When the young woman ends up dead, Lena revisits her own fraught history with the senator and the violent incident that ended their relationship.Why didn't Lena speak up then, and will her family's support of the former regime still impact her credibility? What if her hunch about this young woman's death is wrong?What follows is a riveting exploration of the cost of staying silent and the mixed rewards of speaking up in a profoundly divided country. Those Who Knew confirms Novey's place as an essential new voice in American fiction.

    Seventeen-year-old Lucy Adler, a street-smart, trash-talking baller, is often the only girl on the public courts. At turns quixotic and cynical, insecure and self-possessed, Lucy is in unrequited love with her best friend and pick-up teammate Percy, scion to a prominent New York family who insists he wishes to resist upper crust fate.As she navigates this complex relationship with all its youthful heartache, Lucy is seduced by a different kind of life—one less consumed by conventional success and the approval of men. A pair of provocative female artists living in what remains of New York’s bohemia invite her into their world, but soon even their paradise begins to show cracks.

    Kambirinachi believes that she is an Ogbanje, or an Abiku, a non-human spirit that plagues a family with misfortune by being born and then dying in childhood to cause a human mother misery. She has made the unnatural choice of staying alive to love her human family but lives in fear of the consequences of her decision.Kambirinachi and her two daughters become estranged from one another because of a trauma that Kehinde experiences in childhood, which leads her to move away and cut off all contact. She ultimately finds her path as an artist and seeks to raise a family of her own, despite her fear that she won't be a good mother. Meanwhile, Taiye is plagued by guilt for what her sister suffered and also runs away, attempting to fill the void of that lost relationship with casual flings with women. She eventually discovers a way out of her stifling loneliness through a passion for food and cooking.But now, after more than a decade of living apart, Taiye and Kehinde have returned home to Lagos. It is here that the three women must face each other and address the wounds of the past if they are to reconcile and move forward.For readers of African diasporic authors such as Teju Cole and Chimamanda Ngozi Adichie, Butter Honey Pig Bread is a story of choices and their consequences, of motherhood, of the malleable line between the spirit and the mind, of finding new homes and mending old ones, of voracious appetites, of queer love, of friendship, faith, and above all, family.

    A whip-smart and funny novel told by a former Wall Street insider who reveals what it’s like for a working woman to balance love, ambition, and family in a world of glamorous excess, outrageous risk-taking, and jaw-dropping sexism.In 2008, Isabelle—a self-made, thirty-something Wall Street star—appears to have it all: an Upper West Side apartment, three healthy children, a handsome husband, and a high-powered job. But her reality is something else. Her trading desk work environment resembles a 1980s frat party, her husband feels employment is beneath him, and the bulk of childcare and homecare still falls in Belle’s already full lap.Enter Henry, the former college fiancé she never quite got over; now a hedge fund mogul. He becomes her largest client, and Belle gets to see the life she might have had with him. While Henry campaigns to win Belle back, the sexually harassed women in her office take action to improve their working conditions, and recruit a wary Belle into a secret “glass ceiling club” whose goal is to mellow the cowboy banking culture and get equal pay for their work. All along, Belle can sense the financial markets heading toward their soon-to-be historic crash and that something has to give—and when it does, everything is going to change: her marriage, her career, her world, and her need to keep her colleagues’ hands to themselves.From Maureen Sherry, a prize winning writer, a former Managing Director on Wall Street (who never signed a nondisclosure agreement when she left), Opening Belle takes readers into the adrenaline-fueled chaos of a Wall Street trading desk, the lavish parties, the lunch-time rendezvous, and ultimately into the heart of a woman who finds it easier to cook up millions at work than dinner at home.

    . . I loved every page” —Ann Patchett), Act of God (“A feat of literary magic”—Booklist) and, with Amy Hempel, The Hand That Feeds You (“An unnerving, elegant page-turner” —Vanity Fair), a spare, masterful novel.The place: central Florida. The situation: a sensational murder trial, set in a courthouse more Soviet than Le Corbusier; a rich, white teenage girl—a twin—on trial for murdering her toddler brother.Two of the jurors: Hannah, a married fifty-two-year-old former Rolling Stone and Interview Magazine photographer of rock stars and socialites (she began to photograph animals when she realized she saw people “as a species”), and Graham, a forty-one-year-old anatomy professor. Both are sequestered (she, juror C-2; he, F-17) along with the other jurors at the Econo Lodge off I-75. As the shocking and numbing details of the crime are revealed during a string of days and courtroom hours, and the nights play out in a series of court-financed meals at Outback Steak House (the state isn’t paying for their drinks) and Red Lobster, Hannah and Graham fall into a furtive affair, keeping their oath as jurors never to discuss the trial. During deliberations the lovers learn that they are on opposing sides of the case. Suddenly they look at one another through an altogether different lens, as things become more complicated . . . After the verdict, Hannah returns home to her much older husband, but the case ignites once again and Hannah’s “one last dalliance before she is too old” takes on profoundly personal and moral consequences as The Body in Question moves to its affecting, powerful, and surprising conclusion.

    Not only has her longtime lover abruptly dumped her, but her eccentric, demanding mother has recently died. When an urn of ashes arrives, along with a note reminding Che of a half-forgotten promise to take her mother to Canterbury, Che finds herself reluctantly undertaking a pilgrimage.Within days she joins a group of women who are walking the sixty miles from London to the shrine of Becket in Canterbury Cathedral, reputed to be the site of miracles. In the best Chaucer tradition, the women swap stories as they walk, each vying to see who can best describe true love. Che, who is a perfectionist and workaholic, loses her cell phone at the first stop and is forced to slow down and really notice the world around her, perhaps for the first time in years.Through her adventures along the trail, Che finds herself opening up to new possibilities in life and discovers that the miracles of Canterbury can take surprising forms.

    It was not until he was a grown man, and a promising writer with two books to his name, that Jonathan finally reconnected with his beloved parent—only to find, to his shock and dismay, that the woman he’d known as “Sid” had morphed into an elegant, courtly man named Sydney. In the decade following this discovery, Jonathan made regular pilgrimages from Toronto to visit Sydney, who now lived quietly in a well-appointed retreat in his native Trinidad. And on each visit, Jonathan struggled to overcome his confusion and anger at the choices Sydney had made, trying with increasing desperation to rediscover the parent he’d once adored inside this familiar stranger. As the novel opens, Jonathan has been summoned urgently to Trinidad where Sydney, now aged and dying, seems at last to offer him the gift he longs for: a winding story that moves forward sideways as it slowly peels away the layers of Sydney’s life. But soon it becomes clear that when and where the story will end is up to Jonathan, and it is he who must decide what to do with Sydney’s haunting legacy of love, loss, and acceptance.

    She may follow the stifling rules of this odd place, but no one will forget that she came from elsewhere. When Billie Jean vanishes one cold October night in her bare feet and track suit with only her truck keys, those closest to her begin a frantic search. Her daughter, Pony, a girl struggling against being a teen in the middle of nowhere; her killer dog to whom she cannot tell a lie; her husband, The Heavy, a man haunted by his past; and the charismatic Supernatural, a teenage boy longing only to be average. Each holding a different piece of the puzzle, they must come together to understand the darkest secrets of their beloved, and lay bare the mysteries of the human heart.With her luminous prose, wry humour and dead-on cultural observations, Claudia Dey has created a storytelling tour de force about what it means to love, no matter the consequences.

    As a teenage geek, he discovered his gift for programming computers-but his attempts to understand women only confirm that he's better at writing code than connecting with human beings. Brilliant, neurotic, and lonely, Eric spends high school in the solitary glow of a screen.By his early twenties, Eric's talent has made him a Silicon Valley millionaire. He can coax girls into bed with ironic remarks and carefully timed intimacies, but hiding behind wit and empathy gets lonely, and he fears that love will always be out of reach.So when Eric falls for the beautiful, fiercely opinionated Maya Marcom, and she miraculously falls for him too, he's in new territory. But the more he learns about his perfect girlfriend's unresolved past, the further Eric's obsessive mind spirals into confusion and doubt. Can he reconcile his need for order and logic with the mystery and chaos of love?This brilliant debut ushers Eric Muller-flawed, funny, irresistibly endearing-into the pantheon of unlikely heroes. With an unblinking eye for the absurdities and horrors of contemporary life, Gabriel Roth gives us a hilarious and heartbreaking meditation on self consciousness, memory, and love.

    By a stroke of fate, Leah is drawn to the Southern hospitality of a small caf�, looking for a warm meal but finding so much more. Lulu, the owner, offers her a job, a place to stay and a new lease on life. Through Lulu's tenacious warmth and generosity, Leah quickly finds herself embraced by the quaint community as she tries to put herself back together. Given she's accustomed to cruelty, the kindness is overwhelming.Soon Leah meets Crowley Mason, the most eligible bachelor in town. A lawyer and friend of Lulu's, Crowley is wary of Leah's sudden, mysterious arrival. Despite his reserve, something sparks between them that can't be denied. But after all she's been through, can Leah allow herself to truly love and be loved, especially when her first urge is to run?Exploring the resiliency of both the heart and the spirit, Lulu's Caf� gorgeously illustrates how old scars can finally heal no matter how deep they seem.

    They’ve come home to Malagash, on the north shore of Nova Scotia, so he can die where he grew up. Her mother and her brother are both devastated. But devastated isn’t good enough. Devastated doesn’t fix anything. Sunday has a plan.She’s started recording everything her father says. His boring stories. His stupid jokes. Everything. She’s recording every single “I love you” right alongside every “Could we turn the heat up in here?” It’s all important.Because Sunday is writing a computer virus. A computer virus that will live secretly on the hard drives of millions of people all over the world. A computer virus that will think her father’s thoughts and say her father’s words. She has thousands of lines of code to write. Cryptography to understand. Exploits to test. She doesn’t have time to be sad. Her father is going to live forever.

    They speak in the shorthand they have invented, complete one another’s sentences, and help each other through every daily and existential dilemma. When Chris tells Kathryn about his feelings for Emily, a vivacious young woman he sees often at the Laundromat, Kathryn encourages her boyfriend to pursue this other woman—certain that her bond with Chris is strong enough to weather a little side dalliance.As Kathryn and Chris stumble into polyamory, Next Year, For Sure tracks the tumultuous, revelatory, and often very funny year that follows. When Chris’s romance with Emily grows beyond what anyone anticipated, both Chris and Kathryn are invited into Emily’s communal home, where Kathryn will discover new romantic possibilities of her own. In the confusions, passions, and upheavals of their new lives, both Kathryn and Chris will be forced to reconsider their past and what they thought they knew about love.Offering a luminous portrait of a relationship from two perspectives, Zoey L. Paterson has written an empathic, beautiful, and tremendously honest novel about a great love pushed to the edge. Deeply poignant and hugely entertaining, Next Year, For Sure shows us what lies at the mysterious heart of relationships, and what true openness and transformation require.

     Marie Antoine is the charismatic, spoiled daughter of a sugar baron. At 12 years old, with her blond curls and her unparalleled sense of whimsey, she's the leader of all the children in the Golden Mile, an affluent strip of 19th century Montreal. Until one day in 1873, when Sadie Arnett, dark-haired, sly, and brilliant, moves to the neighborhood.Marie and Sadie are immediately united by their passion and intensity, and they attract and repel each other in ways that light each of them on fire. Marie with her bubbly charm sees the light and sweetness of the world, whereas Sadie's obsession with darkness is all consuming. Soon their childlike games take on a thrill of danger and then become deadly.Forced to separate, they spend their teenage years engaged in acts of alternating innocence and depravity--until a singular event unites them once more, with dizzying effects. And after Marie inherits her father's sugar empire and Sadie disappears into the city's gritty underworld, a revolution of the working class begins to foment. Each of them will have unexpected roles to play in events that upend their city--the only question is whether they will find each other once more.Traveling from a repressive finishing school to a vibrant brothel, taking readers firsthand into the brutality of factory life and the opulent lives of Montreal's wealthy, When We Lost Our Heads dazzlingly explores gender and power, sex and desire, class and status, and the terrifying power of the human heart when it can't let someone go.

    The phone rings.The man on the other end says his daughter is missing.Your daughter. The baby you gave away over fifteen years ago. What do you do? Nora Watts isn't sure that she wants to get involved. Troubled, messed up, and with more than enough problems of her own, Nora doesn't want to revisit the past. But then she sees the photograph. A girl, a teenager, with her eyes. How can she turn her back on her? But going in search of her daughter brings Nora into contact with a past that she would rather forget, a past that she has worked hard to put behind her, but which is always there, waiting for her . . . In Eyes Like Mine, Sheena Kamal has created a kick-ass protagonist who will give Lisbeth Salander a run for her money. Intuitive, not always likeable, and deeply flawed, Nora Watts is a new heroine for our time.

    Her best friend Rose is waiting for Augusta to call as soon as she hears. Through Rose, we begin to learn the story of Augusta's sometimes harsh, sometimes magical life: the startling vision of her mother's early death; the loneliness of her marriage to Karl and her battle with Karl's detestable father, Olaf. We are told of her gentle, platonic affair with a church minister, of her not-so-platonic affair with a man from the town, and the birth of her only child. We also learn of the special affinity between Rose and Augusta, who share the delights and exasperations of old age.Just as The Cure for Death by Lightning offers recipes and remedies, A Recipe for Bees is saturated with bee lore, and is full of rich domestic detail, wondrous imagery culled from rural kitchens and gardens, shining insights into ageing, family and friendship. And at its heart, is the life, death and resurrection of an extraordinary marriage