Their destination: Apacheria, the place the Apaches once called home.Why Apaches? asks the ten-year-old son. Because they were the last of something, answers his father.In their car, they play games and sing along to music. But on the radio, there is news about an "immigration crisis": thousands of kids trying to cross the southwestern border into the United States, but getting detained--or lost in the desert along the way.As the family drives--through Virginia to Tennessee, across Oklahoma and Texas--we sense they are on the brink of a crisis of their own. A fissure is growing between the parents, one the children can almost feel beneath their feet. They are led, inexorably, to a grand, harrowing adventure--both in the desert landscape and within the chambers of their own imaginations.Told through several compelling voices, blending texts, sounds, and images, Lost Children Archive is an astonishing feat of literary virtuosity. It is a richly engaging story of how we document our experiences, and how we remember the things that matter to us the most. With urgency and empathy, it takes us deep into the lives of one remarkable family as it probes the nature of justice and equality today.

    Before the evening is through, these narratives converge masterfully to reveal a mystery so dark and shocking it will take your breath away.

    A wedding invitation arrives in the mail: your boyfriend of the past nine years now engaged to someone else. You can’t say yes--it would all be too awkward--and you can’t say no--it would look like defeat. On your desk are a series of half-baked literary invitations you’ve received from around the world. QUESTION: How do you arrange to skip town?ANSWER: You accept them all. If you are Arthur Less.Thus begins an around-the-world-in-eighty-days fantasia that will take Arthur Less to Mexico, Italy, Germany, Morocco, India and Japan and put thousands of miles between him and the problems he refuses to face. What could possibly go wrong?Well: Arthur will almost fall in love in Paris, almost fall to his death in Berlin, barely escape to a Moroccan ski chalet from a Sahara sandstorm, accidentally book himself as the (only) writer-in-residence at a Christian Retreat Center in Southern India, and arrive in Japan too late for the cherry blossoms. In between: science fiction fans, crazed academics, emergency rooms, starlets, doctors, exes and, on a desert island in the Arabian Sea, the last person on Earth he wants to see. Somewhere in there: he will turn fifty. The second phase of life, as he thinks of it, falling behind him like the second phase of a rocket. There will be his first love. And there will be his last.A love story, a satire of the American abroad, a rumination on time and the human heart, by an author The New York Times has hailed as “inspired, lyrical,” “elegiac,” “ingenious,” as well as “too sappy by half,” Less shows a writer at the peak of his talents raising the curtain on our shared human comedy.

    . . A rich examination of America’s treatment of race, and the ways we attempt to discuss and confront it today.” —The Huffington Post The Freeman family--Charles, Laurel, and their daughters, teenage Charlotte and nine-year-old Callie--have been invited to the Toneybee Institute to participate in a research experiment. They will live in an apartment on campus with Charlie, a young chimp abandoned by his mother. The Freemans were selected because they know sign language; they are supposed to teach it to Charlie and welcome him as a member of their family. But when Charlotte discovers the truth about the institute’s history of questionable studies, the secrets of the past invade the present in devious ways.   The power of this shattering novel resides in Greenidge’s undeniable storytelling talents. What appears to be a story of mothers and daughters, of sisterhood put to the test, of adolescent love and grown-up misconduct, and of history’s long reach, becomes a provocative and compelling exploration of America’s failure to find a language to talk about race. “A magnificently textured, vital, visceral feat of storytelling . . . [by] a sharp, poignant, extraordinary new voice of American literature.” —Téa Obreht, author of The Tiger’s Wife

    Over the years, she's turned inward, finding pleasure in language, her work as a gardener, and keeping her neighbors at arm's length while keenly observing them. But when she is unexpectedly granted some leave from her job, May is inspired to reconnect with four once close friends. She knows they will never have a proper reunion, so she goes, one-by-one, to each of them. A student of the classics, May considers her journey a female Odyssey. What might the world have had if, instead of waiting, Penelope had set out on an adventure of her own?RULES FOR VISITING is a woman's exploration of friendship in the digital age. Deeply alert to the nobility and the ridiculousness of ordinary people, May savors the pleasures along the way--afternoon ice cream with a long-lost friend, surprise postcards from an unexpected crush, and a moving encounter with ancient beauty. Though she gets a taste of viral online fame, May chooses to bypass her friends' perfectly cultivated online lives to instead meet them in their messy analog ones.Ultimately, May learns that a best friend is someone who knows your story--and she inspires us all to master the art of visiting.

    His mindfulness app, TakeOff, is already the hottest thing in tech and he's about to launch a new and improved version that promises to bring investors running and may turn his brainchild into a $1 billion dollar business--in startup parlance, an elusive unicorn. Katya Pasternack is hungry for a scoop that will drive traffic. An ambitious young journalist at a gossipy tech blog, Katya knows that she needs more than another PR friendly puff piece to make her the go-to byline for industry news. Sabrina Choe Blum just wants to stay afloat. The exhausted mother of two and failed creative writer is trying to escape from her credit card debt and an inattentive husband-who also happens to be Katya's boss-as she rejoins a work force that has gotten younger, hipper, and much more computer literate since she's been away. Before the ink on Mack's latest round of funding is dry, an errant text message hints that he may be working a bit too closely for comfort with a young social media manager in his office. When Mack's bad behavior collides with Katya's search for a salacious post, Sabrina gets caught in the middle as TakeOff goes viral for all the wrong reasons. As the fallout from Mack's scandal engulfs the lower Manhattan office building where all three work, it's up to Katya and Sabrina to write the story the men in their lives would prefer remain untold. An assured, observant debut from the veteran online journalist Doree Shafrir, Startup is a sharp, hugely entertaining story of youth, ambition, love, money and technology's inability to hack human nature.

    Simultaneously hilarious and heartbreaking, this sensational debut will appeal to fans of David Nicholls, Nick Hornby, Nora Ephron and Lorrie MooreGraham Cavanaugh’s second wife, Audra, is everything his first wife was not. She considers herself privileged to live in the age of the hair towel, talks non-stop through her epidural, labour and delivery, invites the doorman to move in and the eccentric members of their son’s Origami Club to Thanksgiving. She is charming and spontaneous and fun but life with her can be exhausting.In the midst of the day-to-day difficulties and delights of marriage and raising a child with Asperger’s, his first wife, Elspeth, reenters Graham’s life. Former spouses are hard to categorize – are they friends, enemies, old flames, or just people who know you really, really well? Graham starts to wonder: How can anyone love two such different women? Did he make the right choice? Is there a right choice?

    In the aftermath of a flood that washes away much of a small Tennessee town, evangelical preacher Asher Sharp offers shelter to two gay men. In doing so, he starts to see his life anew—and risks losing everything: his wife, locked into her religious prejudices; his congregation, which shuns Asher after he delivers a passionate sermon in defense of tolerance; and his young son, Justin, caught in the middle of what turns into a bitter custody battle. With no way out but ahead, Asher takes Justin and flees to Key West, where he hopes to find his brother, Luke, whom he'd turned against years ago after Luke came out. And it is there, at the southernmost point of the country, that Asher and Justin discover a new way of thinking about the world, and a new way of understanding love.Southernmost is a tender and affecting book, a meditation on love, atonement, forgiveness, and reconciliation.

    The girls are all named Guinevere - Vere, Gwen, Ginny, and Win - and it is the surprise of finding another Guinevere in their midst that first brings them together.They come to The Sisters of the Supreme Adoration convent by different paths, delivered by their families, each with her own complicated, heartbreaking story that she safeguards. Gwen is all Hollywood glamour and swagger; Ginny is a budding artiste with a sentiment to match; Win's tough bravado isn't even skin deep; and Vere is the only one who seems to be a believer, trying to hold onto her faith that her mother will one day return for her. However, the girls are more than the sum of their parts and together they form the all powerful and confident The Guineveres, bound by the extraordinary coincidence of their names and girded against the indignities of their plain, sequestered lives. The nuns who raise them teach the Guineveres that faith is about waiting: waiting for the mail, for weekly wash day, for a miracle, or for the day they turn eighteen and are allowed to leave the convent. But the Guineveres grow tired of waiting. And so when four comatose soldiers from the War looming outside arrive at the convent, the girls realize that these men may hold their ticket out.In prose shot through with beauty, Sarah Domet weaves together the Guineveres' past, present, and future, as well as the stories of the female saints they were raised on, to capture the wonder and tumult of girlhood and the magical thinking of young women as they cross over to adulthood.

    Too soon, with winter coming, he calls it quits. Helped by Rudy—her government-questioning, wisdom-spouting, seasonal-affective-disordered boss—and a neighbor couple, Helen makes it to spring. Those neighbors, Karen and Lily, are awaiting the arrival of their first child, a boy, which means their time at the Women’s Land Trust must end.So Helen invites the new family to throw in with her—they’ll split the work and the food, build a house, and make a life that sustains them, if barely, for years. Then young Perley decides he wants to go to school. And Rudy sets up a fruit-tree nursery on the pipeline easement edging their land. The outside world is brought clamoring into their makeshift family.Set in a region known for its independent spirit, Stay and Fight shakes up what it means to be a family, to live well, to make peace with nature and make deals with the system. It is a protest novel that challenges our notions of effective action. It is a family novel that refuses to limit the term. And it is a marvel of storytelling that both breaks with tradition and celebrates it. Best of all, it is full of flawed, cantankerous, flesh-and-blood characters who remind us that conflict isn't the end of love, but the real beginning.Absorbingly spun, perfectly voiced, and disruptively political, Madeline ffitch's Stay and Fight forces us to reimagine an Appalachia—and an America—we think we know. And it takes us, laughing and fighting, into a new understanding of what it means to love and to be free.

    She works at a national newspaper, where she’s constantly forced to compare herself to her white middle class peers. After a messy break up from her long-term white boyfriend, Queenie seeks comfort in all the wrong places…including several hazardous men who do a good job of occupying brain space and a bad job of affirming self-worth.As Queenie careens from one questionable decision to another, she finds herself wondering, “What are you doing? Why are you doing it? Who do you want to be?”—all of the questions today’s woman must face in a world trying to answer them for her.

    Chetan, to move in with her and her son, Solo. Over time, the three become a family, loving each other deeply and depending upon one another. Then, one fateful night, Solo overhears Betty confiding in Mr. Chetan and learns a secret that plunges him into torment.Solo flees Trinidad for New York to carve out a lonely existence as an undocumented immigrant, and Mr. Chetan remains the singular thread holding mother and son together. But soon, Mr. Chetan's own burdensome secret is revealed, with heartbreaking consequences. Love After Love interrogates love and family in all its myriad meanings and forms, asking how we might exchange an illusory love for one that is truly fulfilling.In vibrant, addictive Trinidadian prose, Love After Love questions who and how we love, the obligations of family, and the consequences of choices made in desperation.

    Mostly women, black and British, they tell the stories of their families, friends and lovers, across the country and through the years.Joyfully polyphonic and vibrantly contemporary, this is a gloriously new kind of history, a novel of our times: celebratory, ever-dynamic and utterly irresistible.

    Soon she finds herself drawn unwillingly into the tumultuous London art world, populated by exiled Russian oligarchs, avaricious Sheikas, desperate auctioneers and unscrupulous dealers, all scheming to get their hands on her painting - a lost eighteenth-century masterpiece called ‘The Improbability of Love’. Delving into the painting’s past, Annie will uncover not just an illustrious list of former owners, but some of the darkest secrets of European history – and in doing so she might just learn to open up to the possibility of falling in love again.

    Reduced to a life of exile in rural southern Ontario—accompanied only by his fantasy daughter, Miranda, who died twelve years ago—Felix devises a plan for retribution.Eventually he takes a job teaching Literacy Through Theatre to the prisoners at the nearby Burgess Correctional Institution, and is making a modest success of it when an auspicious star places his enemies within his reach. With the help of their own interpretations, digital effects, and the talents of a professional actress and choreographer, the Burgess Correctional Players prepare to video their Tempest. Not surprisingly, they view Caliban as the character with whom they have the most in common. However, Felix has another twist in mind, and his enemies are about to find themselves taking part in an interactive and illusion-ridden version of The Tempest that will change their lives forever. But how will Felix deal with his invisible Miranda’s decision to take a part in the play?