Each is basically attracted to the other but because of their divergent attitudes toward life, each over the course of years is driven away from the other. Not until toward the end does the doctor realize that the girl's high idealism is basically right, and while she is still in love with him, it turns out that neither time nor circumstances will allow the two ultimately to come together. "

     Knots is a collection of poetry and prose about love and heartbreak, tragedy and grief, survival and loss. It's a journey through the numerous knots that we tie in life, and the ones we tangle and untangle with. It explores the realities of mental illness & suicide, social taboos & violence against women, pain & darkness, self love & healing in all its naked glory. The rhythm of Knots resonates directly with the poet's heart, conveying to the readers that there is a way to untangle every knot in life, but sometimes, some of these knots are what we are made of. Foreword by Dr. Santosh Bakaya

    In the 1960s, Edna Staebler moved in with an Old Order Mennonite family to absorb their oral history and learn about Mennonite culture and cooking. From this fieldwork came the cookbook Food That Really Schmecks. Originally published in 1968, Food That Really Schmecks instantly became a classic, selling tens of thousands of copies. Interspersed with practical and memorable recipes are Staebler's stories and anecdotes about cooking, life with the Mennonites, family, and the Waterloo Region. Described by Edith Fowke as folklore literature, Staebler's cookbooks have earned her national acclaim.Back in print as part of Wilfrid Laurier University Press's Life Writing series, a series devoted celebrating life writing as both genre and critical practice, the updated edition of this groundbreaking book includes a foreword by award-winning author Wayson Choy and a new introduction by well-known food writer Rose Murray.

    tells of her early life as a dreamy orphan and, in particular, of her tempestuous twentieth year—in which she falls in love with a beautiful and ambitious full-sized woman and is courted by a male dwarf. Concluding that she must choose either to simply tolerate her difference or grow callous to it, Miss M. resolves to become independent by offering herself up as a spectacle in a circus.[Walter de la Mare (1873–1956) wrote numerous novels, short stories, essays, and poems. He was awarded the James Tait Black Memorial Prize for Memoirs of a Midget. Other major works include the children’s novel, The Three Royal Monkeys, Henry Brocken, The Return, and Desert Islands.][Alison Lurie is the author of many highly praised novels as well as two collections of essays on children’s literature, Don’t Tell the Grown-Ups and Boys and Girls Forever. She has taught children’s literature and folklore at Cornell University.]

    The teaching of poetry languishes, and that region of youthful neurological terrain capable of being ignited only by poetry is largely dark, unpopulated, and silent, like a classroom whose shades are drawn. This is more than a shame, for poetry is our common treasure-house, and we need its vitality, its respect for the subconscious, its willingness to entertain ambiguity, its plaintive truth-telling, and its imaginative exhibitions of linguistic freedom, which confront the general culture's more grotesque manipulations. We need the emotional training sessions poetry conducts us through. We need its previews of coming attractions: heartbreak, survival, failure, endurance, understanding, more heartbreak.—from "Twenty Poems That Could Save America"Twenty Poems That Could Save America presents insightful essays on the craft of poetry and a bold conversation about the role of poetry in contemporary culture. Essays on the "vertigo" effects of new poetry give way to appraisals of Robert Bly, Sharon Olds, and Dean Young. At the heart of this book is an honesty and curiosity about the ways poetry can influence America at both the private and public levels. Tony Hoagland is already one of this country's most provocative poets, and this book confirms his role as a restless and perceptive literary and cultural critic.

    From the overtly political ‘Go Home’ to the deeply personal ‘Full-time’; the narrative poems that offer vivid and unapologetic snapshots of inner-city life, such as ‘His Mistakes’, ‘Believer’ and the anthemic ‘My City’; to the provocative social commentary in ‘Lazy Dog’ and ‘YOLO’; to the inspiring, idea-driven pieces such as ‘The Power of Collaboration’ and ‘School Blues’, George takes poetry into new territories and to new audiences, offering a different way to talk about the things that matter, to explore his own experience and ideas, and encourage others explore theirs.George The Poet’s mesmerising and unforgettable live performances have earned him critical acclaim. From sell-out headline gigs and YouTube hits, to recording his own music, and now his first collection of poetry, George uses his work to speak truth to power and challenge our preconceived ideas about the society we’re living in.Whether you’re searching for yourself, for answers, for change – join the search party.

    Bambrick began writing poems in order to document the forms of violence she witnessed towards the people and the environment of the Columbia River. While working there she found that reservoirs foster a uniquely complex community--from fish biologists to the owners of luxury summer homes--and became interested in the issues and tensions between the people of that place. The idea of power, literal and metaphorical, was present in every action and encounter with bosses and the people using the river. The presence of a young woman on the crew irritated her older, male co-workers who'd logged, built houses, and had to suffer various forms of class discrimination their entire lives. She found throughout this experience that their issues, while not the same, were inherently connected to the suffering of the lands they worked. Introduction by Sharon Olds.

    . . indulgent and melancholy . . . moments of extreme morbidity and anger."—Arielle Greenberg"Her poems take some getting used to."—Robert Strong"Many won't find her . . . acceptable at all...—Cole Swensen

    His work includes political poems, satire, religious apologias, translations, critical essays and plays. This authoritative edition brings together a unique combination of Dryden's poetry and prose--all the major poems in full, literary criticism, and translations--to give the essence of his work and thinking.The collection includes the poems, MacFlecknoe and Absalom and Achitophel as well as Dryden's classical translations; his versions of Homer, Horace, and Ovid are reproduced in full. There are also substantial selections from Dryden's Virgil, Juvenal, and other classical writers. Fables, Ancient and Modern, taken from Chaucer, Ovid, Boccaccio, and Homer, his last and possibly greatest work, also appears in full.

    Lara Glenum was raised in the gothic South, studied at the University of Chicago and the University of Virgina, and now teaches at the University of Georgia. In this entirely unheimlich debut, she enters the stage of American poetry like a Fritz Lang glamor-girl-cum-anatomical-model. Glenum recovers the political intensity and daring of the Surrealist project. The extraordinary precision of these poems is so stunning, we can't help but feel blinded by their visions: sock-monkeys, dollhouses, and a circus made of meat vibrate between the playful and the brutal so deftly, each line is a perfect shard of some fantastic planet, gloriously and sadly like our own. As in Blake's apocalyptic images, the sky rolls itself up like a scroll--brilliant in its colors and infinite in its scope. Glorious!--D.A. Powell.

    Returning home to England from Van Diemen's land, the Bristol Maid is shipwrecked on the Queensland coast and Mrs Roxburgh is taken prisoner by a tribe of aborigines, along with the rest of the passengers and crew. In the course of her escape, she is torn by conflicting loyalties - to her dead husband, to her rescuer, to her own and to her adoptive class.

    Escaping into her research, Constance decodes the Gustav Manuscript, and discovers a pair of comedies that she believes are the source for Shakespeare's Othello and Romeo and Juliet. Transported into the world of her theory, she comes face-to-face with Desdemona and Juliet and discovers that, far from shrinking violets, they are hellions full of surprises. What follows is a riotous retelling of theatrical legend that brings Constance out of her gloom and straight into a new and confident self.

    Live or Die, her third volume, consists of poems written from January 25, 1962 to February, 1966, many of them published in such leading periodicals as The New Yorker, Harper's and Encounter.These poems are arranged chronologically and compose a fierce and intimate autobiography. The poet speaks with total frankness, her imagery and reference brilliant and hard as diamonds. It is impossible for her to be banal. Much of her experience is rendered as nightmarish, but it is significant that the final poem is stunningly affirmative, its title the single command "Live."This collection is a striking body of work by a poet whose experience is intensely female, whose poetry is strong and powerful.

    The Complete Poems contains all the volumes of poetry Jonson published in his lifetime - including Epigrams, The Forest and Underwoods - alongside a wide variety of his other poems collected after his death. Ranging from deeply moving pieces such as 'On My First Son' and the elegant love lyric 'Song to Celia' to brutally satirical poems such as 'On Poet-Ape' and the reflective 'An Ode to Himself', it offers a powerful celebration of both one man's life, and of an age.

    It needs a close and interpretive reading of his Book of Songs it needs a general knowledge of the politically experimental and altogether chaotic times of which he was so fiery a product; and it needs, first and last, the constant reminder that Heine was a sensitive Jew, born in a savagely anti-semitic country that taught him, even as a child, that Jew and pariah were synonymous terms. The traditions and tyrannies that weighed down on all the German people of his day were slight compared to the oppressions imposed upon the Jews. The demands upon them, the petty persecu tions, the rigorous orders and taboos would form an incredible list. Let these few facts suffice: In Frank fort, when Heine was a boy, no Jew might enter a park or pleasure resort; no Jew might leave his ghetto after four o'clock on a Sunday afternoon; and only twenty four Jews were allowed to marry in one year. In such an atmosphere Heine received his heritage of hate and his baptism of fire.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.