They should never have stopped. Waiting for them are three heartless men just escaped from prison — each with nothing to lose. And now, with the girls as their hostages, they have everything to gain. They make their stand in an abandoned slaughterhouse, and it is there that Lou Handy, a murderer and the convicts’ ringleader, announces his terms: to kill one captive an hour unless his demands are met.What follows is a twelve-hour siege of noose-tight tension — and a war of nerves between Handy and the FBI’s senior hostage negotiator, Arthur Potter.Dead Silence, based on A Maiden’s Grave, was made into a movie, starring James Garner and Marlee Matlin. It was filmed by HBO in 1997.

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    John Barron, the newest and youngest member of the elite LAPD unit, learns quickly that the 5-2 has their own deadly system of justice, and that even the slightest protest will result in his suffering the same swift fate. Thus begins a dark, explosive struggle between good and evil--pitting Barron's squad against an exceedingly imaginative and brutal killer.Suddenly the game widens when John flees to London with his sister, Rebecca, and they are thrown into a race against time. Pursuing them is a baroness, beautiful and cruel, who will stop at nothing to protect her family, her fortune, and her global ambitions. Her secret--spanning oceans, continents, the collapse of the USSR, even the death of the Tsars--is a stunning revelation that could catapult her to the pinnacle of world power.

    For the Earth has become a pawn in the biggest gamble ever played with humanity's future-and Chaiten is about to blow.

    Enemies are planning an attack of unprecedented scale on America. Uncertainty and fear grip Washington. There are whispers of cyberterror and espionage and a traitor in the cabinet. The President himself becomes a suspect, and then goes missing...Set in real time, over the course of three days, The President Is Missing is one of the most dramatic thrillers in decades. And it could all really happen. The President Is Missing is Bill Clinton and James Patterson's totally authentic and spellbinding thriller.

    Victims of one of the most ruthless and evil human beings on earth.  For two weeks they try to survive, until Emily is the unwitting instrument in Joel’s demise. John Garrett has worked for the CIA, MI6, and whoever else needed his services.  Now, the CIA comes calling with a desperate mission for him: save Emily Hudson.  But their may be more to this job than they let him know.  And soon, his connection to Emily has him questioning everything he thought to be true.  Emily has vengeance on her mind.  Will Garrett aid her in getting revenge?  Can Emily help him get to the truth behind a bigger conspiracy?  Or will they both die trying…With lightning-fast pacing, plot twists and shocking betrayals, Iris Johansen is at the top of her game in this latest thriller.

    Now one of those schemes has come true, and Ian is the only person alive who knows how it was done...and who is behind the plot. That makes him too dangerous to live.Ian goes on the run, sweeping up an innocent bystander in his plight--Margo French, a dog walker and aspiring singer. They are pursued by assassins and an all-seeing global-intelligence network that won't stop until Ian and Margo are dead. Ian has written thrillers like this before, but this time he doesn't know how it's going to end--or if he will be alive to find out.

    including the President of the United States?

    The fear is numbing. Screams freeze in the throat. Death arrives in shades of white. Cold-blooded murder seems right at home....the chill of the grave.

    Reed Shelton organized this survival weekend. Hired the best guide in the region. Meticulously trained, studied, and packed while encouraging his wife, Beck, to do the same. But little did they know that surviving the elements would become the least of their worries. During their first night of camping, an unearthly wail pierces the calm of the forest. Then someone—no, something—emerges from the dense woods and begins pursuing them. Everything that follows is a blur to Reed—except for the unforgettable image of a huge creature carrying his wife into the darkness. Dependant on the efforts of a small town and a band of friends, Reed knows they have little time to find Beck. Even more important, he soon realizes that they aren't the only ones doing the hunting. Something much faster, more relentless—and definitely not human—has begun to hunt them.

    For Julia Bishop is the partner of his best friend and fellow “smoke jumper,” Ed Tully. Julia loves them both–until a fiery tragedy on Montana’s Snake Mountain forces her to choose between them, and burns a brand on all their hearts.In the wake of the fire, Connor embarks on a harrowing journey to the edge of human experience, traveling the world’s worst wars and disasters to take photographs that find him fame but never happiness. Reckless of a life he no longer wants, again and again he dares death to take him, until another fateful day on another continent, he must walk through fire once more…

    For starters, he has one of the world's highest IQs. Now he's suddenly struck by an incredible power--the ability to see multiple potential futures.Still reeling from this inexplicable gift, Seth stumbles upon a beautiful woman named Miriam. Unknown to Seth, Miriam is a Saudi Arabian princess who has fled her veiled existence to escape a forced marriage of unimaginable consequences. Cultures collide as they're thrown together and forced to run from an unstoppable force determined to kidnap or kill Miriam.Seth's mysterious ability helps them avoid capture once, then twice. But with no sleep, a fugitive princess by his side, hit men a heartbeat away, and a massive manhunt steadily closing in, evasion becomes impossible.An intoxicating tale set amidst the shifting sands of the Middle East and the back roads of America, Blink engages issues as ancient as the earth itself...and as current as today's headlines.

    The American ambassador is held prisoner. And the US President faces the choice: get him out ... or kill him. In as rat-infested room ambassador Peabody faces a brilliant, ruthless young protege of Fidel Castro, Jorge Calderon, who is determined to extract the truth behind a secret CIA operation against Cuba. Meanwhile, back in Washington, the President is caught between CIA strategists who want to eliminate Peabody before he can reveal the CIA's plans, and Colonel Silas Slocum, the one man who believes he can rescue the ambassador in an awesome and daring rescue...

    Wynn is a gentle giant, a Vermont kid never happier than when his feet are in the water. Jack is more rugged, raised on a ranch in Colorado where sleeping under the stars and cooking on a fire came as naturally to him as breathing. When they decide to canoe the Maskwa River in northern Canada, they anticipate long days of leisurely paddling and picking blueberries, and nights of stargazing and reading paperback Westerns. But a wildfire making its way across the forest adds unexpected urgency to the journey. When they hear a man and woman arguing on the fog-shrouded riverbank and decide to warn them about the fire, their search for the pair turns up nothing and no one. But: The next day a man appears on the river, paddling alone. Is this the man they heard? And, if he is, where is the woman?

    The day begins with the jarring discovery that, soon after ending an affair, Laurel is pregnant. But when she returns home to find her husband ashen, unkempt, and on the brink of violence, a nightmare quickly unfolds. In the heart of an idyllic Mississippi town, behind the walls of her perfect house, Laurel finds herself locked in a volatile standoff with a husband she barely recognizes. Confronted with evidence of her betrayal, she must tread a deadly path between truth and deception while a ring of armed police prepares a dangerous rescue. But Laurel's greatest fear -- and her only hope -- lies with her former lover, a brave man whom fate has granted the power to save both Laurel and her children -- if she can protect his identity long enough....