Damon Knight · ss F&SF Feb ’56 · Flowers for Algernon · Daniel Keyes · nv F&SF Apr ’59 · A Rose for Ecclesiastes · Roger Zelazny · nv F&SF Nov ’63

    Curated by Jay Rubin (who has himself freshly translated several of the stories) and introduced by Haruki Murakami this is a book which will be a revelation to many of its readers. Short story writers already well-known to English-language readers are all included - Tanizaki, Akutagawa, Murakami, Mishima, Kawabata, Yoshimoto - but also many surprising new finds. From Tsushima Yuko's 'Flames' to Sawanishi Yuten's 'Filling Up with Sugar', from Hoshi Shin'ichi's 'Shoulder-Top Secretary' to Yoshimoto Banana's 'Bee Honey', The Penguin Book of Japanese Short Stories is filled with fear, charm, beauty and comedy.

    Each book gives readers a taste of the Classics' huge range and diversity, with works from around the world and across the centuries - including fables, decadence, heartbreak, tall tales, satire, ghosts, battles and elephants.

    A 2004 PEN/Malamud Award winner, this collection celebrates the work of American artist Richard Bausch -- a writer the New York Times calls "a master of the short story." By turns tender, raw, heartbreaking, and riotously funny, the many voices of this definitive forty-two-story collection (seven of which appear here for the first time) defy expectation, attest to Bausch's remarkable range and versatility, and affirm his place alongside such acclaimed story writers as John Cheever, Flannery O'Connor, Raymond Carver, and Grace Paley.

    Each begins in a quietly factual way, making all the more dramatic the crescendo of fear and puzzlement that ensues as each new circumstance is revealed. Even without his supremely logical brain child, Sherlock Holmes, Conan Doyle shows that his tales are unbeatable for thrills and excitement.Contents:Tales of terror:The horror of the heightsThe leather funnelThe new catacombThe case of Lady SannoxThe terror of Blue John GapThe Brazilian catTales of mystery:The lost specialThe beetle-hunterThe man with the watchesThe japanned boxThe black doctorThe Jew's breastplateThe nightmare room.