Ben likes Noah back. No one must know. But somebody does ... Between his depression and anxiety disorder and his secret relationship with popular jock Ben Hynes, seventeen-year-old Noah Simmons has already more than enough to deal with. But there is always room for deterioration.When an anonymous blackmailer threatens to publish a salacious video of them unless they comply with his demands, Noah and Ben are hard-pressed to figure out the lesser of two evils. Ben has a reputation to lose. Noah has one hardly worth fighting for, but he doesn't want to lose Ben. Neither of them wants to be an inadvertent teenage porn star, so how far are they willing to go to protect their secret?Get your copy of Instafamous now for a fresh and relevant look at the intricacies of social media, teenagers, and mental health.

    . . . No one is writing better or more needed verse than this."--Boston Evening Globe

    His job was to help these teens discover their self worth, get them back on their feet, earn high school degrees, and find jobs. But he had no idea how difficult it would be, and the complexities that were involved with coaxing them away from dangerous sex work and cycles of drug and alcohol abuse, and helping them heal from years of abandonment and abuse.In No House to Call My Home, Ryan Berg tells profoundly moving, intimate, and raw stories from the frontlines of LGBTQ homelessness and foster care. In the United States, 43% of homeless youth were forced out by their parents because of their sexual orientation or gender identity. Berg faced young people who have battled extreme poverty, experienced unbalanced opportunities, structural racism, and homophobia. He found himself ill-equipped to help, in part because they are working within a system that paints in broad strokes, focused on warehousing young people, rather than helping them build healthy relationships with adults that could lead to a successful life once they age out of foster care.By digging deep and asking the hard questions, and by haltingly opening himself up to his charges, Berg gained their trust. Focusing on a handful of memorable characters and their entourage, he illustrates the key issues and recurring patterns in the suffering, psychology and recovery of these neglected teens.No House to Call My Home will provoke readers into thinking in new ways about how we define privilege, identity, love and family. Because beyond the tears and abuse, the bluster and bravado, what emerges here is a love song to that irrepressible life force of youth: hope.

    The best of the first 5 years of BUTT: Adventures in 21st century gay subculture Since its first legendary issue in 2001, international quarterly magazine BUTT has been bringing together groups of young alternative gay guys all around the world, connecting fashion, sex, and art with a good sense of irony.

    While grappling with their identity and sexuality, often alone, they also faced academic meltdown, their parents' divorce, and the looming pressure of what might come after high school. Written in alternating chapters from both Tegan's point of view and Sara's, the book is a raw account of the drugs, alcohol, love, music and friendship they explored in their formative years. A transcendent story of first loves and first songs, it captures the tangle of discordant and parallel memories of two sisters who grew up in distinct ways even as they lived just down the hall from one another. This is the origin story of Tegan and Sara.

    Anne Lister was a Regency landowner, an intrepid world traveller ... and an unabashed lover of other women. In this bold new biography, prizewinning author Angela Steidele uses the diaries to create a portrait of Anne Lister as we've never seen her before: a woman in some ways very much of her time and in others far ahead of it. Anne Lister recorded everything from the most intimate details of her numerous liaisons through to her plans to make her fortune by exploiting the coal seams under her family estate in Halifax and her reaction to the Peterloo massacre. She conducted a love life of labyrinthine complexity, all while searching for a girlfriend who could provide her with both financial security and true love.Anne Lister's rich and unconventional life is now the subject of the major BBC TV drama series Gentleman Jack.

    Although the most explicit letters had been burned (Lorena told Eleanor's daughter, "Your mother wasn't always so very discreet in her letters to me"), the find was still electrifying enough to create controversy about the nature of the women's relationship. Historian Rodger Streitmatter has transcribed and annotated more than 300 of those letters-published here for the first time-and put them within the context of the lives of these two extraordinary women, allowing us to understand the role of this remarkable friendship in Roosevelt's transformation into a crusading First Lady.

    Previously published under ISBN 978-1-7321153-1-6. She is the only female hoplite in Spartan history. She is a royal guard to King Leonidas. She is the Iron Edge. In an age when men rule, Halcyon rises above and is the master of her own life. At home, Halcyon controls her lands and her personal slaves with a strict hand, until the day she purchases an unusual slave. Thora is a fair skinned woman who stands taller than the Greek gods, with hair the color of gold, and blue eyes that rival the skies. Halcyon must own the unusual woman, but she is hardly prepared for the thunder that follows. Step back into the glory of Ancient Sparta when the city-state becomes a formidable military power. Learn about Sparta’s unique social system including women’s dominant roles in both the house and in public affairs, and follow one slave owner’s journey as she learns to accept her slave’s spirit. Thora is a 45,000-word 3rd-person omniscient Historical Lesbian Romance Fiction novel. It includes a glossary for minor Greek terminology. No rape. No BDSM. No cliffhanger. Happy ending.

    Jill is trapped in an abusive marriage, while raising two young girls. Her husband has isolated her from the world and filled her days with fear. The last thing on her mind is love, but she sure could use a friend.Alex McCoy is enjoying a comfortable life, with great friends and a prosperous business. She has given up on love, after picking the wrong woman one too many times. Little does she know, a simple act of kindness might change her life forever.When Alex lends a helping hand to Jill at the local grocery store, they are surprised by their immediate connection and an unlikely friendship develops. As their friendship deepens, so too do their fears. In order to protect herself and the girls, Jill can’t let her husband know about her friendship with Alex, and Alex can’t discover what goes on behind closed doors. What would Alex do if she finds out the truth? At the same time, Alex must fight her attraction and be the friend she suspects Jill needs. Besides, Alex knows what every lesbian knows – don’t fall for a straight woman, especially one that’s married…but will her heart listen?

    It continues as a series of unforgettable encounters with men and, especially, women whose lives have been improbably and yet permanently transfigured by the strange power of desire. Lucid and lyrical, The Pure and the Impure stands out as one of modern literature's subtlest reckonings, not only with the varieties of sexual experience, but with the always unlikely nature of love.

    He lives in New York City.

    They became a legendary couple, photographed by Stieglitz, Man Ray & Cecil Beaton, painted by Picasso, and written about in the works of Hemingway, Paul Bowles and Sylvia Beach. Gertrude and Alice is the highly acclaimed story of their remarkable life together. From letters, memoirs and their published writings and with rich illustrations, Whitbread Award-winner Diana Souhami brings their characters, beliefs,and achievements vividly to life: "so emphatically and uncompromisingly themselves, that the world could do nothing less than accept them as they were."

    Its beloved antiheroine, Harriet, is erratic, unsentimental, and endearing-very much like the woman who created her, Louise Fitzhugh.Born in 1928, Fitzhugh was raised in segregated Memphis, but she soon escaped her cloistered world and headed for New York, where her expanded milieu stretched from the lesbian bars of Greenwich Village to the art world of postwar Europe, and her circle of friends included members of the avant-garde like Maurice Sendak and Lorraine Hansberry. Fitzhugh's novels, written in an era of political defiance, are full of resistance: to authority, to conformity, and even -- radically, for a children's author -- to make-believe.As a children's author and a lesbian, Fitzhugh was often pressured to disguise her true nature. Sometimes You Have to Lie tells the story of her hidden life and of the creation of her masterpiece, which remains long after her death as a testament to the complicated relationship between truth, secrecy, and individualism.

    This new edition—including a new introduction and three new essays—remains a testament of Moraga's coming-of-age as a Chicana and a lesbian at a time when the political merging of those two identities was severely censured.Drawing on the Mexican legacy of Malinche, the symbolic mother of the first mestizo peoples, Moraga examines the collective sexual and cultural wounding suffered by women since the Conquest. Moraga examines her own mestiza parentage and the seemingly inescapable choice of assimilation into a passionless whiteness or uncritical acquiescence to the patriarchal Chicano culture she was raised to reproduce. By finding Chicana feminism and honoring her own sexuality and loyalty to other women of color, Moraga finds a way to claim both her family and her freedom.Moraga's new essays, written with a voice nearly a generation older, continue the project of "loving in the war years," but Moraga's posture is now closer to that of a zen warrior than a street-fighter. In these essays, loving is an extended prayer, where the poet-politica reflects on the relationship between our small individual deaths and the dyings of nations of people (pueblos). Loving is an angry response to the "cultural tyranny" of the mainstream art world and a celebration of the strategic use of "cultural memory" in the creation of an art of resistance.Cherríe Moraga is the co-editor of the classic feminist anthology This Bridge Called My Back and the author of The Last Generation. She is Artist-in-Residence at Stanford University.

    From the stirrings of his adolescent libido to his eventual death from AIDS, Oscar Moore's hero confronts his destiny with raw candour, shocking self-awareness, and frightening fatalism.