It's where some of the most important literary friendships of the twentieth century are forged--none more so than the one between Irish writer James Joyce and Sylvia herself. When Joyce's controversial novel Ulysses is banned, Beach takes a massive risk and publishes it under the auspices of Shakespeare and Company.But the success and notoriety of publishing the most infamous and influential book of the century comes with steep costs. The future of her beloved store itself is threatened when Ulysses' success brings other publishers to woo Joyce away. Her most cherished relationships are put to the test as Paris is plunged deeper into the Depression and many expatriate friends return to America. As she faces painful personal and financial crises, Sylvia--a woman who has made it her mission to honor the life-changing impact of books--must decide what Shakespeare and Company truly means to her.

    The gothic setting of a lonely castle in the middle of thick, dense woods, not far from a wild and inaccessible seashore, contrasts with the contemporaneity of the characters who inhabit it: a dissolute, rich and aimless young man who invites his best friend to stay in his newly-acquired château. The friend arrives not alone, but with a beautiful woman whose detached amorality disturbs both men.

    The city it evokes isn’t the Paris of tourists but of local people."—The New York Times"Fabre is a genius of these nuanced, interior moments ... The story Fabre tells is that of every one of us: looking for meaning in the mundane, moving through our lives, our interactions, as if through the fabric of a dream ... How do we live? it asks to consider. And: What does our existence mean?"—Los Angeles Times"Guys Like Me is a short, arresting tale that ...not only offers keen insights into the mind of its middle-aged protagonist, but also provides the reader with a unique tour of what everyday life in the low-key suburbs of Paris must truly be like."—Typographical Era"Readers will take pleasure in this well-told tale with a satisfying ending."––Publishers Weekly"The setting may be Paris, but it’s not the Paris of grand avenues and pricey cafés. In fact, Fabre’s hero is a recognizable everyman, from any country."—Library JournalA smile like a soft flash of light . . . travels through this moving novel and tells, in words that are muted and profoundly humane, of life as it is."—Le Monde"Fabre speaks to us of luck and misfortune, of the accidents that make a man or defeat him. He talks about our ordinary disappointments and our small moments of calm. Fabre is the discreet megaphone of the man in the crowd."—Elle"In this novel one finds the intimate geography of an author who lays bare the essence of Paris and its outskirts."—La Quinzaine littéraireDominique Fabre, born in Paris and a lifelong resident of the city, exposes the shadowy, anonymous lives of many who inhabit the French capital. In this quiet, subdued tale, a middle-aged office worker, divorced and alienated from his only son, meets up with two childhood friends who are similarly adrift, without passions or prospects. He's looking for a second act to his mournful life, seeking the harbor of love and a true connection with his son. Set in palpably real Paris streets that feel miles away from the City of Light, Guys Like Me is a stirring novel of regret and absence, yet not without a glimmer of hope.Dominique Fabre, born in 1960, writes about people living on society's margins. He is a lifelong resident of Paris, France. His previous novel, The Waitress Was New, was also translated into English.

    The novel's theme--the renunciation of love and the return to an independent existence supported and enriched by the beauty and peace of nature--grows out of Colette's own period of self-assessment in the middle of her life. A collection of subtle reflections about love and life, it is among her most thoughtful and stylistically bold works.

    And in their midst travels Madeleine, the dreamer, who is trying to make sense of her own metamorphosis as she leaves home, joins a gypsy circus, and falls into an unexpected triangle of desire and love.

    When first published, La Batarde earned Violette Leduc comparisons to Jean Genet for the frank depiction of her sexual escapades and immoral behavior. A confession that contains portraits of several famous French authors, this book is more than just a scintillating memoir. Like that of Henry Miller, Leduc's brilliant writing style and attention to language transform this autobiography into a work of art.Violette Leduc was born the illegitimate daughter of a servant girl and was encouraged to write by Maurice Sachs and Simone de Beauvoir. Her first novel, L'Asphyxie (In the Prison of Her Skin), was published by Camus for Gallimard and earned her praise from Jean-Paul Sartre, Jean Cocteau, and Jean Genet. She went on to write eight more books, including Ravages, L'Affamee, and La Folie en tete (Mad in Pursuit), the second part of her literary autobiography.

    As legend has it, God blessed the only survivor of this medieval pogrom, Rabbi Yom Tov Levy, as one of the Lamed-Vov, the thirty-six Just Men of Jewish tradition, a blessing which extended to one Levy of each succeeding generation. This terrifying and remarkable legacy is traced over eight centuries, from the Spanish Inquisition, to expulsions from England, France, Portugal, Germany, and Russia, and to the small Polish village of Zemyock, where the Levys settle for two centuries in relative peace. It is in the twentieth century that Ernie Levy emerges, The Last of the Just, in 1920s Germany, as Hitler’s sinister star is on the rise and the agonies of Auschwitz loom on the horizon. This classic work, long unavailable in a trade edition, is one of those few novels that, once read, is never forgotten.

    Five years later the past has found her and to protect herself and her beloved child she'll have to perform one last act of dazzling daring more audacious than any she has previously attempted.With her internationally bestselling novels Chocolat, Blackberry Wine, Five Quarters of the Orange, and Coastliners, Joanne Harris has woven intoxicating spells that celebrate the sensuous while exposing the passion, secrets and folly beneath the surface of rustic village life. In Holy Fools, her most ambitious and accomplished novel to date, she transports us back to a time of intrigue and turmoil, of deception and masquerade. In the year 1605, a young widow, pregnant and alone, seeks sanctuary at the small Abbey of Sainte Marie-de-la-mer on the island of Noirs Moustiers off the Brittany coast. After the birth of her daughter, she takes up the veil, and a new name, Soeur Auguste. But the peace she has found in remote isolation is shattered five years later by the events that follow the death of her kind benefactress, the Reverend Mother. When a new abbess -- the daughter of a corrupt noble family elevated by the murder of King Henri IV -- arrives at Sainte Marie-de-la-mer, she does not arrive alone. With her is her personal confessor and spiritual guide, Père Colombin, a man Soeur Auguste knows all too well. For the newcomer is Guy LeMerle, a charlatan and seducer now masquerading as a priest, and the one man she fears more than any other. Soeur Auguste has a secret. Once she was l'Ailée, "The Winged One," star performer of a troupe led by LeMerle, before betrayal forced her to change her identity. But now the past has found her. Before long, thanks to LeMerle, suspicion and debauchery are breeding like a plague within the convent's walls -- fueled by dark rumors of witchcraft, part of the false priest's brilliantly orchestrated scheme of revenge. To protect herself and her beloved child, l'Ailée will have to perform one last act of dazzling daring more audacious than any she has previously attempted.

    Here he began a twelve-year ordeal that included imprisonment on Devil's Island, trial, and long delayed pardon. This book is an account of the Dreyfus Affair, the scandal that rocked 19th century France.

    Leaving his provincial family he comes to Paris to study for his degree. Indulging in a bohemian life with a group of students and their mistresses, he falls in love with Germaine, a chorus girl kept by a rich banker. The affair, doomed from the start, forces Jacques to come to terms not so much with society as he finds it but with himself.

    It contains his only novel, The Portrait of Dorian Gray as well as his plays, stories, poems, essays and letters. Illustrated with many photographs, the book includes introductions to each section by Wilde's grandon, Merlin Holoand, Owen Dudley Edwards, Declan Kibertd and Terence Brown. A comprehensive bibliography of works by and about Oscar Wilde together with a chronological table of his life and work are also included.

    Now, limbs terminally akimbo, Teddy’s body lies in a pool of blood in Jessup Quadrangle. And at the center of the investigation at the prestigious New Jersey Military Academy is young Donald.Surely blame for Teddy’s accidental death should not rest with him, Donald reasons. But how? Can people be convinced that Teddy took his own life? Can suspicion be cast on Stanley Wong, the Academy’s only Asian cadet? And with Teddy gone, who can Donald enlist to help him avoid blame?From New York real-estate moguls to Hong Kong triad bosses, Donald’s web of lies soon spins further than he could have ever imagined.

    Clover's suicide appears to be more than it at first seemed; the suspected foul play may involve matters of national importance.Holmes is currently on his Great Hiatus--his three-year absence after Reichenbach Falls during which time the people of London believe him to be deceased. Holmes has faked his own death because, through his powers of ratiocination, the great detective has come to the conclusion that he is a fictional character.This leads to serious complications for James--for if his esteemed fellow investigator is merely a work of fiction, what does that make him? And what can the master storyteller do to fight against the sinister power -- possibly named Moriarty -- that may or may not be controlling them from the shadows?

    But while Henry is an adventurer, Margaret is not. Their new home is rougher and more rustic than they expected—and a single night of tragedy shatters the family when the native Maori stage an uprising, kidnapping Margaret and her children. For months, Henry scours the surrounding wilderness, until all hope is lost and his wife and children are presumed dead. Grief-stricken, he books passage to California. There he marries Nancy Foreland, a young widow with a new baby, and it seems they’ve both found happiness in the midst of their mourning—until Henry’s first wife and children show up, alive and having finally escaped captivity. Narrated primarily by the two wives, and based on a real-life legal case, The Wives of Henry Oades is the riveting story of what happens when Henry, Margaret, and Nancy face persecution for bigamy. Exploring the intricacies of marriage, the construction of family, the changing world of the late 1800s, and the strength of two remarkable women, Johanna Moran turns this unusual family’s story into an unforgettable page-turning drama.

    The mâquis is the domain of the Corsican shepherds and of those who are at variance with justice. It must be known that, in order to save himself the trouble of manuring his field, the Corsican husbandman sets fire to a piece of woodland. If the flame spread farther than is necessary, so much the worse! In any case he is certain of a good crop from the land fertilized by the ashes of the trees which grow upon it. He gathers only the heads of his grain, leaving the straw, which it would be unnecessary labor to cut. In the following spring the roots that have remained in the earth without being destroyed send up their tufts of sprouts, which in a few years reach a height of seven or eight feet. It is this kind of tangled thicket that is called a mâquis. They are made up of different kinds of trees and shrubs, so crowded and mingled together at the caprice of nature that only with an axe in hand can a man open a passage through them, and mâquis are frequently seen so thick and bushy that the wild sheep themselves cannot penetrate them.