Serious, funny, profound, whimsical and enigmatic, it contains descriptions of his days in teenage garage bands, the rise of The Waterboys, his exploits with Steve Wickham and the rest of the gang in the west of Ireland, and much, much more.

    Lucifer Rising explores this unique cultural confluence. Divided into three parts, the book first traces the history of Satanism, from the birth of the Black Mass through the fashionable sinners of the Hellfire Club. The second section examines Satanism in the 20th century, including Aleister Crowley, the formation of the Church of Satan, the Manson Family, and the rise of occult-influenced bands like Black Sabbath and Led Zeppelin. The book’s third part looks at the new waves of Thrash Metal, Death Metal, and the Scandinavian Black Metal scene; the murder case surrounding the band Burzum; the neo-Nazi element; and the religious right’s courtroom pursuit of heavy metal. Lavishly illustrated throughout with graphics, medieval woodcarvings, and stunning photographs, the book also contains entertainingly cynical comment from Anton LaVey, in one of his last in-depth interviews.

    She was Andy Warhol’s femme fatale and the High Preistess of Weird, yet few knew her real name or her wretched origins. When she called herself ‘a Nazi anarchist junkie’, they thought she was joking.Bob Dylan wrote a song about her, Jim Morrison a poem, Jean Baudrillard an essay, Andy Warhol a film, Ernest Hemingway a story – yet she fought against the idolatry of men to assert her independence as a composer of dissident songs.Nico’s contribution as an artist (17 films and 7 LPs) was smothered by gossip of her alleged affairs with men and women, whether Jimi Hendrix or Jeanne Moreau, Brian Jones of the Rolling Stones or Coco Chanel.She drifted through society like a phantom. Each era celebrated a different Nico – the top covergirl of the Fifties, the Siren of the Sixties (as The Times acclaimed her), the Moon Goddess of the Seventies, and the High Priestess of Punk when rock stars like Siouxsie Sioux and Pattie Smith acknowledged her pre-eminence. Ironically, they did so at the lowest point in her life. For behind the Garbo-esque veneer lived a lonely woman trying to stand autonomous in a fast-changing world, seeking to survive her heroin addiction and to cope with her tormented mother and her troubled son, his existence denied by his film-star father.In this pioneer biography, which Nico asked the author to write shortly before her outlandish death in 1988, Richard Witts uncovers the reasons for her subterfuge, and examines the facts surrounding her encounters with terrorist Andreas Baader, the Black Panthers, and the Society for Cutting Up Men. Exclusive contributions from artists such as Jackson Browne, Iggy Pop, Viva, John Cale, David Bailey, Siouxsie Sioux – and many others including her relatives, friends and enemies – make this the definitive biography of an icon who was not only a testament to an era but hitherto unrecognised influence on popular music and style.

    He dominated the waves, ruled his peers' imaginations, and—to this day—inspires the fantasies of decades of Dora wannabes who began to swarm his pristine paradise after the movie Gidget helped surfing explode into the mainstream and changed it forever—many say for the worse.Disenchanted, Dora railed against the ruination; angry that the waves were no longer his own, he fought back—or found better things to do. Dora was also an avid sportsman, raconteur, philosopher, traveler—and scam artist of wide repute. When, in 1973, he finally ran afoul of the law, he soon abandoned America and led the FBI and Interpol on a seven-year chase around the globe. At the same time, he never gave up searching for (and occasionally finding) the empty waves and spirit of the Malibu he'd lost. From homes in New Zealand to South Africa to France, he continued to personify the rebel heart of surfing and has been widely acknowledged as "the most relentlessly committed surfer of all time."The New York Times named him "the most renegade spirit the sport has yet to produce." Vanity Fair called him "a dark prince of the beach." The Times (London) wrote, "A hero to a generation of beach bums. He was tanned . . . good-looking . . . trouble."To capture Dora's never-before-told story, David Rensin spent four years interviewing more than three hundred of Dora's friends, enemies, family members, lovers, and peers—none of whom would previously talk in depth about him—to uncover the truth about surfing's most outrageous practitioner, charismatic prince, chief antihero, committed loner, and enduring mystery. The result is a riveting and living portrait of an uncommon character whose unique influence on surfing has never waned, and who became what most can never be: a legend in his own time.

    But, as Bob Greene writes, “just when in our lives we give up on capturing the freedom and bright mornings of our world when it was new, sometimes something happens to keep the sun high in the sky a while longer. Sometimes we find something we weren’t even aware we were looking for."For fifteen years beginning in the 1990s, Greene stepped into a universe that, out in the country every summer night, is hiding in plain sight: the touring world of the great early rock bands who gave America the car-radio and jukebox music it still loves best. Singing backup with the legendary Jan and Dean as they endlessly crisscross the nation, Greene takes us to football stadiums and minor-league ballparks, to no-name ice cream stands and midnight diners, to back roads and carnival midways as he tells a riveting story of great fame and lingering sorrow, of unexpected friendship and lasting dreams, of the things that keep us going in the face of all the things that threaten to stop us.Striking chords of recognition and yearning, When We Get to Surf City glistens with cameos by the men and women with whom Greene traveled the United States on his deliriously unlikely journey, including Chuck Berry, Martha and the Vandellas, the Everly Brothers, Jerry Lee Lewis, the Beach Boys, the Monkees, the Kingsmen, James Brown, Lesley Gore, the Drifters, Little Eva, and the Coasters.All of them—not just the people on the stage, but the people in the audiences, too—are seeking their private versions of the mythical destination Jan and Dean came up with all those years ago: Surf City as the perfect, cloudless place we all believe is out there, if only we can find it.Hilarious and heartbreaking, moving and brilliant, this is the trip of a lifetime, a travelogue of the heart, accompanied by a thundering guitar chorus of Fender Stratocasters. It is a story destined to touch readers not just today, but for generations to come, as long as the music itself echoes.

    Elvis Presley was just eighteen when he fell in love with a beautiful 16-year-old French dancer--his first and only true love. They kept their passion secret from the world for 24 years. Now Lucy de Barbin breaks her silence and reveals all: the secret meetings, heartbreaking love scenes, tears and tenderness--and the beautiful daughter that Elvis never knew he had.

    Stories of adventure, misadventure, love and loss from the #1 bestselling author of the critically acclaimed memoirs Working Class Boy and Working Class Man. Outrageous, witty, warm and wise, Killing Time shares more than 40 yarns from an epic life - a dazzling collection of tall tales, out-takes and B-sides from one of Australia's finest storytellers.

    But by the age of 39, the man whose brilliant compositions had thrilled audiences in the most fashionable salons lay dying of consumption, penniless and abandoned by his lover. In the fall of 1849, his lavish funeral was attended by thousands—but not by George Sand.In this intimate portrait of an embattled man, Eisler tells the story of a turbulent love affair, of pain and loss redeemed by art, and of worlds—both private and public—convulsed by momentous change.

    Stone Alone is a meticulous, shrewd and humorous look at the complex personalities of the Stones and the role they played in the startling cultural revolution of the times.

    This biography captures Munson's meteoric rise to stardom in baseball's most storied franchise.

    Now Jonah Winter teams up once again with his mother, the award-winning illustrator Jeanette Winter, to bring you Hildegard's remarkable story. The result is a lyrical biography that captures Hildegard's faith and beauty--and celebrates the courage it took for a singular woman to let her light shine.

    In "Woody Guthrie: A Life", Klein's signature style of insightful narrative nonfiction brings to life a vivid chapter in the history of American culture.In 1998, the Woody Guthrie Foundation made public for the first time more than 10,000 of his papers, letters, song lyrics, and artworks, sparking renewed interest in the life of an American folk legend who influenced generations of musicians to come. The New York Times, reporting on the phenomenon, described Guthrie's appeal and legacy succinctly: "(Woody Guthrie was) one of the most influential cultural figures of the century. Guthrie inspired Bob Dylan and virtually created the modern folk tradition and singer-songwriter genre, and his music remains as vital today as when he was performing".Born in Oklahoma in 1912, Guthrie spent his early years among the farmers and migrant workers of the dust bowl. As a young man during the Great Depression, he traveled across the country by boxcar with his guitar, composing the indelible folk ballads that made him a leader of the politically vital folk movement of the pre-war era. Tragically, the onset of Huntington's disease, gradually diminished his mind, body, and work, and led to his untimely death at the age of 55. Still, Guthrie's life and music have inspired every important folk and folk rock artist since, from Pete Seeger, Bob Dylan, and Joan Baez to Bruce Springsteen, Billy Bragg, and Ani DiFranco.

    Hosting outrageous soirees with names like the Mick Jagger/Cycle Sluts Party and masterminding such lavishly themed opening nights as the Tommy/New York City subway premiere, it was Carr, an obese, caftan-wearing producer--the ultimate outsider--who first brought movie stars and rock stars, gays and straights, Old and New Hollywood together. From the stunning success of Grease and La Cage aux Folles to the spectacular failure of the Village People's Can't Stop the Music, as a producer Carr's was a rollercoaster of a career punctuated by major hits and phenomenal flops--none more disastrous than the Academy Awards show he produced featuring a tone-deaf Rob Lowe serenading Snow White, a fiasco that made Carr an outcast, and is still widely considered to be the worst Oscars ever. Tracing Carr's excess-laden rise and tragic fall--and sparing no one along the way--Party Animals provides a sizzling, candid, behind-the-scenes look at Hollywood's most infamous period.

    Beethoven's (1770-1827) music helped define the classical style and is considered by many to be the greatest composer who ever lived.

    Burdon was ripped off by unscrupulous agents, accountants, and record labels, hounded by the police, and framed for a crime he didn't commit. Yet through it all, he never became bitter. He was the first rocker to play behind the Iron Curtain. He sang with Jimi Hendrix, chased Jim Morrison out of his house with a .44, and introduced John Lee Hooker to the toughest venue Hooker ever played. Eric Burdon explains how he became the "Egg Man" in the Beatles' "I am the Walrus." With the enthusiasm and good humor of his live shows, Burdon recalls the tense reunion between John Lennon and Lennon's long-estranged father; racing motorcycles across the California desert with Steve McQueen; picketing the offices of MGM Records for nonpayment of royalties; performing in wartime Sarajevo with a symphony orchestra; getting run out of Meridian, Mississippi for promoting black music, and singing his heart out year after year. A complete discography and fifty photographs, many never before published, are included in this unforgettable memoir. "Burdon has lived like a real rocker." -New York Times Book Review "Riveting and informative."-Los Angeles Times "These reminiscences will delight Burdon's fans . . . in general."-Library Journal