Making Music. 74 Creative Strategies for Electronic Music Producers


Dennis DeSantis - 2015
    This site features a selection of chapters from the book.

Welsh's Synthesizer Cookbook: Synthesizer Programming, Sound Analysis, and Universal Patch Book


Fred Welsh - 2006
    The acoustic patches are based on harmonic analysis and are exceedingly close to the real instruments.An included CD contains the new SCB VSTi softsynth and audio samples for synthesizer calibration as well as a full album of electronica.

The Complete Idiot's Guide to Music Theory


Michael Miller - 2005
    With clear, concise language, it explains everything from bass-clef basics to confusing codas. This new edition includes: -A brand-new CD -A comprehensive ear- training section -Musical examples of intervals, scales, chords, and rhythms -Aural exercises so readers can test their ear training and transcription skills Download a sample chapter.

The Chord Wheel: The Ultimate Tool for All Musicians


Jim Fleser - 2000
    Master chord theory ... in minutes! The Chord Wheel is a revolutionary device that puts the most essential and practical applications of chord theory into your hands. This tool will help you: Improvise and Solo Talk about chops! Comprehend key structure like never before; Transpose Keys Instantly transpose any progression into each and every key; Compose Your Own Music Watch your songwriting blossom! No music reading is necessary. This is the kind of device that players of any instrument can use to enhance their musical understanding. Chord and key relationships are inseparable, and learning these relationships is a must in becoming a successful musician. Alan Remington, Orange Coast College Music Dept.

Dance Music Manual: Tools, Toys and Techniques


Rick Snoman - 2004
    This book examines different aspects of music production, from sound design, compression and effect to mixing and mastering to publishing and promoting, to help you become a better producer.

Guerrilla Home Recording: How to Get Great Sound from Any Studio {No Matter How Weird or Cheap Your Gear Is}


Karl Coryat - 2004
    The revised edition is updated with a greater focus on digital recording techniques, the most powerful tools available to the home recordist. There are chapters devoted to instrument recording, humanizing drum patterns, mixing with plug-ins and virtual consoles, and a new section on using digital audio skills. And since, many true "Guerrillas" still record to analog tape, we have retained the best of that world. This edition features many more graphics than in the original edition, further enforcing Guerrilla Home Recording's reputation as the most readable, user-frienly recording title on the market.

Mastering Audio: The Art and the Science


Bob Katz - 2002
    Mastering Audio is for everyone who wants to increase their mastery of digital and analog audio: musicians, producers, A&R, mastering, recording and mixing engineers, and students.

Master Handbook of Acoustics


F. Alton Everest - 1981
    This book applies the theory to the design of specialized audio spaces such as the home listening room, the control room, and the multi-track-recording studio.

Music Theory in Practice: Grade 1


Eric Taylor - 2008
    Music Theory in Practice Grade 1 (Revised Edition - 2008), Revised Edition (2008), The eight volumes in this series contain a detailed list of the requirements for each grade of the Theory of Music ex

The Recording Engineer's Handbook


Bobby Owsinski - 2004
    From using microphones to deciding on EQ settings, choosing outboard gear to understanding how, when and why to process your signal, the seemingly never-ending choices can be very confusing. Professional Audio's bestselling author Bobby Owsinski (The Mixing Engineer's Handbook, The Mastering Engineer's Handbook) takes you into the tracking process for all manner of instruments and vocals-- providing you with the knowledge and skill to make sense of the many choices you have in any given project. From acoustic to electronic instruments, mic placement to EQ settings, everything you need to know to capture professionally recorded audio tracks is in this guide.

How to Read Music: Beginner Fundamentals of Music and How to Read Musical Notation


Erich Andreas - 2013
    This book will have you on your way to reading all types of music for guitar and piano. How to Read Music: Beginner Fundamentals of Music and How to Read Musical Notation is written by the #1 Amazon.com Bestselling author Erich Andreas. Erich's easy-to-understand teaching style has been known to get beginners on their way to mastering music reading. Inside the Book You Will Discover: - Everything to Reading Music - Musical Notation - Physics to Sound - Music theory for Beginners - Use the "Click to Look Inside" feature to check out the first few pages Scroll up and click on the "Buy Now" button to receive your How to Read Music book today.

Mixing Audio: Concepts, Practices and Tools


Roey Izhaki - 2007
    Looking at practices, concepts, tools and mixing instruments the author provides a comprehensive insight to the art and science of mixing.Whether a hobbyist of professional this book covers basic concepts to advanced techniques as well as tips and tricks and is a vital read for anyone wanting to succeed in the field of mixing.The book is accompanied by the website www.mixingaudio.com, featuring a sample chapter, illustrations, audio and a user forum. * Rounded, extensive and complete coverage of music mixing* Includes a DVD with over 700 audio samples and 4 sample mixes. The DVD is not included with the E-book. Please visit http://www.mixingaudiodvd.com/ to access the DVD content.* Covers new topics and mixing trends such as computer centred mixing

Designing Sound


Andy Farnell - 2010
    Its thesis is that any sound can be generated from first principles, guided by analysis and synthesis. The text takes a practitioner's perspective, exploring the basic principles of making ordinary, everyday sounds using an easily accessed free software. Readers use the Pure Data (Pd) language to construct sound objects, which are more flexible and useful than recordings. Sound is considered as a process, rather than as data--an approach sometimes known as "procedural audio." Procedural sound is a living sound effect that can run as computer code and be changed in real time according to unpredictable events. Applications include video games, film, animation, and media in which sound is part of an interactive process. The book takes a practical, systematic approach to the subject, teaching by example and providing background information that offers a firm theoretical context for its pragmatic stance. [Many of the examples follow a pattern, beginning with a discussion of the nature and physics of a sound, proceeding through the development of models and the implementation of examples, to the final step of producing a Pure Data program for the desired sound. Different synthesis methods are discussed, analyzed, and refined throughout.] After mastering the techniques presented in Designing Sound, students will be able to build their own sound objects for use in interactive applications and other projects

Basic Music Theory: How to Read, Write, and Understand Written Music


Jonathan Harnum - 2001
    The book is written by an experienced teacher using methods refined over more than ten years in his private teaching studio and in schools. Lessons are short, well-paced and enjoyable. Whether you're a beginner of any age, whether you're an experienced player who wants to bone up on your theory, or whether you teach music and need a fun way to do it, you'll find this book valuable and will refer to it again and again. You will discover how easy it is to: * Learn quickly and efficiently with easy lessons designed by a professional teacher. * Learn the symbols used in written music. * Understand the terms musicians use. * Learn the piano keyboard and the guitar fretboard. * Use memory devices to learn terms and symbols. * Use the included study guides to remember it all. * Apply what you have learned with short, easy Practical Use sections at the end of each Chapter. * Tune in to radio shows, television shows and the Internet to find musicians demonstrating great music. With Interludes On: * How to practice. Some topics: equipment, how to improve, ear training, listening, private teachers. * Conducting. What does all that arm-waving mean? How does it help? Find the answers and learn how! * Learn Some Italian. Many musical terms are in Italian. Learn them in this section. * Ultra-brief history of music notation. Special Features: * Piano Keyboard w/ Note Names * Guitar Fingerboard w/ Note Names * Practice Aids * Staff Paper * Specially Designed Reviews * Practical Use Exercises * Extensively Cross-Referenced * Musical Terms Dictionary * Book Index * If you are a teacher, you might be interested in the FREE Teacher's Supplement. It contains quizzes and keys, each with four different versions to curb cheating.

Counterpoint


Kent Kennan - 1972
     While a limited understanding of contrapuntal elements may be gained through analysis alone, these elements are grasped in a more intimate way through the actual writing of contrapuntal examples. Also, by linking the study of counterpoint to music of a specific period, the text provides a clear model for students to emulate and a definite basis for the criticism of student work.