Dorothy Strachey’s classic Olivia captures the awakening passions of an English adolescent sent away for a year to a small finishing school outside Paris. The innocent but watchful Olivia develops an infatuation for her headmistress, Mlle. Julie, and through this screen of love observes the tense romance between Mlle. Julie and the other head of the school, Mlle. Cara, in its final months. “Although not strictly autobiographical, Olivia draws on the author’s experiences at finishing schools run by the charismatic Mlle. Marie Souvestre, whose influence lived on through former students like Natalie Barney and Eleanor Roosevelt. Olivia was dedicated to the memory of Strachey’s friend Virginia Woolf and published to acclaim in 1949. Colette wrote the screenplay for the 1951 film adaptation of the novel. In 1999, Olivia was included on the Publishing Triangle’s widely publicized list of the 100 Best Gay and Lesbian Novels of the 20th Century. “Dorothy Strachey (1865-1960) was the sister of the novelist Lytton Strachey and a prominent member of the Bloomsbury Group…….Olivia, originally published under a pseudonym, is her only novel.” -- Amazon.com

    Bluebirds, a novel based on true stories, climaxes in 1940, the world's most dangerous year. A meticulously researched Battle of Britain novel based on the true stories of an East Anglian war hero and the first American volunteer to fire guns against the Nazis, a man who became his friend and brother-in-arms. The Battle of Britain defined the future for Britain, Europe and America. Bluebirds tells the story of four ordinary young men who are thrown together as Hitler plunges the European continent into its darkest hours. Andrew Francis and Gerry Donaldson were born on different sides of the Atlantic just before The Great War. Together with the mildly psychotic Bryan Hale, they fly Spitfires through the summer of 1940. Invasion is imminent and England faces almost certain defeat after Hitler’s unstoppable armies slice through France to the Channel coast. Fighter Command risks total destruction as they rise to meet the Fuhrer’s Luftwaffe hordes in what would become The Battle of Britain. Flying with The Few - Review in FlyPast Magazine October 2017 The first part of a proposed trilogy, Bluebirds stands alone as a gripping fictionalised account of The Battle of Britain, documenting how the lives of its four central characters become intertwined. This has clearly been a labour of love for author Melvyn Fickling, who writes with great clarity about the fast-moving events of that pivotal summer, and who imbues his descriptions of flight with boundless enthusiasm. Structured in time-linear format, Melvyn adheres closely to history, creating an increasingly tense atmosphere that becomes all too tragic when the cost of war is realised. The story follows the path of four pilots, starting with the formative years of three of them, and working its way forward, documenting the fears of war in Europe, and how the threat influences the decisions of all. Andrew Francis joins the pre-war RAF - idealistic and well-mannered, he is somewhat shocked at the fiery antics of fellow pilot Bryan Hale, with whom he nevertheless becomes friends. When war erupts, they are joined at Kenley by American pilot Gerry Donaldson, a volunteer facing pressure from British authorities to document his experiences - a propaganda bid to involve the US more closely in the conflict. Eventually Vincent Drew comes under their wing. Troubled by years of childhood abuse and hiding a serious health condition, with Vincent comes tragedy. In an excellent narrative, the author captures the mood of the times - the fear of invasion, the differing attitudes to the enemy, and the carry-on-regardless spirit that kept Britain in the war. FlyPast Magazine - At the heart of aviation heritage.

    Stone Butch Blues traces a propulsive journey, powerfully evoking history and politics while portraying an extraordinary protagonist full of longing, vulnerability, and working-class grit. This once-underground classic takes the reader on a roller-coaster ride of gender transformation and exploration and ultimately speaks to the heart of anyone who has ever suffered or gloried in being different.

    For Ira Adler, former rent-boy and present plaything of crime lord Cain Goddard, stealing back the statue from Goddard's blackmailer should have been a doddle. But inside the statue is evidence that could put Goddard away for a long time under the sodomy laws, and everyone's after it, including Ira's bitter ex, Dr. Timothy Lazarus. No sooner does Ira have the porcelain dog in his hot little hands, than he loses it to a nimble-fingered prostitute.As Ira’s search for the dog drags him back to the mean East End streets where he grew up, he discovers secrets about his own past, and about Goddard's present business dealings, which make him question everything he thought he knew. An old friend turns up dead, and an old enemy proves himself a friend. Goddard is pressing Ira for a commitment, but every new discovery casts doubt on whether Ira can, in good conscience, remain with him. In the end, Ira must choose between his hard-won life of luxury and standing against a grievous wrong.

    Desperate to leave a life of bad memories behind and start over in the Martian colony, Raleigh fully intends to keep that promise. But his plans are thwarted when a meteor near-misses him in the desert, and Raleigh finds in its crater not debris or even a spacecraft, but a man covered in swirling scars and with no memory of who he is. At least he looks like a man—a man Raleigh can’t seem to keep his eyes off of—but whenever they touch it ignites a memory swap between them.Raleigh agrees to help Meteor Man piece together his life through their cosmic connection. But the memory share goes both ways, and Raleigh becomes inexplicably entangled with a guy who is everything he needs—everything good that Raleigh is not—but might not even be human. As their minds and worlds collide, reality unravels and Raleigh must face a painful truth, one that could shatter his dreams of finding love, reaching Mars, and fulfilling his brother’s last wish.

    Award-winning author Ellen Kushner has created a world of unforgettable characters whose political ambitions, passionate love affairs, and age-old rivalries collide with deadly results.SwordspointOn the treacherous streets of Riverside, a man lives and dies by the sword. Even the nobles on the Hill turn to duels to settle their disputes. Within this elite, dangerous world, Richard St. Vier is the undisputed master, as skilled as he is ruthless--until a death by the sword is met with outrage instead of awe, and the city discovers that the line between hero and villain can be altered in the blink of an eye.

    Over the coming weeks they must brave the stormy waters of the Atlantic in their mission to seek out and destroy British supply ships. But the tide is beginning to turn against the Germans in the war for the North Atlantic. Their targets now travel in convoys, fiercely guarded by Royal Navy destroyers, and when contact is finally made the hunters rapidly become the hunted. As the U-boat is forced to hide beneath the surface of the sea a cat-and-mouse game begins, where the increasing claustrophobia of the submarine becomes an enemy just as frightening as the depth charges that explode around it. Of the 40,000 men who served on German submarines, 30,000 never returned. Written by a survivor of the U-boat fleet, Das Boot is a psychological drama merciless in its intensity, and a classic novel of World War II.

    The puzzle only gets more perplexing when they take the ship and find an English girl in leg irons. It’s an old and popular love story – the pirate and the virgin who steals his heart away, only this time the pirate is the virgin and the girl isn’t a girl at all. She is James ‘Jem’ Exley, thief, molly, occasional actor and full time transvestite. Jettisoned to the New World in order to spare his aristocratic family any further disgrace, Jem is glamorous, flamboyant and fascinating to Henry, a former quiet country boy who became a pirate when his merchant vessel was robbed. At only nineteen, Henry is determined to prove himself a man one way or the other, and is astonished to find that nothing makes him feel like more of a man than his increasingly reckless passion for Jem. As their love leads them into trouble, the mysterious circumstances of Jem’s capture lead Henry deeper into a mystery that not only upends his whole world, but sees them running for their lives across the Caribbean. Stolen jewels, scheming Captains and devious drag artists collide in this steamy eighteenth century romp from the author of These Violent Delights and Going Sasquatch.

    An ordinand, he has had a breakdown while serving at the altar. The Church has sent him to a London therapist, rather than a priest, for confession. During the course of his cure, while living in an unfamiliar world of outcasts, fundamentalists, and AIDS sufferers, he is forced to face the reality of his own physical passion: first for a humble rent boy, then for a sadomasochistic pimp, and, finally, for a priest. The healing begins as he gradually comes to terms with his own history.

    Three men who see themselves as "straight" must negotiate the emotions that are brought to the surface by the physical closeness of survival in the male-only camps. The complex rituals of camp life and the strange loyalties and deep bonds between the men are compellingly depicted in this tender, bitter, powerful tale of lives inexorably changed and a war whose ending does not bring peace.

    They fall in love and set out across the United States, pursued by a private investigator who eventually blackmails Carol into a choice between her daughter and her lover. With this reissue, The Price of Salt may finally be recognized as a major twentieth-century American novel.

    Estranged from his parents and his older brother, he moves in with forty-one-year-old William and begins a disastrous series of attempts to make a new home. Must he make a choice between his family and desire? First published to wide acclaim in 1999, Lawnboy by Paul Lisicky wanders the lush and tumultuous landscape of the early 1990s, its south Florida setting as fertile and troubling as Evan's inner life.

    In a bleak monastery somewhere in Germany, Paul of Ardiun begins the chronicle he has been ordered by his religious superiors to write: the story of the knight Karelian Brandeis, for whom Paul once served as squire, who fell prey to the evil wiles of a seductive sorceress, thereby precipitating civil war and the downfall of a king.But before Paul can set down more than a sentence or two of this cautionary tale, the sorceress herself magically appears to him. He is a liar, she tells him, and always has been. She lays a spell on him: from this moment, he will only be able to write the truth.But what is the truth? All his life he has rearranged his memories to suit his faith. He has judged Karelian, judged the women, judged the world.Now, against his will, an entirely different story begins to emerge.

    Sadly, the rider falls well short of the ideal of beauty, but scarred and tattered Hilarion, with his brilliant, imperfect smile, draws Philon in a way that mere perfection cannot.After years of living among the free and easy tribes of the north, Hilarion has no patience with Athenian formality. He knows what he wants—and what he wants is Philon. Society, friends and family threaten their growing relationship, but perhaps a scarred soldier and a lover of beauty are more alike than they appear.

    In order to be true to himself, he goes against the grain of society’s often unspoken rules of class, wealth, and politics.Forster understood that his homage to same-sex love, if published when he completed it in 1914, would probably end his career. Thus, Maurice languished in a drawer for fifty-seven years, the author requesting it be published only after his death (along with his stories about homosexuality later collected in The Life to Come).Since its release in 1971, Maurice has been widely read and praised. It has been, and continues to be, adapted for major stage productions, including the 1987 Oscar-nominated film adaptation starring Hugh Grant and James Wilby.