For Britain had not just lost a prince: during his twenty year marriage to Queen Victoria, Prince Albert had increasingly performed the function of King in all but name. The outpouring of grief after Albert's death was so extreme, that its like would not be seen again until the death of Princess Diana 136 years later.Drawing on many letters, diaries and memoirs from the Royal Archives and other neglected sources, as well as the newspapers of the day, Rappaport offers a new perspective on this compelling historical psychodrama--the crucial final months of the prince's life and the first long, dark ten years of the Queen's retreat from public view. She draws a portrait of a queen obsessed with her living husband and - after his death - with his enduring place in history. Magnificent Obsession will also throw new light on the true nature of the prince's chronic physical condition, overturning for good the 150-year old myth that he died of typhoid fever.

    But this all changed dramatically after the death of his mother, followed shortly by the arrest of his father, when he was no older than six. After spending most of their youth inside an abbey being raised by nuns and priests, Jasper and his older brother Edmund were suddenly called to court by their half-brother King Henry VI. Here, in 1452, they became the first ever Welshmen elevated to the English peerage. When this happened both brothers stepped into a completely new life of political involvement with its many attendant problems, problems that Edmund did not survive. After this, Jasper led a life that was completely dominated by his devotion to the Lancastrian cause and to his nephew, the only son of his death brother Edmund, Henry Tudor. In a time when most magnates defected to the other party as soon as their own faction became submerged, Jasper remained loyal to his kinsman’s cause and supported him wherever it took him, whether scaling triumphant peaks or – more often – through deep valleys. His hopes and faith in what was right led him through several kingdoms and, as a brave and fearless man, he led the life of an adventurer throughout that most difficult period of English history, the Wars of the Roses. Historians often claim that Jasper’s father Owen or his brother Edmund was the founder of the Tudor dynasty; certainly both men played a significant role in its origins and without them the Tudors would not have been. But Jasper’s story proves he was the key figure and godfather of the Tudor dynasty.

    He believed that to achieve his goal he must do something spectacular on the battlefield. Despite deliberately putting himself in extreme danger as a British Army officer in colonial wars in India and Sudan, and as a journalist covering a Cuban uprising against the Spanish, glory and fame had eluded him.Churchill arrived in South Africa in 1899, valet and crates of vintage wine in tow, there to cover the brutal colonial war the British were fighting with Boer rebels. But just two weeks after his arrival, the soldiers he was accompanying on an armored train were ambushed, and Churchill was taken prisoner. Remarkably, he pulled off a daring escape--but then had to traverse hundreds of miles of enemy territory, alone, with nothing but a crumpled wad of cash, four slabs of chocolate, and his wits to guide him.The story of his escape is incredible enough, but then Churchill enlisted, returned to South Africa, fought in several battles, and ultimately liberated the men with whom he had been imprisoned.Churchill would later remark that this period, "could I have seen my future, was to lay the foundations of my later life." Millard spins an epic story of bravery, savagery, and chance encounters with a cast of historical characters--including Rudyard Kipling, Lord Kitchener, and Mohandas Gandhi--with whom he would later share the world stage. But Hero of the Empire is more than an adventure story, for the lessons Churchill took from the Boer War would profoundly affect 20th century history.From the Hardcover edition.

    The respectability of the royal position is well and truly tossed aside by the whimsy and the wanton depravity of generations of mad European monarchs, including: The queen who murdered her husband with a red-hot spit. The bloodthirsty monarch who impaled tens of thousands of his subjects. The vampiric ruler who bathed in the blood of young women. The king of excess who beheaded his wives. Mad Kings and Queens is a spectacular celebration of seven hundred years of royal eccentricity, detailing a catalogue of madness and exploring the finer intricacies of royal breeding that lay at its root.

    From ancient Rome to Edwardian England, from the lavish rooms of Versailles to the dankest corners of the Bastille, the great royals of Europe have excelled at savage parenting, deadly rivalry, pathological lust, and meeting death with the utmost indignity-or just very bad luck.

    Drawing on a rich store of materials from the archives of Highclere Castle, including diaries, letters, and photographs, the current Lady Carnarvon has written a transporting story of this fabled home on the brink of war.    Much like her Masterpiece Classic counterpart, Lady Cora Crawley, Lady Almina was the daughter of a wealthy industrialist, Alfred de Rothschild, who married his daughter off at a young age, her dowry serving as the crucial link in the effort to preserve the Earl of Carnarvon's ancestral home.  Throwing open the doors of Highclere Castle to tend to the wounded of World War I, Lady Almina distinguished herself as a brave and remarkable woman.    This rich tale contrasts the splendor of Edwardian life in a great house against the backdrop of the First World War and offers an inspiring and revealing picture of the woman at the center of the history of Highclere Castle.

    Sixty years later, Catherine Bailey became one of the first historians allowed inside. What she discovered when she began reading through the duke's letters was a mystery involving one of the most powerful families in British society in the turbulent days leading up to World War I. The 9th Duke, who had devoted his entire adult life to organizing and cataloging several hundred years' worth of family correspondence, had carefully erased three periods of his life from the record. But why? Filled with fascinating real-life characters, a mysterious death, family secrets, and affairs aplenty. The Secret Rooms is an enthralling, page-turning true story that reads like an Agatha Christie novel.

    Yet, as bestselling biographer Sarah Bradford reveals in this breathtaking new portrait, the truth is far more fascinating than the myth. Neither a vicious monster nor a seductive pawn, Lucrezia Borgia was a shrewd, determined woman who used her beauty and intelligence to secure a key role in the political struggles of her day.Drawing from a trove of contemporary documents and fascinating firsthand accounts, Bradford brings to life the art, the pageantry, and the dangerous politics of the Renaissance world Lucrezia Borgia helped to create.

    Hers was certainly a dramatic life with dizzying reversals of fortune; from poverty in 1461 to queenship in 1464, followed by deposition, restoration, and conflicts with Richard III and Henry VII before spending her final years in religious seclusion. There is also the issue of her two sons, the infamous 'Princes in the Tower', and the controversy surrounding their disappearance.