But Cove discovers that friends can appear in the unlikeliest places, and maybe home isn’t the worst place to be after all.Jennifer Blecher’s debut novel is a voice-driven story about bullying, friendship, and self-reliance that hits the sweet spot for fans of Ali Benjamin’s The Thing About Jellyfish and Erin Entrada Kelly’s You Go First. Twelve-year-old Cove Bernstein’s year has gone from bad to worse. First, her best friend, Nina, moved from Martha’s Vineyard to New York City. Then, without Nina around, Cove became the target of a bullying campaign at school. Escape seems impossible.But opportunities can appear when you least expect them. Cove’s visit to a secondhand clothing store leads her to a surprising chance to visit Nina, but only if she can win a coveted place in a kids-only design competition. Cove doesn’t know how to sew, but her friend at the retirement home, Anna, has promised to teach her. And things start really looking up when a new kid at school, Jack, begins appearing everywhere Cove goes.Then Cove makes a big mistake. One that could ruin every good thing that has happened to her this year. One that she doesn’t know how to undo.Jennifer Blecher’s accessible and beautifully written debut novel explores actions and consequences, loneliness, bullying, and finding your voice. This voice-driven friendship story is for fans of Rebecca Stead’s Goodbye Stranger and Jodi Kendall’s The Unlikely Story of a Pig in the City.  Includes black-and-white spot art throughout.

    Once again, she postpones her path to freedom—at least, until she pokes around his pajama drawer and discovers his illness is the least of his deceits.But Kassie is no angel, either. As she struggles to justify her own indiscretions, the secret lives she and Mike have led collide head-on, revealing a tangled web of sex, lies, and DNA. Still, mindful of her vows, Kassie commits to helping her husband find an organ donor. In the process, she uncovers a life-changing secret. Problem is, if she reveals it, her own immorality will be exposed, which means she has an impossible decision to make: Whose life will she save—her husband’s or her own?

    Mona is a Millennial perfectionist who fails upwards in the midst of the 2008 economic crisis.Despite her potential, and her top- of-her-class college degree, Mona finds herself unemployed, living with her parents, and adrift in life and love. Mona’s the sort who says exactly the right thing at absolutely the wrong moments, seeing the world through a cynic’s eyes. In the financial and social malaise of the early 2000s, Mona walks a knife’s edge as she faces down unemployment, underemployment, the complexities of adult relationships, and the downward spiral of her parents’ shattering marriage. The more Mona craves perfection and order, the more she is forced to see that it is never attainable. Mona’s journey asks the question: When we find what gives our life meaning, will we be ready for it?

    After escaping her ritzy Florida life and her cheating pornographer husband, she finds herself transported back to South Jersey, where things remain largely unchanged from her unhappy childhood. In need of saving herself, she sets out to find and resurrect a beloved high school English teacher who has retired after a horrific scandal. Will a sassy nun, an ex-heroin addict, a metal-head little boy, and her hoarder mother help or hurt Portia's chances in this bid for renewed hope in the human race? This is a story of the great highs and lows of existence: the heartache and daring choices it takes to become the person you know (deep down) you are meant to be.

    Like Joseph, Jamie Cohen is betrayed by his compadres but unexpectedly finds himself at the right hand of power. He helps a huge venture capitalist build pyramids - except these are investment pyramids based on technology idols. An additional narrative conceit is this: 200 years later, anthropologists find the virtual manuscript of Exit Strategy and begin annotating the text. Hundreds of readers have already contributed footnotes for the book – they are charming, wacky, compelling and Rushkoff has selected one hundred of his favorites for inclusion.

    “Coal” is a realist story set in the war years and depression that followed as folks try to find a new place in the world. Senior’s trademark children awakening to self-awareness and to the hypocrisy of adults are here too, from the heartbreaking “Moonlight” and “Silent” to the girls in “Lollipop” and “A Father Like That” who learn to confront loneliness and vulnerability with attitude.

    The kids in "Get Down "are trapped between their own good breeding and their burning desire to join the house party of sex, romance, and bad behavior that seems to be happening on some other block, down some other more dangerous street. The adults in "Get Down "are just trying to hold it together. Here is a debut that will make you laugh and cringe in equal measure. Set mostly in middle-class black Philadelphia during the crack and Reagan years, the stories in "Get Down "are antic, poignant, and utterly universal--they'll bring back memories for anyone who has ever stood in the corner of a darkened school gym wondering whether to dance . . . or duck for cover. They announce a sparkling new talent, a recent graduate of the Iowa Writers' Workshop whose work has been featured in "Vibe," "Essence," and the anthology "Naked: Black Women Bare All About Their Skin, Hair, Hips, Lips, and Other Parts.

    Emilia Brown is a woman of a certain age. She has spent a frugal, useful, and wholly restrained life in Ashville, a small town in Rhode Island. Overlooked especially by the industries of fashion and media, Mrs. Brown is one of today’s silent generations of women whose quiet no-frills existences would make them seem invisible. She is a genteel woman who has known her share of personal sorrows and quietly carried on, who makes a modest living cleaning and running errands at the local beauty parlor, who delights in evening chats with her much younger neighbor, twenty-three-year-old Alice Danvers. When the grand dame of Ashville passes away, Mrs. Brown is called upon to inventory her estate and comes across a dress that changes everything. The dress isn’t a Cinderella confection; it’s a simple yet exquisitely tailored Oscar de la Renta sheath and jacket—a suit that Mrs. Brown realizes, with startling clarity, will say everything she has ever wished to convey. She must have it. And so, like the inspired heroine of Paul Gallico’s 1958 classic Mrs. ‘Arris Goes to Paris, Mrs. Brown begins her odyssey to purchase the dress. For not only is the owning of the Oscar de la Renta a must, the intimidating trip to purchase it on Madison Avenue is essential as well. If the dress is to give Mrs. Brown a voice, then she must prepare by making the daunting journey—both to the emerald city and within herself. Timeless, poignant, and appealing, My Mrs. Brown is a novel for every mother in the world, every woman who ever wanted the perfect dress, and every child who wanted to give it to her.

    Ass. B*tch.The daughter of a hitman, I take sh*t from no one, even if it's a guy that's six-foot-five and looks like the hulk.Only the biggest and strongest man can handle me, but little did I know he was under my nose my entire life.CarterPrideful. Patriotic. Protector.I take no prisoners. You mess with me, my family or my city, you're going down. I'm as hard as stone, as sharp as steel.But when it comes to my childhood friend Andrea, I might've just met my match.  Sexy and stubborn to boot, there's only one type of man that can handle a woman like her and do her body JUSTICE.

    Eat, sleep, draw, and geek out over anime and manga with his small circle of friends. So when one of those friends suggested engaging in some cosplay for an upcoming Comicon as some of their favorite anime characters, it sounded like the perfect summer activity. That was until he found out just which character he was supposed to be. What started as a fun idea quickly turned into a mixture of inner conflict and self-discovery that Ray had never known even existed and served as the root for one of the most dramatic and uncertain changes in his young life. The question was, would this rollercoaster be a fun-filled thrill-ride, or a complete derailment of everything in his life.

    An optometrist in suburban Boston, he is sure that he and his wife, Viv, who runs the local stables, are both devoted to their two children and to each other. Then Mercury—a gorgeous young thoroughbred with a murky past—arrives at Windy Hill and everything changes.Mercury’s owner, Hilary, is a newcomer to town who has enrolled her daughter in riding lessons. When she brings Mercury to board at Windy Hill, everyone is struck by his beauty and prowess, particularly Viv. As she rides him, Viv begins to dream of competing again, embracing the ambitions that she had harbored, and relinquished, as a young woman. Her daydreams soon morph into consuming desire, and her infatuation with the thoroughbred escalates to obsession.Donald may have 20/20 vision but he is slow to notice how profoundly Viv has changed and how these changes threaten their quiet, secure world. By the time he does, it is too late to stop the catastrophic collision of Viv’s ambitions and his own myopia.At once a tense psychological drama and a taut emotional thriller exploring love, obsession, and the deceits that pull a family apart, Mercury is a riveting tour de force that showcases this “searingly intelligent writer at the height of her powers” (Jennifer Egan).

    Nettie’s lifelong nemesis is jabbing her with perfectly polished nails, while her hellfire and brimstone preacher refuses to baptize her. Amid this turmoil, a Monacan Indian medicine woman gives her a cryptic message about a coming darkness, a blood moon whose veiled danger threatens Nettie and those she loves. To prepare for the darkness, Nettie and her best friend, Win, make a treacherous journey into the mountains to build a mysterious dreamcatcher of ancient elements.

    Amy Gustine exhibits an extraordinary generosity toward her characters, instilling them with a thriving, vivid presence.

    Laurinda Brown's characters explore every aspect of black lesbian life - whether it's first times, illicit trysts, cheating hearts or longtime love.

    She knows she just has to stick it out at school for one more year and then she’ll be free. Instead, she runs away from her fancy boarding school back to her sleepy hometown to read and dream.But there are no free rides. When Addie’s grandad gets her a job at the local historical society, she soon finds out that it’s dusty and dull, just like her new life. Things change when she starts hanging out with Jarrod, a boy who seems full of possibilities. But it turns out he’s as stuck as she is. And Addie realises that when you want something in life, you’ve actually got to do something about it.A heartfelt tale about love, friendship and finding your own way.