With its cultivated obscurity, ear-shattering sound, and over-the-top performances, Noise has captured the imagination of a small but passionate transnational audience.For its scattered listeners, Noise always seems to be new and to come from somewhere else: in North America, it was called "Japanoise." But does Noise really belong to Japan? Is it even music at all? And why has Noise become such a compelling metaphor for the complexities of globalization and participatory media at the turn of the millennium?In Japanoise, David Novak draws on more than a decade of research in Japan and the United States to trace the "cultural feedback" that generates and sustains Noise. He provides a rich ethnographic account of live performances, the circulation of recordings, and the lives and creative practices of musicians and listeners. He explores the technologies of Noise and the productive distortions of its networks. Capturing the textures of feedback—its sonic and cultural layers and vibrations—Novak describes musical circulation through sound and listening, recording and performance, international exchange, and the social interpretations of media.

    Amy Gentry argues that these violent aesthetic responses to Amos's performance, both positive and negative, are organized around disgust-the disgust that women are taught to feel, not only for their own bodies, but for their taste in music. Released in 1996, Amos's third album, Boys for Pele, represents the height of Amos's willingness to explore the ugly qualities that make all of her music, even her more conventionally beautiful albums, so uncomfortably, and so wonderfully, strange. Using a blend of memoir, criticism, and aesthetic theory, Gentry argues that the aesthetics of disgust are useful for thinking in a broader way about women's experience of all art forms.

    As he learned valuable lessons in self-sufficiency, taking responsibility, and how to avoid (for the most part but not always) getting punched in the face by irate hippies, Larry also found his place and made his home in the far-flung, disjointed and eccentric community he encountered in the anarchic realm that begins where Highway 101’s tattered tarmac dissolves into the dust of Spy Rock Road.

    

    Defying traditional categories of race, gender, and sexuality, he nonetheless presents a very traditional conception of religion and God in his music. He was an MTV megastar and a religious evangelist, using images of sex and profanity to invite us into a musical conversation about the healing power of God. By demystifying the man and his music, I Would Die 4 U shows us how Prince defined a generation.

    Fiction and Hist. Thrillers★★★★★ 4.7-Star Average Reader Review“...this is storytelling at its best...” -- Fortean Times Magazine“...poignant...heartening...insightful...” -- Kirkus ReviewsWith the rambling pioneers of blues music leading an unforgettable cast of characters, this raw, rousing and adventurous debut novel delivers a breathtaking view of life, livin’, love and hate in America in the 20th century, and the mysterious beginnings of the music that provided the soundtrack for it all...THE BLUES.In 1915, in a moonlit room in a boarding house in Texas, Charlie Patton -- the enigmatic inventor of blues music -- founds a shadowy alliance with Huddie ‘Lead Belly’ Ledbetter and Blind Lemon Jefferson. A pact is made, and the seeds of revolution are sown. Back at the Dockery Plantation in the Mississippi Delta, with the help of the likes of Son House, Howlin‘ Wolf, Robert Johnson, and others, Charlie’s plan spreads across the South, and then across the country. But these bluesmen have no way of knowing where this dangerous road will lead. Nor do they know the Ku Klux Klan is watching.In 2002, Franklyn O’Connor -- an adventurous and penniless youth -- sits at a lonely bar in the train station of his small upstate New York hometown holding a one-way ticket to the Crossroads in the Mississippi Delta. There he hopes to track down his deadbeat father, who walked out on his family when Frank was five. With nothing but his rucksack and the unsolicited assistance of a little old man called Furry Jenkins, Frank soon unwittingly drifts into the middle of a combustible racial feud at the intersection of a still divided society. A shocking truth waiting down the line.An adventurous and powerful novel about how, and more importantly why, from the cotton fields of Mississippi, blues music changed the world, and how the world changed one young man.

    Plus, Taylor has tons of cross-genre appeal: she performed on Saturday Night Live, appeared on the covers of magazines like Rolling Stone and Teen Vogue, and acted in hit movies like Hannah Montana: The Movie. Our newly revised and expanded version of Taylor Swift: Country?s Sweetheart features up-to-date information, photos, and a gorgeous new cover!

    Ask DMB devotees and they’ll happily tell you tales of amazing sold-out summer shows, the stunning venues they’ve seen the band play all around the world, classic live show recordings . . . and memories of good times with great friends, old and new. For hundreds of thousands of people, affection for DMB goes far beyond simple fan adulation—it’s a way of life. Journalist (and fan) Nikki Van Noy bridges the gap between the band and their followers, looking at the DMB phenomenon from all perspectives—including interviews with the band, Charlottesville insiders who knew them in the early days, and, of course, the DMB fans who witnessed it all. This lively, insider book offers insights into: • The beginnings of the band in Charlottesville, VA—which gave rise to the culture of taping and trading live shows, and the early online networking that laid the groundwork for their later explosive success. • The heady success of their first several albums—when the small “club” of DMB fans suddenly became a lot less exclusive. • Their creative misfires in the early 2000s—including the leaked Lillywhite Sessions. • The crushing sudden loss of saxophonist LeRoi Moore—and how the band emerged stronger than ever. A chronicle of the live Dave Matthews Band experience and what it means to be a part of it, So Much to Say is a comprehensive biography of this incredible group and the fans who helped them achieve such enduring success.

    s debut album, released in 1983, was so far removed from the prevailing trends of American popular music that it still sounds miraculous and out of time today. J. Niimi tells the story of the album s genesis with fascinating input from Don Dixon and Mitch Easter. He also investigates Michael Stipe s hypnotic, mysterious lyrics, and makes the case for Murmur as a work of Southern Gothic art. EXCEPRT: In the course of an interview that took place some twenty years ago, Michael Stipe made passing reference to an essay that had a deep impact on him. It s what came to his mind when, after having been harangued by fans and journalists alike about Murmur s lyrics, already grown weary from having to continually entertain their broad speculations, he finally threw up his hands. Anyone who really wants to figure out the words to our songs should probably read this essay, then go back and listen, Stipe told the interviewer. It talks about how people misinterpret something that s being said, and come up with a little phrase or word that actually defines the essence of what the original was better than the original did. What Stipe was trying to say is that if you want answers to R.E.M., you re not only looking in the wrong place, you re also asking the wrong questions.

    For every incredible career high there was a hefty personal downside: divorce, drunkenness, and death seemed as synonymous with the Gibbs as falsetto harmonies, flares, and multi-platinum record sales.Not long before his death, Robin made it clear that he believed the Gibbs had been forced to pay the highest possible cost for their success. "All the tragedies my family has suffered . . . is a kind of karmic price we are paying for all the fame and fortune we've had." This is the story of the brothers' incredible careers and an examination of the Gibb 'curse'--an all-too-human look at the rollercoaster ride of fame.

    The Bee Gee's journey from Fifties child act to musical institution is one of pop's most turbulent legends. Barry, Maurice and Robin Gibb somehow managed to survive changing musical fashions and bitter personal feuds to create musical partnership that has already lasted four times as long as The Beatles. Described by the authors as their objective tribute, this unflinching biography chronicles everything - the good, the bad... and the bushed-up. Youthful delinquency, disastrous marriages, bitter lawsuits, gay sex scandals, serious drug problems and the death of younger brother Andy have sometimes made the personal lives of the Brothers Gibb look as bleak as the low spots of a career that once reduced them to playing the Batley Variety Club. Yet every time the Bee Gees roller coaster seemed derailed for good, they recorded and went on to even greater triumphs. Today they are revered among pop music's all-time great performers, producers and songwriters. But the true story of their success and the high price they paid for it has never been fully revealed... until now. This new edition of The Ultimate Biography incorporates a complete listing of every song written or recorded by the Gibbs.