1936 looked like it would be a great year for the movie industry. With the economy picking up after the Great Depression, Americans everywhere were sitting in the dark watching the stars and few stars shined as brightly as one of America's most enduring screen favorites, Mary Astor. But Astor's story wasn't a happy one. She was born poor, and at the first sign that she could earn money, her parents grabbed the reins and the checks. Widowed at twenty-four, Mary Astor was looking for stability when she met and wed Dr. Franklyn Thorpe. But the marriage was rocky from the start; both were unfaithful, but they did not divorce until after Mary Astor gave birth to little Marylyn Thorpe. What followed was a custody battle that pushed The Spanish Civil War and Hitler's 1936 Olympic Games off of the front pages all over America. Astor and Thorpe were both ruthless in their fight to gain custody of their daughter, but Thorpe held a trump card: the diaries that Mary Astor had been keeping for years. In these diaries, Astor detailed her own affairs as well as the myriad dalliances of some of Hollywood's biggest names. The studio heads, longtime controllers of public perception, were desperate to keep such juicy details from leaking. With the complete support of the Astor family, including unlimited access to the photographs and memorabilia of Mary Astor's estate, The Purples Diaries is a look at Hollywood s Golden Age as it has never been seen before, as Egan spins a wildly absorbing yarn about a scandal that threatened to bring down the dream factory known as Hollywood."

    A woman who played children, wide-eyed and gamine. Skipping around in frills and cute curls. That’s how most people remember Mary Pickford. In reality, as Eileen Whitfield makes clear, Mary Pickford is a towering figure in movie history.Born in Toronto in 1892, Pickford began acting as a child, helping support her family after her father’s accidental death. She switched from stage to film at age 17, joining D.W. Griffith’s Biograph company, and became almost unimaginably popular. This allowed her to develop her own production company at Adolph Zukor’s Famous Players, and in 1919 she co-founded (along with D.W. Griffith, Charlie Chaplin, and her husband Douglas Fairbanks) United Artists, seizing not only creative control but also the marketing and distribution of her films.Eileen Whitfield recreates Pickford’s life in meticulously researched detail, from her trying days in turn-of-the-century Toronto to her reign as mistress of Pickfair, the legendary Los Angeles estate at which she and Fairbanks entertained the world’s elite, to her sadly moving demise. Along the way, Whitfield explores the intricate psychology that tied Pickford to her mother throughout her life, and analyzes Pickford’s brilliant innovations in the art of film acting; her profound influence on the movie business (paving the way for such powerful Hollywood women as Jodie Foster and Whoopi Goldberg); and her role in the history of fame (she was the object of a mass adoration that prefigured today’s cult of celebrity).Eight years in the making, Pickford: The Woman Who Made Hollywood is definitive biography. It brings Pickford to life as a complex knot of contradictions and establishes her as a ground-breaking genius, casting new light on one of the influential – and least understood – artists in the history of popular culture.Pickford was the subject of lengthy, appreciative features in The New Yorker and Film Comment, and was the basis of two television documentaries: on the Canadian Broadcasting Corporation’s “Life and Times” and on the History Channel.

    Cary Grant...Hollywood's ultimate ladies' man...the silver screen's most ardent lover. But beyond his portrayal of the sophisticated romantic hero in movies like "The Philadelphia Story" and "Notorious" was a man haunted by fear and self-doubt which affected his career as well as his personal life.

    "By reading my book, you can become happier without ever having to leave the comfort and security of your own private hell," she writes. In How to Be Hap-Hap-Happy Like Me, Merrill Markoe has undertaken the arduous task of actually carrying out the best "how to be happy" suggestions from the wisest of all possible sources of advice, the "365 Days to a Happier Life" Desk Calendar. So abandon the pursuit of happiness, sit back, and "extend a social invitation to someone you've always been afraid to approach," and share Merrill's unforgettable dinner with Fabio; "take the time to improve your knowledge of another period of history," while dining with Merrill at the Medieval Times Dinner and Tournament Restaurant franchise ("where the year is 1093 A.D. and you are the guests of the royal castle"); "plan a party and invite the people you care about," in which you watch Merrill answer the door in her pajamas and pretend the party was yesterday; "enroll in a class or lecture that interests you," accompanying Merrill to a session of Dominatrix 101 at the Learning Annex. Where else can you discover the beauty secrets of someone who is not so genetically perfect that her advice is completely useless, or "How to Please a Man Every Time and Have Him Okay Maybe Not Beg for More but at Least Not Demand a Whole Lot Less"? Markoe is that rare soul who will unselfishly share with you these and many other secrets of how to live a not-totally-nightmarish life. And even if you don't learn anything, this book will make you laugh, which is more happiness than you can get from most desk calendars.

    Covering hundreds of movies from America, Europe and Asia, this history chronicles the zombie's on-screen evolution from Caribbean bogeyman to flesh-eating corpse.

    However, only once in a while does a genius emerge whose work is of such brilliance and magnitude that it surpasses all existing levels. Charles Chaplin was such an artist and his extraordinary career is a stunning testament to both his own genius and to the development of that unique popular art form--the cinema.

    Churchill, 1948: World War II was the defining event of our age—the climactic clash between liberty and tyranny. It led to revolutions, the demise of empires, a protracted Cold War, and religious strife still not ended. Yet Churchill maintained that it was all avoidable. Here is a transformative view of Churchill’s theories, prescriptions, actions, and the degree to which he pursued them in the decade before the war. It shows that he was both right and wrong: right that Hitler could have been stopped; wrong that he did all he could to stop him. It is based on what really happened—evidence that has been “hiding in public” for many years, thoroughly referenced in Churchill’s words and those of his contemporaries. Richard M. Langworth began his Churchill work in 1968 when he organized the Churchill Study Unit, which later became the Churchill Centre. He served as its president and board chairman and was editor of its journal Finest Hour from 1982 to 2014. In November 2014, he was appointed senior fellow for Hillsdale College’s Churchill Project. Mr. Langworth published the first American edition of Churchill’s India, is the author of A Connoisseur’s Guide to the Books of Sir Winston Churchill, and is the editor of Churchill by Himself, The Definitive Wit of Winston Churchill, The Patriot’s Churchill, All Will Be Well: Good Advice from Winston Churchill, and Churchill in His Own Words. His next book is Winston Churchill, Urban Myths and Reality. In 1998, Richard Langworth was appointed a Commander of the Most Excellent Order of the British Empire by HM The Queen “for services to Anglo-American understanding and the memory of Sir Winston Churchill.”

    The Devil and Dr. Barnes traces the near-mythical journey of a man who was born into poverty, amassed a fortune through the promotion of a popular medicine, and acquired the premier private collection of works by such masters as Renoir, Matisse, Cézanne, and Picasso. Ostentatiously turning his back on the art establishment, Barnes challenged the aesthetic sensibilities of an uninitiated, often resistant and scoffing, American audience. In particular, he championed Matisse, Soutine, and Modigliani when they were obscure or in difficult straits. Analyzing what he saw as the formal relationships underlying all art, linking the old and the new, Barnes applied these principles in a rigorous course of study offered at his Merion foundation. Barnes's own mordant words, culled from the copious printed record, animate the narrative throughout, as do accounts of his associations with notables of the era--Gertrude and Leo Stein, Bertrand Russell, and John Dewey among them--many of whom he alienated with his appetite for passionate, public feuds. In this rounded portrait, Albert Barnes emerges as a complex, flawed man, who--blessed with an astute eye for greatness--has left us an incomparable treasure, gathered in one place and unforgettable to all who have seen it.

    Now, at last, he's opening up the Stan Winston Studio to collaborate on the first-ever book to reveal all the behind-the-scenes secrets of his groundbreaking and hugely influential artistry and effects work. Featuring an extensive array of sketches, production art, and photographs straight from the studio archives, this is the book his fans have been waiting for!

    Matthew Bannister said he was going to reinvent the station, the most popular in Europe. But things didn't go exactly to plan. The station lost millions of listeners. Its most famous DJs left, and their replacements proved to be disasters. Radio 1's commercial rivals regarded the internal turmoil with glee. For a while a saviour arrived, in the shape of Chris Evans. But his behaviour caused further upheavals, and his eventual departure provoked another mass desertion by listeners. What was to be done? In the middle of this crisis, Radio 1 bravely (or foolishly) allowed the writer Simon Garfield to observe its workings from the inside. For a year he was allowed unprecedented access to management meetings and to DJs in their studios, to research briefings and playlist conferences. Everyone interviewed spoke in passionate detail about their struggle to make their station credible and successful once more. The result is a gripping and often hilarious portrait a much loved national institution as it battles back from the brink of calamity.

    BAGGAGE will touch readers at many levels; it is as edgy and fearless as Janet Street-Porter herself.