Joyland is a brand-new novel and has never previously been published.

    Determined to improve life for her and her son, Christopher, she flees an abusive relationship in the middle of the night with her child. Together, they find themselves drawn to the tight-knit community of Mill Grove, Pennsylvania. It's as far off the beaten track as they can get. Just one highway in, one highway out.At first, it seems like the perfect place to finally settle down. Then Christopher vanishes. For six long days, no one can find him. Until Christopher emerges from the woods at the edge of town, unharmed but not unchanged. He returns with a voice in his head only he can hear, with a mission only he can complete: Build a treehouse in the woods by Christmas, or his mother and everyone in the town will never be the same again.Twenty years ago, Stephen Chbosky's The Perks of Being a Wallflower made readers everywhere feel infinite. Now, Chbosky has returned with an epic work of literary horror, years in the making, whose grand scale and rich emotion redefine the genre. Read it with the lights on.

    Some say it’s a gift. But to Lexi it’s a curse—one that keeps her friendless and alone. All that changes when Lexi foresees the violent death of a young woman, Jane, outside a club. But Jane doesn’t go to the afterlife quietly. Her ghost remains behind, determined to hunt down her murderer, and she needs Lexi’s help. In life, Jane was everything Lexi is not—outgoing, happy, popular. But in death, all Jane wants is revenge. Lexi will do anything to help Jane, to make up for the fact that she didn’t—couldn’t—save Jane’s life, and to keep this beautiful ghost of a girl by her side for as long as possible.

    Marie Vandelly For the lucky among us, life is what you make of it, but for Dixie Wheeler, the theme music for her story was chosen by another long ago, on the day her father butchered her mother and brothers and then slashed a knife across his own throat. Only one-year-old Dixie was left alive, infamously known as Baby Blue for the song left playing in the aftermath of the slaughter. Twenty-five years later, Dixie is still desperate for a connection to the family she can’t remember, so when her childhood home goes up for sale, Dixie sets aside all reason and moves in, re-creating a macabre decor with her family’s salvaged furniture. But as the ghosts of her family seemingly begin to take up residence in the home that was once theirs, Dixie starts to question her own sanity and wonders if the evil force menacing her is that of her father, or a demon of her own making. In order to make sense of her present, Dixie becomes determined to unravel the truth of her past and seeks out the detective who originally investigated the murders. But the more she learns, the more she opens up the uncomfortable possibility that the sins of her father may belong to another, and, perhaps most tragically, to Dixie herself. As bodies begin to pile up around her, Dixie must find a way to expose the lunacy behind her family’s massacre and redeem what little remains of her soul.

    It is the home of Edmund Stearn and his family – a historian, scholar and land-owner, he's an upstanding member of the local community. But all is not well at Wake's End. Edmund dominates his family tyrannically, in particular daughter Maud. When Maud's mother dies in childbirth and she's left alone with her strict, disciplinarian father, Maud's isolation drives her to her father's study, where she happens upon his diary.During a walk through the local church yard, Edmund spots an eye in the undergrowth. His terror is only briefly abated when he discovers its actually a painting, a 'doom', taken from the church. It's horrifying in its depiction of hell, and Edmund wants nothing more to do with it despite his historical significance. But the doom keeps returning to his mind. The stench of the Fen permeates the house, even with the windows closed. And when he lies awake at night, he hears a scratching sound – like claws on the wooden floor...Wakenhyrst is a terrifying ghost story, an atmospheric slice of gothic, a brilliant exploration of the boundaries between the real and the supernatural, and a descent into the mind of a psychopath.

    But she doesn’t even know it.Take this as a warning: if you are not able or willing to control yourself, it will not only be you who suffers the consequences but those around you, as well.New Oldbury, 1821 In the wake of a scandal, the Montrose family and their three daughters—Catherine, Lydia, and Emeline—flee Boston for their new country home, Willow Hall. The estate seems sleepy and idyllic. But a subtle menace creeps into the atmosphere, remnants of a dark history that call to Lydia, and to the youngest, Emeline.All three daughters will be irrevocably changed by what follows, but none more than Lydia, who must draw on a power she never knew she possessed if she wants to protect those she loves. For Willow Hall’s secrets will rise, in the end…

    When she's asked to host seven guests for a week-long stay to research Carrow's phenomena, she hopes to finally experience some of the sightings that made the house famous. At first, it's everything they hoped for. Then a storm moves in, cutting off their contact with the outside world, and things quickly become twisted. Doors open on their own. Seances go disastrously wrong. Red liquid seeps from behind the wallpaper. Their spirit medium wanders through the house during the night, seemingly in a trance. Then one of the guests dies under strange circumstances, and Remy is forced to consider the possibility that the ghost of the house's original owner, a twisted serial killer, still walks the halls. But by then it's too late to escape.

    The magic is gone but the monsters remain.I'm Fetch Phillips, just like it says on the window. There are a few things you should know before you hire me:1. Sobriety costs extra.2. My services are confidential.3. I don't work for humans.It's nothing personal—I'm human myself. But after what happened, to the magic, it's not the humans who need my help.Walk the streets of Sunder City and meet Fetch, his magical clients, and a darkly imagined world perfect for readers of Ben Aaronovitch and Jim Butcher.

    Tracked by an entity bent on revenge, these childhood friends are helpless as the culture and traditions they left behind catch up to them in a violent, vengeful way.

    With a dark and wild past, Hendricks doesn’t think the small town her parents moved her to has much to offer her in terms of excitement. She plans on laying low, but when she’s suddenly welcomed into the popular crowd at school, things don’t go as expected. Hendricks learns from her new friends that the fixer-upper her parents are so excited about is notorious in town. Local legend says it’s haunted. Hendricks doesn’t believe it. Until she’s forced to. Blood-curdling screams erupt from the basement, her little brother wakes up covered in scratches, and something, or someone pushes her dad down the stairs. With help from the mysterious boy next door, Hendricks makes it her mission to take down the ghosts . . . if they don’t take her first.

     Lydia has always known she has no power, especially next to her infamous and more-than-slightly dodgy family. Which is why she carved her own life as a private investigator far away from London. When a professional snafu forces her home, the head of the family calls in a favour, and Lydia finds herself investigating the disappearance of her cousin, Maddie. Soon, Lydia is neck-deep in problems: her new flatmate is a homicidal ghost, the intriguing, but forbidden, DCI Fleet is acting in a distinctly unprofessional manner, and tensions between the old magical families are rising. The Crows used to rule the roost and rumours claim they are still the strongest. The Silvers have a facility for lying and they run the finest law firm in London. The Pearl family were costermongers and everybody knows that a Pearlie can sell feathers to a bird. The Fox family... Well. The less said about the Fox family the better. For seventy-five years, a truce between the four families has held strong, but could the disappearance of Maddie Crow be the thing to break it? The Night Raven is the first book in Crow Investigations, an exciting new paranormal mystery series from bestselling author of magical fiction, Sarah Painter.

    A weekly newspaper dedicated to the weird and the wonderful (but more often the weird) of modern life, it is the go-to publication for the unexplained and inexplicable . . .At least that’s their pitch. The reality is rather less auspicious. Their editor is a drunken, foul-tempered and -mouthed husk of a man who thinks little (and believes less) of the publication he edits, while his staff are a ragtag group of wastrels and misfits, each with their own secrets to hide and axes to grind. And as for the assistant editor . . . well, that job is a revolving door – and it has just revolved to reveal Hannah Willis, who's got her own set of problems.It’s when tragedy strikes in Hannah’s first week on the job that The Stranger Times is forced to do some serious, proper, actual investigative journalism. What they discover leads them to a shocking realisation: that some of the stories they’d previously dismissed as nonsense are in fact terrifyingly, gruesomely real. Soon they come face-to-face with darker foes than they could ever have imagined. It’s one thing reporting on the unexplained and paranormal but it’s quite another being dragged into the battle between the forces of Good and Evil . . .

    So begins the swirling, serpentine world of Paraic O’Donnell’s Victorian-inspired mystery, the story of a city cloaked in shadow, but burning with questions: why does the seamstress jump from the window? Why is a cryptic message stitched into her skin? And how is she connected to a rash of missing girls, all of whom seem to have disappeared under similar circumstances?On the case is Inspector Cutter, a detective as sharp and committed to his work as he is wryly hilarious. Gideon Bliss, a Cambridge dropout in love with one of the missing girls, stumbles into a role as Cutter’s sidekick. And clever young journalist Octavia Hillingdon sees the case as a chance to tell a story that matters—despite her employer’s preference that she stick to a women’s society column. As Inspector Cutter peels back the mystery layer by layer, he leads them all, at last, to the secrets that lie hidden at the house on Vesper Sands.By turns smart, surprising, and impossible to put down, The House on Vesper Sands offers a glimpse into the strange undertow of late nineteenth-century London and the secrets we all hold inside us.

    The fact that she’s descended from one of the town’s founders doesn’t help much, either—her new neighbours treat her with distant respect, and something very like fear. When she meets Justin, May, Isaac, and Harper, all children of founder families, and sees the otherworldly destruction they can wreak, she starts to wonder if the townsfolk are right to be afraid.When bodies start to appear in the woods, the locals become downright hostile. Can the teenagers solve the mystery of Four Paths, and their own part in it, before another calamity strikes?

    What really happened, out there in the woods--and who has Cassie been protecting all along? Read on, if you dare...