Will her death end the ceaseless plotting against Mary’s red-haired cousin, Elizabeth?1588, the year of the Spanish Armada, is a time of more terror and triumph, not just for queen and court but for the whole of England. The turmoil is reflected in its theatres and under the galleries of inns like London’s “The Queen’s Head” where Lord Westfield’s Men perform. The scene there grows even more tumultuous when one of the actors is murdered by a mysterious stranger during a brawl.Nicholas Bracewell, the company’s bookholder (a role far wider than mere producer) faces two immediate repercussions. The first is to secure a replacement acceptable to its temperamental star — and chief shareholder — Lawrence Firethorn. The second is to keep his promise to the dying Will Fowler and catch his killer.Soon further robberies, accidents, and misfortunes strike Lord Westfield’s Men even as their stage successes swell. Bracewell begins to suspect a conspiracy, not a single murderous act, but where lies the proof? Then the players are rewarded with the ultimate accolade — an appearance at court — and the canny bookholder senses the end to the drama is at hand…First published to great acclaim in 1988, The Queen’s Head anticipated the lure of bawdy, boisterous, yet elegant epics like Shakespeare in Love. Actor and playwright Marston has followed with, to date, ten more lusty, historically grounded, theatrically sound Bracewell mysteries that explore the face of England and reveal his deep love for its rich literary and dramatic heritage. The Roaring Boy was nominated for a 1996 Edgar Award for Best Novel.

    Now, in 1137, the ambitious head of Shrewsbury Abbey has decided to acquire the sacred remains for his Benedictine order. Native Welshman Brother Cadfael is sent on the expedition to translate and finds the rustic villagers of Gwytherin passionately divided by the Benedictine's offer for the saint's relics. Canny, wise, and all too wordly, he isn't surprised when this taste for bones leads to bloody murder.The leading opponent to moving the grave has been shot dead with a mysterious arrow, and some say Winifred herself held the bow. Brother Cadfael knows a carnal hand did the killing. But he doesn't know that his plan to unearth a murderer may dig up a case of love and justice...where the wages of sin may be scandal or Cadfael's own ruin.

    Tom O'Bedlam, the mad son of prominent Catholic family, stumbles upon evidence that his hated brother has returned to England to spearhead a scheme to assassinate the Queen.Patricia Finney transports the reader back in time to the dirty, dangerous underbelly of 1583 London. Combining accurate and detailed historical research with story-telling of an unusually high caliber, Firedrake's Eye brilliantly evokes that danger and treachery of Tudor politics.

    The year is 1018 and the war is finally over, but the unified kingdom is far from peaceful.Halfdan’s mixed lineage—half Danish, half Saxon—has made him a pauper in the new kingdom. His father, his brother, and the land he should have inherited were all taken by the new king’s men. He lost everything to the war but his sense of humor. Once a proud nobleman, Halfdan now wanders the country aimlessly, powered only by his considerable charm and some petty theft. When he finds an unlikely ally in Winston, a former monk, he sees no reason not to accept his strange invitation to travel together to Oxford. Winston has been commissioned to paint a portrait of the king at the invitation of his new wife, and the protection of a clever man like Halfdan is well worth its price in wine and bread.But when the pair’s arrival in court coincides with news of a murder, the king has a brilliant idea: Why not enlist the newly arrived womanizing half-Dane and the Saxon intellectual to defuse a politically explosive situation? The pair represents both sides of the conflict and seem to have crime-solving skills to boot. In their search for the killer, Halfdan and Winston find seduction, adventure, and scandal in the wild early days of Cnut’s rule.

    1603. Former ship's surgeon Gabriel Taverner is attempting to re-establish himself as a country physician in rural Devon. But it s not easy to gain the locals' trust, and a series of disturbing incidents, increasing in menace and intensity, convinces him that at least one person does not welcome his presence. Called out to examine a partially decomposed body found beside the river, Gabriel discovers that he has a personal connection to the dead man. Teaming up with Coroner Theophilus Davey to find out how the man died, Gabriel uncovers some darker aspects of the lucrative silk trade which operates from nearby Plymouth. The more he finds out, the more frighteningly apparent it becomes that the people closest to him have been keeping dangerous secrets.

    Perfect for any reader of Sarah Waters or Antonia Hodgson. 'With this intricately woven tale of trust, self-trust and deceit, Anna Mazzola brings a gritty realism to Victorian London. Beautifully written and cleverly plotted, this is a stunning debut, ranked amongst the best' MANDA SCOTT After Sarah petitions for mercy, Edmund Fleetwood is appointed to investigate and consider whether justice has been done. Idealistic, but struggling with his own demons, Edmund is determined to seek out the truth. Yet Sarah refuses to help him, neither lying nor adding anything to the evidence gathered in court. Edmund knows she's hiding something, but needs to discover just why she's maintaining her silence. For how can it be that someone would willingly go to their own death?

    Five victims; four of them killed with military efficiency and, judging from the wounds, a military bayonet. The fifth victim, the lady of the house, is found nearly naked, sprawled on a bed, her throat slashed with a razor. Even more startling than the actual carnage are two subsequent findings: the lack of any sort of sexual assault and the discovery of a child - a young girl hiding beneath a bed.Scotland Yard sends out Inspector John Madden to investigate the murders. Madden, with some heavy psychological baggage of his own courtesy of the war, recognizes the mark of madness in the killer's work and has a unique understanding of the killer's methods, habits, and rituals. While the local constabulary figures the murders for a robbery gone horribly wrong, Madden is quick to recognize the presence of a more sinister motive. He seeks the help of Dr. Helen Blackwell, a local physician who lost both her brothers and her husband to the war. Dr. Blackwell's professional connections include a Viennese psychiatrist who is well versed in the relatively new field of forensic psychology, and together they try to develop a psychological profile for the killer.The deeper Madden digs into the case, the harder it is for him to maintain the fragile wall he has built around his own painful memories. A spark between him and Helen Blackwell quickly becomes an all-consuming fire, and in the tender exploratory phase of their relationship, Helen gently urges him to face his personal demons head-on. Meanwhile, Madden discovers the killer has struck once before, a murder that was left unsolved. When Madden gets the idea to look for similar crimes that may have occurred during the war, he finds one, and a clearer and even more frightening picture of the killer begins to evolve. As the police investigation proceeds, plodding at times and getting fortuitous breaks at others, the killer plans his next attack. Together, killer and cops move along parallel timelines, a loose scrabble of concurrent events held together by a taut string of tension. When the string finally breaks, it culminates in a vivid and terrifying climax that demonstrates how fine a line often exists between sanity and utter madness. River of Darkness is the first book in a promised series. Inspector John Madden is precisely the type of multifaceted and complex character readers will enjoy meeting time and again. And the supporting cast of characters is the perfect complement, the sum total being a rich and full-bodied story. What's more, if Airth shows the same flair for finely etched prose and brilliantly manipulated tension as he does here, this series promises to be the start of a powerful new niche in psychological suspense, a uniquely fresh voice that will stand out among the crowd.

     The first in an exciting new Mayfair 100 series of nostalgic crime sagas. Set against the backdrop of WW1, Mayfair 100 is the telephone number for a small specially-formed crimebusting team based in a house in Mayfair. London, 1915. Just 10 months into the First World War, the City is flooded with women taking over the work vacated by men in the Armed Services. Chief Inspector Peter Beech, a young man invalided out of the war in one of the first battles, is faced with investigating the murder of an aristocrat and the man’s wife, a key witness and suspect, will only speak to a woman about the unpleasant details of the case. After persuading the Chief Commissioner to allow him to set up a clandestine team to deal with such situations, Beech puts together a small motley crew of well-educated women and professional policemen. As Beech, Victoria, Caroline, Rigsby and Tollman investigate the murder, they delve into the seedier parts of WWI London, taking them from criminal gangs to brothels and underground drug rings supplying heroin to the upper classes. Will the Mayfair 100 team solve the murder? And if they do, will they be allowed to continue working as a team? ABOUT THE AUTHOR Lynn Brittney, a writer for almost 30 years, had her first novel shortlisted for the Waterstone’s Book Prize; Brandford Boase Award and Doncaster Book Prize.

    Breaking into the homes of the rich and picking the locks on their safes may not be condoned by British law enforcement, but World War II is in full swing, Ellie's cousins Colm and Toby are off fighting against Hitler, and Uncle Mick's more honorable business as a locksmith can't pay the bills any more.So when Uncle Mick receives a tip about a safe full of jewels in the empty house of a wealthy family, he and Ellie can't resist. All goes as planned--until the pair are caught redhanded. Ellie expects them to be taken straight to prison, but instead they are delivered to a large townhouse, where government official Major Ramsey is waiting with an offer: either Ellie agrees to help him break into a safe and retrieve blueprints that will be critical to the British war effort, before they can be delivered to a German spy, or he turns her over to the police.Ellie doesn't care for the Major's imperious manner, but she has no choice, and besides, she's eager to do her bit for king and country. She may be a thief, but she's no coward. When she and the Major break into the house in question, they find instead the purported German spy dead on the floor, the safe already open and empty. Soon, Ellie and Major Ramsey are forced to put aside their differences to unmask the double-agent, as they try to stop allied plans falling into German hands.

    He drains his fifth pot of morning tea, and glances outside, where a young, plain woman picks her way between the piles of horse-dung towards his front door.March Middleton is Sidney Grice's ward, and she is determined to help him on his next case. Her guardian thinks women are too feeble for detective work, but when a grisly murder in the slums proves too puzzling for even Sidney Grice's encyclopaedic brain, March Middleton turns out to be rather useful after all...Set in a London still haunted by the spectre of the infamous Spring-heeled Jack, THE MANGLE STREET MURDERS is for those who like their crime original, atmospheric, and very, very funny.

    Laetitia Rodd, aged fifty-two, is the widow of an archdeacon. Living in Hampstead with her confidante and landlady, Mrs. Benson, who once let rooms to John Keats, Laetitia makes her living as a highly discreet private investigator.Her brother, Frederick Tyson, is a criminal barrister living in the neighboring village of Highgate with his wife and ten children. Frederick finds the cases, and Laetitia solves them using her arch intelligence, her iron discretion, and her immaculate cover as an unsuspecting widow. When Frederick brings to her attention a case involving the son of the well-respected, highly connected Sir James Calderstone, Laetitia sets off for Lincolnshire to take up a position as the family’s new governess—quickly making herself indispensable. But the seemingly simple case—looking into young Charles Calderstone’s “inappropriate” love interest—soon takes a rather unpleasant turn. And as the family’s secrets begin to unfold, Laetitia discovers the Calderstones have more to hide than most.

    Crispin Guest is a disgraced knight, stripped of his rank and his honor - but left with his life - for plotting against Richard II.  Having lost his bethrothed, his friends, his patrons and his position in society.  With no trade to support him and no family willing to acknowledge him, Crispin has turned to the one thing he still has - his wits - to scrape a living together on the mean streets of London.  In 1383, Guest is called to the compound of a merchant - a reclusive mercer who suspects that his wife is being unfaithful and wants Guest to look into the matter.  Not wishing to sully himself in such disgraceful, dishonorable business but in dire need of money, Guest agrees and discovers that the wife is indeed up to something, presumably nothing good.  But when he comes to inform his client, he is found dead - murdered in a sealed room, locked from the inside.  Now Guest has come to the unwanted attention of the Lord Sheriff of London and most recent client was murdered while he was working for him.  And everything seems to turn on a  religious relic - a veil reported to have wiped the brow of Christ - that is now missing.

    Thomas Silkstone, anatomist and pioneering forensic detective. . .The death of Sir Edward Crick has unleashed a torrent of gossip through the seedy taverns and elegant ballrooms of Oxfordshire. Few mourn the dissolute young man--except his sister, the beautiful Lady Lydia Farrell. When her husband comes under suspicion of murder, she seeks expert help from Dr. Thomas Silkstone, a young anatomist from Philadelphia.Thomas arrived in England to study under its foremost surgeon, where his unconventional methods only add to his outsider status. Against his better judgment he agrees to examine Sir Edward's corpse. But it is not only the dead, but also the living, to whom he must apply the keen blade of his intellect. And the deeper the doctor's investigations go, the greater the risk that he will be consigned to the ranks of the corpses he studies. . .

    In a deconsecrated church, a young woman is found dead, her mutilated body displayed on the altar for all to see. Captain Alexei Korolev, finally beginning to enjoy the benefits of his success with the Criminal Investigation Division of the Moscow Militia, is asked to investigate. But when he discovers that the victim is an American citizen, the NKVD—the most feared organization in Russia—becomes involved. Soon, Korolev’s every step is under close scrutiny and one false move will mean exile to The Zone, where enemies of the Soviet State, both real and imagined, meet their fate in the frozen camps of the far north.Committed to uncovering the truth behind the gruesome murder, Korolev enters the realm of the Thieves, rulers of Moscow’s underworld. As more bodies are discovered and pressure from above builds, Korolev begins to question who he can trust and who, in a Russia where fear, uncertainty and hunger prevail, are the real criminals. Soon, Korolev will find not only his moral and political ideals threatened, but also his life.William Ryan’s remarkable debut will storm into ten countries in what is sure to be an international publishing event. With Captain Alexei Korolev, William Ryan has given us one of the most compelling detectives in modern literature, a man dogged and humble, a man who will lead us through a fear-choked Russia to find the only thing that can save him or any of us— the truth.

    The investigation is complicated by the Sheriff of York’s desire to use suspicion of the murders to arrest a thief and smuggler whom Cordwainer is certain is not the culprit, and it is hindered by Cordwainer’s advanced age and physical infirmities. When Cordwainer realizes that the Prioress of Clementhorpe will be the next victim and the Sheriff refuses to help, Cordwainer must call on every resource he can find to stop the killer.