Stricken by diphtheria, she is sent to the Hampshire countryside where she discovers a robust fighting spirit and the first stirrings of attraction...But then must she follow her mother into the city’s grim corset-making trade. Lu realizes that things must change. And she can make it happen.  Her journey from shy child to energetic woman encompasses love, deep friendship, and a growing political awareness. Above all, Lu is a survivor – and one to be reckoned with.The Girl Now Leaving is a powerful and unputdownable saga perfect for fans of Diney Costeloe, Nadine Dorries and Mary Gibson.

    They are all in their 40s and wondering the same thing: “Now what?” Zoe, the mother of 17 year-old twins about to abandon her for college, misses the romance of her twenties, and desperately wants just one last first kiss. Thinking outside the box, she convinces her husband Carlos to embark on an open marriage. Which leads to a new set of problems and questions: How does she pick a “non-skeevy” swinger’s club, do men of a certain age even want sex with no strings attached, and does ordering a glass of Syrah these days really signal to would be suitors that you just want to f*@# them in their car? Most importantly, will getting to be with someone else help or hurt her marriage? And if that someone else is an ex who effortlessly morphs into a fantasy man who after all these years finally says and does all the right things, how does Zoe choose between the life she has and the road not taken? Michelle has made it her routine on her way home to stop one block from her house, park, stare into space, and dread the next few hours of her life. She’s tired of juggling her very full time job as a real estate agent with the full time job of parenting two kids without much help from her husband, Steve. She's also tired of not having sex and the daily silence that has replaced their fighting. Michelle doesn’t have a road not taken, but she’s at a fork in that road. Does she take the easy path, and spend the rest of her life with a man she loves but no longer likes? Or go the hard route: Divorce. Living life with one income, single parenting, lonely Thanksgivings, and kids who may never forgive you. And how does somebody start dating again when all the rules have changed since she took herself off the market years ago? Alexis is the self-made multi-millionaire we all aspire to be. She’s the creator of a slew of hit TV shows and the head of a wildly successful production company. She’s got the dream car, the stunning house on the beach in Malibu, the black AmEx. Everything is going exactly according to plan, and there’s a lot to be happy about. But she also has Connor, her on-again/off-again boyfriend of twelve years. Plus she’s going through early menopause, and now wonders how she forgot to have kids. Her life plan is suddenly thrown into further disarray when Connor shows up with a stray dog, which he leaves with her. Which is just the beginning, as that mangy mutt leads to a teenaged dog walker, a middle-aged widower, and her Sunday morning brunches possibly being replaced by church. So what do you do when nothing in your life is working the way you saw it in your head, and the unplanned life might make you happier? Knowing their girlfriends will always have their backs, Michelle, Zoe and Alexis confront their new realities with honesty and humor, while trying to find happiness amidst hangovers and hot flashes.

    Created by The United States Theatre Project, written by Stephen Karam and PJ Paparelli, with dramaturgy by Patricia Hersch, and conceived and directed by PJ Paparelli, columbinus weaves together excerpts from discussions with parents, survivors and community leaders in Littleton as well as diaries and home video footage to bring to light the dark recesses of American adolescence. -Doollee.com

    When a Tibetan lama and a monk come to their home unexpectedly, asking to take their child away for a life of spiritual training in India, the parents must make a life-altering choice that will test their strength, their marriage, and their hearts.The Oldest Boy is a richly emotional journey filled with music, dance, puppetry, ritual, and laughter—Sarah Ruhl at her imaginative best. A meditation on attachment and unconditional love, the play asks us to believe in a world in which sometimes the youngest children are also the oldest and wisest teachers.

    

    On March 2nd, 2000, the technology company 3Com spun off its insanely profitable hand-held computer subsidiary, Palm. It was one of the most fascinatingly high profile and complex and bungled trades in history, but All The Evil Of This World isn't about the millions and millions of dollars that instantly came into play, it's about seven separate voices from seven separate individuals (an ambitious low-level clerk fresh out of school, a drug-addicted, party-throwing broker with bad taste and gross amounts of money, a seemingly infallible hedge fund manager tortured by his own good luck, to name a few) and the 3Com/Palm trade is what weaves their stories together. They all collide into it and out of it, and it sometimes unites them, implodes them, saves them, or destroys them.This book is not for the faint of heart--these characters are just as troubled and intense and volatile as their surroundings, and the writing pulls not a single punch--but it's an unrelenting examination into a cast of characters that we rarely examine fairly or patiently, and who we often find it easy to dehumanize. The people who inhabit this world aren't cartoon heroes or villains--as it turns out, people who happen to handle large amounts of money for a living--are just people, with shortcomings, just like us.

    Both are struggling to escape from lingering parental domination and to establish their own lives and identities. In Janie's case this leads to an inconclusive involvement with a young Jewish doctor who calls her "Monkey"; while Harriet assails the world of big business and has an affair with her hard-driving (and married) boss. Told in a fast-moving series of inventive, alternately hilarious and touchingly revealing scenes, the play explores their parallel stories with uncommon wit and wisdom-resulting, ultimately, in a heightened awareness which, while not providing all the answers, goes a long way toward achieving the maturity and self-assuredness that both protagonists so desperately desire.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    But among the gifts to be returned is a strange statue...one that came anonymously. Further investigation reveals the statue is from a remote tribe of the Amazon rain forest- and that it came from Jenna's supposedly deceased father! Soon Jenna finds herself in Peru, seeking the love of the father who abandoned her and meaning for her fractured future. And Dr. Adam DeSanto-a handsome, bitter widower who helps her father run a jungle hospital, and who happens to loathe "women like Jenna"-is only complicating matters. Then Jenna's life is put at risk. Helpless to save her, Adam cries out to the God he rejected at his wife's death. God hears and answers in ways neither Adam nor Jenna could imagine, finally resolving their pain and renewing their faith in Himself, the future-and each other.

    The new tenants, siblings Caroline and Michael Compton, have recently inherited the run-down estate by the terms of an unusual will. Mysterious accidents and obvious acts of vandalism soon make it evident that someone doesn't want the new owners to ever occupy the house. Although Heather finds herself strongly attracted to Michael, she eventually begins to wonder where his true loyalties lie. Surrounded by strangers and unsure who to trust as the dangers mount, Heather must rely on her own nerve and resources to solve a mystery that is rooted in the dark past of the Compton House.

    It spans three centuries and five countries as it tells the story of a violin and its many owners. The film was an international co-production between companies in Canada, Italy and the United Kingdom. The film tells the story of a perfect violin known as "the Red Violin" for its rich red colour. At the film's beginning, the violin is being auctioned in Canada. As the bidding starts, the violin's history is revealed, showing that the violin has been in existence for over 300 years, having been made in 1681. Its history is told in five stories set in different locations around the world-Cremona, Vienna, Oxford, Shanghai, and Montreal. These stories are told in chronological order except for the Cremona and Montreal stories, which are intersected into the others with each change of location and as the tarot reading and the auction develop.

    There's a funny smell coming from one of Jim's storage units. And Kate's losing it after spending all day with the police. There's no going back after what they've seen.Breathing Corpses was first performed at the Royal Court Jerwood Theatre Upstairs in February 2005.

    

    A classical muse appears, and the young woman becomes the goddess Athena--a tireless advocate for Odysseus in his struggle to get home. With her trademark irreverent and witty twist on classic works, Zimmerman brings to life the story of Odysseus's ten-year journey, depicting his encounters with characters such as Circe, the Cyclops, Poseidon, Calypso, the Sirens, and others.

    But at a time when women are second-class citizens, can her charm and spirit protect her from the dangers of the court? And at what cost?