Many have large casts and an equal mix of boy and girl parts. Set in the Malayan jungle in 1942, this play explores what happens when soldiers have to confront the reality of war.

    In Eyes for Consuela, based on Octavio Paz’s classic story “The Blue Bouquet,” a vacationing American encounters a knife-toting Mexican bandit on a gruesome quest. And in When the World Was Green, cowritten with Joseph Chaikin, a journalist in search of her father interviews an old man who resolved a generations-old vendetta by murdering the wrong man. Together, these plays form a powerful trio from an enduring force in American theater.

    progresses with the pandemonium of ever changing twists, secrets, lies, and love in Pretty Lips That Thugs Love 3, the final book of the series. Ashanti McNeal finally walked away from the only relationship that she had ever known with Kentay Mills. However, Kentay vowed to never let his wife Ashanti go, especially to his brother Ahmad. But, is he fighting a losing battle? Despite Kentay’s protests, Ashanti has moved on with her life to delve in new beginnings with the only man who has shown her what true love is about, Ahmad Jones. Just when Ashanti and Ahmad thought their footings were on solid ground, life came blazing in a flash to interrupt their fresh start. Will the new couple’s life together end before it really had a chance to begin? Fate had a way of testing the new couple’s commitment and love to each other. Will the tests proved to be too much? Or, will Ahmad and Ashanti stand strong in their love for one another? Karma finally came crashing into Kentay Mills’ life and sent him to the place that he didn’t want to go, prison. However, his circumstances didn’t prevent him from hoping to see the outside world again. Kentay still behaved and acted like the boss that he was, even behind those prison walls. Due to negligence on behalf of the police department, Kentay received word that his sentence would be cut short. Unfortunately, an unexpected brawl sent him to the infirmary that led him to come face to face with his past. Kentay had no choice but to succumb to the shocking secret from his past. How will this new eye-opener affect him? Will Kentay become a changed man after his stint in prison? Or, will he continue down the same old path that led to heartache and destruction? Ashanti’s world is rocked upside down when lies and secrets are discovered. These revelations will undoubtedly have a crucial impact on her life. Can she still trust the people who were always supposed to be straightforward and honest with her? Kentay and Ashanti. Ashanti and Ahmad. Brother versus Brother. Revelation after revelation. Will the turmoil ever cease? Will love win in the end? Find out in this final installment of the Pretty Lips That Thugs Love.

    He has written to Rick to say that, as long as he is alive, "you will have somebody on Earth who will do anything for you," so Willum is delighted when Rick shows up unexpectedly at his apartment on the night of his thirty-fourth birthday party. But his delight soon fades as it becomes apparent that Rick is a hopeless "nerd," a bumbling oaf with no social sense, little intelligence, and even less tact. Rick stays on and on, his continued presence among Willum and his friends leading to one uproarious incident after another, until the normally placid Willum finds himself contemplating violence, a dire development which, happily, is staved off by the surprising "twist" ending of the play.

    

    Ever been racially slurred in the sack? Ever been subjected to strangers yelling at you at 3am about the most intimate details of your life? Ever been to New York? Six characters from wildly different backgrounds make love, war and hysteria late one night in the cultural, sexual and generational smorgasbord that is Manhattan.

    All roads are blocked, and four or five weary travelers are going to have to hole up until morning. Cherie, a nightclub chanteuse in a sparkling gown and a seedy fur-trimmed jacket, is the passenger with most to worry about. She's been pursued, made love to and finally kidnapped by a twenty-one-year-old cowboy with a ranch of his own and the romantic methods of an unusually headstrong bull. The belligerent cowhand is right behind her, ready to sling her over his shoulder and carry her, alive and kicking, all the way to Montana. Even as she's ducking out from under his clumsy but confident embraces, and screeching at him fiercely to shut him up, she pauses to furrow her forehead and muse, "Somehow deep inside of me I got a funny feeling I'm gonna end up in Montana " As a counterpoint to the main romance, the proprietor of the cafe and the bus driver at last find time to develop a friendship of their own; a middle-age scholar comes to terms with himself; and a young girl who works in the cafe also gets her first taste of romance.

    But when a domestic disturbance call takes a turn for the worse, their friendship is put on the line. The result is a difficult journey into a moral gray area where trust and loyalty struggle for survival against a sobering backdrop of pimps, prostitutes, and criminal lowlifes.A dark duologue filled with sharp storytelling and biting repartee, A Steady Rain explores the complexities of a lifelong bond tainted by domestic affairs, violence, and the rough streets of Chicago.

    

    King James commissions Shakespeare to write a play about the Gunpowder Plot.

    Hearts are palpitating in the sleepy borough of Queens, but not entirely on account of His Holiness. Bunny Flingus, a femme-fatale from Flushing (or thereabouts) is stirring things up in the quiet, unfulfilled life of aspiring songwriter Artie Shaughnessy. Artie longs to leave his unhappy marriage, elope with Bunny, and write a hit song that will top the charts.

    All of them are in one way or another frustrated and unhappy. Most of them are under the illusion that some day the things from which they suffer will be removed and they will be once more at peace. But when they come to see themselves, they realize that man is the sum of his past life, that they are incapable of any real revolt against their past, and that what they have made of themselves in earlier years is what they are when age approaches. Nor are they tragic figures. All of them are troubled average people, human, commonplace but they are studied with great understanding and a touch of intelligently unsentimental compassion."

    Manifesting Ridley's vivid and visionary imagination and the dark beauty of his outlook, the play resonates with his trademark themes: East London, storytelling, moments of shocking violence, memories of the past, fantastical monologues, and that strange mix of the barbaric and the beautiful he has made all his own.The Pitchfork Disney was Ridley's first play and is now seen as launching a new generation of playwrights who were unafraid to shock and court controversy. This unsettling, dreamlike piece has surreal undertones and thematically explores fear, dreams and story-telling. First produced in 1991, it has gone on to be recognised as the annunciation of Ridley's dark and seductive world.

    

    The stars may collude to bring you down. But God has a plan, always the best one for you. You need to trust it, live it and enjoy it.Amrit, an accomplished doctor with a fetching personality, blames himself for his wife Niharika’s death. He is stuck in his past.Arpita, a simple girl, fighting many complexes, cheated in her marriage, is not ready to trust anyone in life.The Stars, ever conspiring, bring them together. But can they be together for a lifetime? Is it facile for Amrit to let go off past? Is it possible for Arpita to trust someone again? Will Arpita ever be able to see herself through Amrit’s eyes? How do the stars conspire bring Niharika into their lives?Does the destiny unite them finally or push them away forever?