Ancient and imposing, it's a place filled with secrets. Just like its students. . .For Michael Howard, being plucked from his Nebraska hometown and sent thousands of miles away is as close as he's ever come to a miracle. In Weeping Water, he felt trapped, alone. At Archangel Academy, Michael belongs. And in Ciaran, Penry, and especially Ciaran's enigmatic half-brother Ronan, Michael finds friendship deeper than he's ever known. But Michael's only beginning to understand what makes the Academy so special. Ronan is a vampire--part of a hybrid clan who are outcasts even among other vampires. Within the Academy's confines exists a ruthless world of deadly rivalries and shifting alliances, of clandestine love and forbidden temptations. And soon Michael will confront the destiny that brought him here--and a danger more powerful than he can imagine. . .Michael Griffo is an award-winning writer and one of six playwrights whose career will be tracked by WritersInsight.com until 2010. He is a graduate of New York University, has studied at Playwrights Horizons and Gotham Writers Workshop, and has written several screenplays.

    One boy, one girl. One gay, one straight. One black, one white. And SUMMER DRAMA CAMP. It's a season of hormones, gold lame, hissy fits, jazz hands, song and dance, true love, and unitards that will determine their future--and test their friendship.

    But once the Mariposa Club is formed, they will not only have a place where they belong and that is all their own, but it will be a place for future students who feel as displaced as they do.Little do they know that when the town is rocked by a tragic homophobic incident, the high school and entire community will turn to the Mariposa Club as a symbol of their grief and fear.Poet, author, and activist Rigoberto González has penned two poetry books; two bilingual children’s books; a novel, Crossing Vines; a story collection, Men without Bliss; and a memoir, Butterfly Boy: Memories of a Chicano Mariposa, winner of the American Book Award from the Before Columbus Foundation. He is the recipient of a Guggenheim Fellowship and a National Endowment for the Arts Fellowship, and is on the board of directors of the National Book Critics Circle. He is an associate professor of English at Rutgers University, Newark, New Jersey.

    1987. There's only one person who has ever truly understood fourteen-year-old June Elbus, and that's her uncle, the renowned painter Finn Weiss. Shy at school and distant from her older sister, June can only be herself in Finn's company; he is her godfather, confidant, and best friend. So when he dies, far too young, of a mysterious illness her mother can barely speak about, June's world is turned upside down. But Finn's death brings a surprise acquaintance into June's life—someone who will help her to heal, and to question what she thinks she knows about Finn, her family, and even her own heart. At Finn's funeral, June notices a strange man lingering just beyond the crowd. A few days later, she receives a package in the mail. Inside is a beautiful teapot she recognizes from Finn's apartment, and a note from Toby, the stranger, asking for an opportunity to meet. As the two begin to spend time together, June realizes she's not the only one who misses Finn, and if she can bring herself to trust this unexpected friend, he just might be the one she needs the most. An emotionally charged coming-of-age novel, Tell the Wolves I'm Home is a tender story of love lost and found, an unforgettable portrait of the way compassion can make us whole again.

    But at school, Grayson grasps at shadows, determined to fly under the radar. Because Grayson has been holding onto a secret for what seems like forever: “he” is a girl on the inside, stuck in the wrong gender’s body.The weight of this secret is crushing, but leaving it behind would mean facing ridicule, scorn, and rejection. Despite these dangers, Grayson’s true self itches to break free. Strengthened by an unexpected friendship and a caring teacher who gives her a chance to step into the spotlight, Grayson might finally have the tools to let her inner light shine.Debut author Ami Polonsky’s moving, beautifully-written novel shines with the strength of a young person’s spirit and the enduring power of acceptance.

    . . you know. But people said all sorts of stupid stuff. Nobody really knew anything. Nobody really knew Jimmy. I guess you could say I knew Jimmy as well as anyone (which was not very well). I knew what scared him. And I knew he had dreams—even if I didn't understand them. Even if he nearly ruined my life to pursue them.Jimmy's dead now, and I definitely know that better than anyone. I know about blood and bone and how bodies decompose. I know about shadows and stones and hatchets. I know what a last cry for help sounds like. I know what blood looks like on my own hands. What I don't know is if I can trust my own eyes. I don't know who threw the stone. Who swung the hatchet? Who are the shadows? What do the living owe the dead?

    But when an email falls into the wrong hands, his secret is at risk of being thrust into the spotlight. Now Simon is actually being blackmailed: if he doesn’t play wingman for class clown Martin, his sexual identity will become everyone’s business. Worse, the privacy of Blue, the pen name of the boy he’s been emailing, will be compromised.With some messy dynamics emerging in his once tight-knit group of friends, and his email correspondence with Blue growing more flirtatious every day, Simon’s junior year has suddenly gotten all kinds of complicated. Now, change-averse Simon has to find a way to step out of his comfort zone before he’s pushed out—without alienating his friends, compromising himself, or fumbling a shot at happiness with the most confusing, adorable guy he’s never met.

    At the beginning of this novel, she drives back to her family ranch in the foothills of the Sierras to attend the wedding of her identical twin, Judith, to a nice young doctor from Connecticut. Cassandra, however, is hell-bent on sabotaging the wedding. Dorothy Baker's entrancing tragicomic novella follows an unpredictable course of events in which her heroine appears variously as conniving, self-aware, pitiful, frenzied, absurd, and heartbroken—at once utterly impossible and tremendously sympathetic. Cassandra reckons with her complicated feelings about the sister who she feels owes it to her to be her alter ego; with her father, a brandy-soaked retired professor of philosophy; and with the ghost of her dead mother, as she struggles to come to terms with the only life she has. First published in 1962, Cassandra at the Wedding is a book of enduring freshness, insight, and verve. Like the fiction of Jeffrey Eugenides and Jhumpa Lahiri, it is the work of a master stylist with a profound understanding of the complexities of the heart and mind.

    Their names are Tom and Christopher. In the opposite corner to them stands Father Louis, the elderly headmaster. It is his conviction that the sixties will go down in history as the decade which sees the earthly triumph of the Catholic Church. Life becomes more complicated for Tom and Christopher when Miss O’Deere, the art mistress, decides to paint the pair as David and Jonathan and to enter the result in a public exhibition… To say nothing of the inconvenient attentions paid to them by 13-year-old Angelo Dexter.

    Unprepared for the consequences of their attraction, at first each feigns indifference. But during the restless summer weeks that follow, unrelenting buried currents of obsession and fear, fascination and desire, intensify their passion as they test the charged ground between them. What grows from the depths of their spirits is a romance of scarcely six weeks' duration and an experience that marks them for a lifetime. For what the two discover on the Riviera and during a sultry evening in Rome is the one thing both already fear they may never truly find again: total intimacy. The psychological maneuvers that accompany attraction have seldom been more shrewdly captured than in André Aciman's frank, unsentimental, heartrending elegy to human passion. Call Me by Your Name is clear-eyed, bare-knuckled, and ultimately unforgettable.

    old boy named Tyler Morris, who auditions for a student film to win the heart of Billy Greske, the school's celebrity thespian. The plan seems promising until Tyler’s bipolar best friend Jenny offers love advice and a local skater takes interest in Tyler as well. Furthering complications, Tyler's estranged mother, a clairvoyant circus clown, returns home to win back the love of her family.

    In New York after college, Bobby moves in with Jonathan and his roommate, Clare, a veteran of the city's erotic wars. Bobby and Clare fall in love, scuttling the plans of Jonathan, who is gay, to father Clare's child. Then, when Clare and Bobby have a baby, the three move to a small house upstate to raise "their" child together and, with an odd friend, Alice, create a new kind of family. A Home at the End of the World masterfully depicts the charged, fragile relationships of urban life today.

    The Old West. The Wild West! A whole summer in a new place: a place away from my parents, a place so hot the girls probably wore bikinis to church, a place where I'd take a giant step toward my dream: becoming a vet. A place where — who knows? — anything might happen.From the moment sixteen-year-old Billy steps off the train in Tucson, he knows this will be a summer unlike any he's seen in small-town Bradleyville, Missouri. For starters, he's staying with his cool gay uncle, who has managed to get him a job at the racetrack caring for horses. Still, Billy doesn't expect the horseracing world to be quite as rough and tumble as this — toiling side by side with a macho survivalist and falling hard for the feisty, romance-shy "exercise girl" Cara Mae. With his trademark fast-paced dialogue filled with wit and compassion, Ron Koertge tells the tale of an insecure teen who discovers that gaining stature involves more than Stetsons and boots — and that lessons on love and manhood come from the places you least expect.

    Cliffy, black, and Noah, Jewish, are teens of their time, segregated by neighborhood, skin color and opportunity, yet neither boy has ever had a friend like the other.

    Three girls. Two guys. Four straight. One gay. Some rich. Some poor. Some from great families. Some with no one at all. All living their lives as best they can, but all searching ... for freedom, safety, community, family, love. What they don't expect, though, is all that can happen when those powerful little words "I love you" are said for all the wrong reasons.Five moving stories remain separate at first, then interweave to tell a larger, powerful story—a story about making choices, taking leaps of faith, falling down, and growing up. A story about kids figuring out what sex and love are all about, at all costs, while asking themselves, "Can I ever feel okay about myself?"