Presenting photographs of legendary figures, among them the model Kiki, Modigliani, Picasso, Satie, Matisse, Leger, Gertrude Stein, James Joyce and Miro. Gossip and anecdotes aim to bring this world alive.

    The new enemy: Raymond VI, Count of Toulouse, one of the greatest princes in Christendom, premier baron of all the territories in southern France where the langue d'oc was spoken. Thus began the Albigensian Crusade, named after the town of Albi. It culminated in 1244 at the mountain fortress of Montségur with the massacre of the Cathars, or "pure ones" - a faith more ancient than Catholicism. At stake was not only the growth of this rival religion right in the heart of the Catholic Church's territory, but also the very survival of the Languedoc itself as an autonomous and independent region of France.

    The history of the Camino is recounted, as well as several of the myths, legends, and miracle stories that have become attached--and given special meaning--to this itinerary. Emphasizing that personal myths are an essential part of this lore, this chronicle also includes stories from the confraternity of the pilgrims, people from all corners of the world who visit this walk for a great diversity of reasons, but all of whom leave having experienced the same miracle--that this pilgrimage will play a defining role in their lives.

    In The Anti-Aesthetic, preeminent critics such as Jean Baudrillard, Rosalind Krauss, Fredric Jameson, and Edward Said consider the full range of postmodern cultural production, from the writing of John Cage, to Cindy Sherman's film stills, to Barbara Kruger's collages. With a redesigned cover and a new afterword that situates the book in relation to contemporary criticism, The Anti-Aesthetic provides a strong introduction for newcomers and a point of reference for those already engaged in discussions of postmodern art, culture, and criticism. Includes a new afterword by Hal Foster and 12 black and white photographs.