It is a memoir of a lifetime spent in service to country, of a man who has been destined with the watch, with the vigilance, with the responsibility to his people to speak up and speak out.My Watch spans large expanses of time, from the pre-colonial Owu history, to early Abeokuta and the last throes of an independent city state at turn-of-the-century colonial Nigeria, to the early life of its author, his civil war experience, his stewardship of the transitional government of 1976-1979, the interregnum, his second appearance on the national scene as a civilian president on Nigeria's return to democracy in 1999, the completion of the first civilian-civilian transfer of government in Nigeria's history that inaugurated the Yar'Adua presidency and signalled the end of Obasanjo's tenure in office, and the years hence.Presented in three volumes, this exquisitely narrated memoir, in turns intensely personal and broadly nationalistic and international, completes a trilogy of autobiographies—My Command, Not My Will, and My Watch—told by this sojourner of Nigerian and world history.

    During some of the most significant political events of our times – the Arab Spring, the financial crash and a European referendum that has changed the face of British politics forever – she sat right outside the door of the Prime Minister’s office, earning herself the title of ‘gatekeeper’.Fall takes us through the Cameron project, from its inception to coalition, reshuffles, political scandals, two general elections and three referendums. She speaks frankly and honestly about the Conservatives’ key players, their project to modernise the party, how the coalition worked (and how it didn’t). Shedding light on the world behind the public façade of politics, she reveals what it is like to be a woman at the heart of power: the blood, sweat and toil, the victories and regrets, the friendships and fall outs, the chaos and camaraderie.Politics tests any relationship with its conflicting priorities of loyalty, belief, and personal ambition. The Gatekeeper is a very personal portrait of life behind the scenes at the centre of power.

    In telling the story of the F/OSS movement, the book unfolds a broader narrative involving computing, the politics of access, and intellectual property.E. Gabriella Coleman tracks the ways in which hackers collaborate and examines passionate manifestos, hacker humor, free software project governance, and festive hacker conferences. Looking at the ways that hackers sustain their productive freedom, Coleman shows that these activists, driven by a commitment to their work, reformulate key ideals including free speech, transparency, and meritocracy, and refuse restrictive intellectual protections. Coleman demonstrates how hacking, so often marginalized or misunderstood, sheds light on the continuing relevance of liberalism in online collaboration.

    

      After inheriting the Post from her father, and assuming its leadership in 1963 after the death of her husband, Graham found herself unexpectedly playing a role in history. Here she recounts the riveting episodes that transformed a shy widow into a newspaper legend, as she defied the government to publish the Pentagon Papers’ secrets about the Vietnam War and then led the way in exposing the Watergate scandal. Graham gives us an intimate behind-the-scenes view of the tense debates and high stakes she and her editors faced, and concludes with a powerful argument for the freedom of the press as a bulwark against abuses of power. An ebook short.

    

    A fun-loving iconoclast whose motto is ‘work hard and play harder’, Farage’s charismatic leadership and determination to battle the forces of anti-libertarianism have made him a Robin Hood figure to many, and propelled his party, UKIP, into a position of real power in the country.Never one for a quiet life, this edition includes the story of Nigel’s extraordinary escape from death in a plane crash on the eve of the 2010 general election (the light aircraft he was flying in got caught up in a UKIP banner it was towing and crashed shortly after take-off, badly injuring Farage and his pilot), his recovery and return to the leadership of UKIP in November 2010.Featuring sometimes hilarious and often terrifying encounters with a stellar supporting cast, including Tony Blair, Gordon Brown, Nicolas Sarkozy, José Manuel Barroso, and UKIP’s short-lived, silver-gilt mascot, Robert Kilroy-Silk – and told with Farage’s customary wit and humour – Flying Free is a candid, colourful life story by a fascinating and controversial character. It also shows that one fearless, determined individual can still make a difference.

    

    He has been an officer in the Royal Marine Commandos, a diplomat, an MP and leader of his party, and an international peacemaker in war-torn Bosnia. In this sprawling autobiography that addresses his years in politics, he writes with authority about topics as diverse as tracking down infiltrating Indonesian forces in the jungles of Sarawak; landing a raiding party from a submerged submarine; the difficulties of learning Chinese; negotiating with Tony Blair; and bringing stability to a country wracked by civil war. While deadly serious when discussing his family, his country, his party, and the Bosnian people, Ashdown also has a refreshing gift for self-deprecating wit and has wealth of anecdotes. This is the self-portrait of a man who has lived life to the fullest for the benefit of a nation.

    When McLuhan's groundbreaking Understanding Media was published in 1964, the media as we know it today did not exist. But McLuhan's argument, that the technological extensions of human consciousness were racing ahead of our ability to understand their consequences, has never been morecompelling. And if the medium is the message, as McLuhan maintained, then the message is becoming almost impossible to decipher. In The Global Village, McLuhan and co-author Bruce R. Powers propose a detailed conceptual framework in terms of which the technological advances of the past two decades may be understood. At the heart of their theory is the argument that today's users of technology are caught between two verydifferent ways of perceiving the world. On the one hand there is what they refer to as Visual Space--the linear, quantitative mode of perception that is characteristic of the Western world; on the other hand there is Acoustic Space--the holistic, qualitative reasoning of the East. The medium ofprint, the authors argue, fosters and preserves the perception of Visual Space; but, like television, the technologies of the data base, the communications satellite, and the global media network are pushing their users towards the more dynamic, many-centered orientation of Acoustic Space. The authors warn, however, that this movement towards Acoustic Space may not go smoothly. Indeed, McLuhan and Powers argue that with the advent of the global village--the result of worldwide communications--these two worldviews are slamming into each other at the speed of light, asserting thatthe key to peace is to understand both these systems simultaneously. Employing McLuhan's concept of the Tetrad--a device for predicting the changes wrought by new technologies--the authors analyze this collision of viewpoints. Taking no sides, they seek to do today what McLuhan did so successfully twenty-five years ago--to look around the corner of the comingworld, and to help us all be prepared for what we will find there.

    senator suddenly falls ill at a political fundraising event, he is rushed to the hospital for emergency treatment, but dies hours after being stabilized. Miami-based FBI Special Agent Daniel Falcone is called in to investigate. He quickly suspects foul play. As he searches for evidence, a torrent of domestic terrorism is unleashed upon the nation. An African-American church is bombed. A mass shooting devastates an event to commemorate the Holocaust. Mayhem tears through a Mexican-American charitable foundation and a deadly explosion rocks the downtown Manhattan Federal Building. As the pressure mounts, Daniel must race to protect the veritable future and freedom of America. A page-turning thrill ride, which pits the very best against the very worst of the United States. When White Fades to Black is a provocative, multi-layered and wildy engrossing tale that will captivate, resonate, entertain and haunt, long after the final page has been devoured.

    For months now, Monique doesn’t know who she is anymore.Monique is living under a false identity in German-occupied Paris. No one knows that she is Jewish.Since last summer, Monique has been involved with a Nazi officer, and she knows that she will pay with her life if anyone discovers her secret, but she has no other choice.In the days leading to Christmas, Monique and Herr Ernest, the German officer she lives with, are preparing for a German officers’ reception which they plan to attend. Monique ardently continues to hide her secret. Still, she can’t ignore the signs of her past, and as the evening of the reception progresses, Monique finds it increasingly difficult to keep her true identity a secret, fearing that some may suspect her of hiding something.Monique must keep her secret, but can she continue to deny her identity and heritage?With the backdrop of illuminated Christmas trees and Hanukkah candles, Alex Amit’s short story illuminates the simple and extraordinary acts of courage by a young woman, fighting for her life and identity during those dark and dreadful days, and continuing to believe that next year will bring with it winds of change and hope.

    The Culture of Connectivity studies the rise of social media in the first decade of the twenty-first century up until 2012, providing both a historical and a critical analysis of the emergence of major platforms in the context of a rapidly changing ecosystem of connective media. Such history is needed to understand how these media have come to profoundly affect our experience of online sociality. The first stage of their development shows a fundamental shift. While most sites started out as amateur-driven community platforms, half a decade later they have turned into large corporations that do not just facilitate user connectedness, but have become global information and data mining companies extracting and exploiting user connectivity. Author and media scholar Jos van Dijck offers an analytical prism to examine techno-cultural as well as socio-economic aspects of this transformation. She dissects five major platforms: Facebook, Twitter, Flickr, YouTube, and Wikipedia. Each of these microsystems occupies a distinct position in the larger ecology of connective media, and yet, their underlying mechanisms for coding interfaces, steering users, and filtering content rely on shared ideological principles. At the level of management and organization, we can also observe striking similarities between these platforms' shifting ownership status, governance strategies, and business models. Reconstructing the premises on which these platforms are built, this study highlights how norms for online interaction and communication gradually changed. "Sharing," "friending," "liking," "following," "trending," and "favoriting" have come to denote online practices imbued with specific technological and economic meanings. This process of normalization, the author argues, is part of a larger political and ideological battle over information control in an online world where everything is bound to become social. Crossing lines of technological, historical, sociological, and cultural inquiry, The Culture of Connectivity will reshape the way we think about interpersonal connection in the digital age.

    In 47 Percent, Corn recounts how the 47 percent video fit into the ongoing narrative of the 2012 election and greatly changed the course of the campaign. This instant, on-the-news book also features an astute review of the first debate between President Barack Obama and Governor Mitt Romney and assesses the strengths and weaknesses of each candidate as they head into the final stretch of this historical election.

    It cuts through the nonsense about how 'free' and 'democratic' networks supposedly are, and it offers a rich analysis of how network protocols create a new kind of control. Essential reading for all theorists, artists, activists, techheads, and hackers of the Net.” —McKenzie Wark, author of A Hacker ManifestoThe network has become the core organizational structure for postmodern politics, culture, and life, replacing the modern era’s hierarchical systems. From peer-to-peer file sharing and massive multiplayer online games to contagion vectors of digital or biological viruses and global affiliations of terrorist organizations, the network form has become so invasive that nearly every aspect of contemporary society can be located within it.Borrowing their title from the hacker term for a program that takes advantage of a flaw in a network system, Alexander R. Galloway and Eugene Thacker challenge the widespread assumption that networks are inherently egalitarian. Instead, they contend that there exist new modes of control entirely native to networks, modes that are at once highly centralized and dispersed, corporate and subversive.In this provocative book-length essay, Galloway and Thacker argue that a whole new topology must be invented to resist and reshape the network form, one that is as asymmetrical in relationship to networks as the network is in relation to hierarchy.Alexander R. Galloway is associate professor of culture and communications at New York University and the author of Gaming: Essays on Algorithmic Culture (Minnesota, 2006) and Protocol: How Control Exists after Decentralization.Eugene Thacker is associate professor of new media at the Georgia Institute of Technology and the author of Biomedia (Minnesota, 2004) and The Global Genome: Biotechnology, Politics, and Culture.