Lady Eugenia Price is a marriage maker who lives in Philadelphia. A romantic at heart, Lady Price introduces honorable men from out west to ladies needing a new life. This set includes: Wilhelmina, A Winter Bride Aurora, A Romantic Bride Lucille, A Lucky Bride Esther, An Easter Bride

    Knight... Fletcher... Caldwell... Cates... Markland. Welcome to the LORDS OF IRELAND MULTI-GENRE ROMANCE collection! Six of the top names in Historical Romance have come together to bring you these great and passionate tales from Ireland. Where soft winds blow and the green grass of Eire breeds epic heroes and fiery women, you will find tales to sate your passion and warm your heart. This collection includes: Black Sword by Kathryn Le Veque - In this unconventional love story, an Irish rebel and the sister of his English enemy find passion in the midst of a great uprising. My Lady of Deception by Christi Caldwell - A daughter of a traitor falls for her father's prisoner. When the carefully crafted lies she’s built between them begin to crumble, the lady realizes she will do anything to prove her love and loyalty to her father's prisoner - even it means at the expense of her own life. A Knight's Victory by Eliza Knight - Sir Michael Devereux has fallen for Lady Elena. When sinister ambitions of people in their midst threatens their safety, Michael and Elena will have to make a choice that could mean life or death and has them asking - does love really conquer all? The Irish Devil by Donna Fletcher - Eric of Shanekill is promised a bride and and chooses Faith, a shunned daughter of a mighty lord. Can a beauty tame the Irish devil or will he lead her into sin? Dark Irish Knight by Anna Markland - A fast paced adventure filled with intrigue and a poignant romance that blossoms between this unlikely pair. And what would an Irish tale be without a touch of the paranormal? Lily Fair by Kimberly Cates - In an Ireland divided between druid mystics and the faith of St. Patrick, Niall of the Seven Betrayals must make a choice - kill the innocent maid who trusts herself to his protection or betray his king and have all hope of regaining his honor snatched away—along with his life. Enjoy these six passionate stories for a limited time!

    In "Reminiscences," the first of five pieces, she focuses on the death of her mother, "the greatest disaster that could happen," and its effect on her father, the demanding Victorian patriarch. Three of the papers were composed to be read to the Memoir Club, a postwar regrouping of Bloomsbury, which exacted absolute candor of its members."A Sketch of the Past" is the longest and most significant of the pieces, giving an account of Virginia Woolf's early years in the family household at 22 Hyde Park Gate. A recently discovered manuscript belonging to this memoir has provided material that further illuminates her relationship to her father, Leslie Stephen, who played a crucial role in her development as an individual and as a writer.

    Depicting both the horrors of the Holocaust and the lifetime of emptiness that pursues a survivor, 'The Shawl' and 'Rosa' recall the psychological and emotional scars of those who suffered at the hands of the Nazis.

    The author carries us through a number of varied scenes and shows us not only a somewhat unflattering picture of womanhood, but digging under the surface, reveals a human understanding for and sympathy with some of its outstanding figures. The plot involves the efforts of a group of women to play their respective roles in an artificial society that consists of vain show, comedy, tragedy, hope and disappointment.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Before he can find the answer, he’s nearly killed himself—by a politically motivated car bombing targeting his activist daughter. With the inspector in the hospital, the case falls to his partner, Mike Burden. But when a strange mother and son are suspected, Burdon’s trail leads him down a very twisted road.  An Unkindness of Ravens: When a neighbor’s husband vanishes, Chief Inspector Wexford suspects the cad most likely ran off with one of his girlfriends. However, there are a few nagging concerns, like the man’s suspicious letter of resignation and his abandoned car. And is it just a fluke that his disappearance coincides with a rash of stabbings—all straight through the heart, all with male victims? Behind the seemingly placid domesticity of Wexford’s Sussex neighbors, there’s a growing web of tangling secrets, double lives, and triple-crosses.

     As usual, Maupin’s tone is both bittersweet and achingly funny in this tale of a post-catastrophic San Francisco and a young man’s resilient love for his mother. Cover Design by Darryl Vance

    Evocative and vivid descriptions of the early stages of the conflict populate these pages, from which the reader can gain lessons of the conditions of the stagnant front.Originally published in 1915, the set of tales within this book offer sobering accounts from various battlefields which took place during the early stages of the war. Although the war was not even halfway over by the time these stories found publication, the horrors of the conflict were already a fact of life, with casualties rapidly mounting on both sides.At that time public opinion hadn’t yet fully turned against the war, and in Britain – the nationality of all the soldiers here – the need for showing progress was essential to sustain civilian and military morale. All of the soldiers in these pages were already serving in their regiments, or had volunteered for service, when the war commenced. They were commonly professional soldiers, possessed of a natural – even ingrained - patriotism, and more accepting of the official narrative than the increasingly sceptical and fearful citizenry back home. There is however no doubt that many were already disillusioned, and that the stories here are taken from an already thinning group of soldiers still possessed of some shred of belief in the war as a noble, or even glorious, conflict.Despite the mood which underpins the pages here, one can read between the lines for a picture. The stories are honest: thing got worse between those elated first weeks wherein the French welcomed their allies so gladly, and the war that was to be over by Christmas 1914 was nowhere near ending, and it is in these stories that we witness the germinal seeds of disillusion and hatred of conflict. The majority of the illustrations which originally accompanied these accounts prioritise the heroism of their subjects, while a few offer a toned down presentation of the horrific battlefields. In this modern edition, we include a number of relevant photographic illustrations alongside the original drawings which accompanied the stories when they were first published. While the imagery of World War I is generally quite ingrained in our minds, these supplementary pictures are designed as on-the-spot reminders of how war was more than a century ago, as well as to provide demonstration of the weapons and technology of the era.

    The classic story of a boy's adventures in the Mississippi Valley.

    His highly-acclaimed work includes One Hundred Years of Solitude, The Autumn of the Patriarch and Love in the Time of Cholera. He won the Nobel Prize for Literature in 1982 for his literary production prior to Chronicle of a Death Foretold. A principal exponent of 'magical realism', his work forms a significant part of the debate about postmodernist writing, and the study of fantasy as a genre. Dr. Fiddian's detailed and accessible Introduction places Marquez's work in the contexts of national, regional (Caribbean) and continental (Latin American) writing and develops a coherent overview of the author's literary output. The essays selected for inclusion in this collection bring together some of the most up-to-date and authoritative assessments of Marquez's writing, from early stories and novellas, through the major novels, up to Love in the Time of Cholera. Featuring a variety of critical approaches, this fascinating study provides the first annotated anthology of criticism in English.

    In her brief yet fruitful life, she was variously author, editor, literary and social critic, journalist, poet, and revolutionary. She was also one of the few female members of the prestigious Transcendentalist movement, whose ranks included Ralph Waldo Emerson, Henry David Thoreau, Elizabeth Palmer Peabody, Nathaniel Hawthorne, and many other prominent New England intellectuals of the day. As co-editor of the transcendentalist journal, The Dial, Fuller was able to give voice to her groundbreaking social critique on woman's place in society, the genesis of the book that was later to become Woman in the Nineteenth Century. Published in 1843, this essay was entitled "The Great Lawsuit: Man versus Men, Woman versus Women."First published in book form in 1845, Woman in the Nineteenth Century was correctly perceived as the controversial document that it was: receiving acclaim and achieving popular success in some quarters (the first printing sold out within a week), at the same time that it inspired vicious attacks from opponents of the embryonic women's movement. In this book, whose style is characterized by the trademark textual diversity of the transcendentalists, Fuller articulates values arising from her passionate belief in justice and equality for all humankind, with a particular focus on women. Although her notion of basic rights certainly includes those of an educational, economic, and legal nature, it is intellectual expansion and changes in the prevailing attitudes towards women (by men and women) that Fuller cherishes far above the superficial manifestations of liberation. A classic of feminist thought that helped bring about the Seneca Falls Women's Convention three years after its publication, Woman in the Nineteenth Century inspired her contemporaries Elizabeth Cady Stanton and Susan B. Anthony to speak of Fuller as possessing "more influence upon the thought of American women than any woman previous to her time."

    Stephen Cox, professor of literatureat the University of California at San Diego, spoke on "The LiteraryAchievement of The Fountainhead" and David Kelley, executive director of TheObjectivist Center, discussed "The Code of the Creator." This commemorativemonograph contains the text of both lectures and other material about AynRand's classic novel.

    Full color.

    The professor swears it's a Vermeer -- but why exactly has he kept it hidden so long? The reasons unfold in a gripping sequence of stories that trace ownership of the work back to Amsterdam during World War II and still further to the moment of the painting's inception.