And to make things even more complicated, the only person she can turn to is Elissa — Maggie’s ex and the single person who understands how Corinne is feeling. As Corinne struggles to make sense of her grief and what she truly wants out of life, she begins to have feelings for the last person she should fall for. But to move forward after losing Maggie, Corinne will have to learn to be honest with the people in her life…starting with herself.

    The only person she has to talk to is Blake, a girl she barely knows since she and her dad moved back to town five seconds ago.But that’s when Emily finds the list – her mum’s senior year summer bucket list – buried in the back of her closet. When Blake suggests that Emily take it on as a challenge, the two set off on a journey to tick each box and help Emily face her fears over losing her connection to her mum. As she starts to feel closer to her mother, so too does Emily’s bond with Blake deepen into something she wasn't expecting.And suddenly Emily must face another fear: accepting the secret part of herself she never got a chance to share with the person who knew her best.

    So Anna "borrows" her stepmom's credit card and runs away to Los Angeles, where her half-sister takes her in. But LA isn't quite the glamorous escape Anna had imagined.As Anna spends her days on TV and movie sets, she engrosses herself in a project researching the murderous Manson girls—and although the violence in her own life isn't the kind that leaves physical scars, she begins to notice the parallels between herself and the lost girls of LA, and of America, past and present.In Anna's singular voice, we glimpse not only a picture of life on the B-list in LA, but also a clear-eyed reflection on being young, vulnerable, lost, and female in America—in short, on the B-list of life. Alison Umminger writes about girls, sex, violence, and which people society deems worthy of caring about, which ones it doesn't, in a way not often seen in YA fiction.

    Because Dia knows that without a band, she hasn’t got a shot at winning Sun City. Because ever since Hanna’s drinking took over her life, Dia and Jules haven’t been in it. And ever since Hanna left — well, there hasn’t been a band.It used to be the three of them, Dia, Jules, and Hanna, messing around and making music and planning for the future. But that was then, and this is now — and now means a baby, a failed relationship, a stint in rehab, all kinds of off beats that have interrupted the rhythm of their friendship. No contest can change that. Right?But like the lyrics of a song you used to play on repeat, there’s no forgetting a best friend. And for Dia, Jules, and Hanna, this impossible challenge — to ignore the past, in order to jumpstart the future — will only become possible if they finally make peace with the girls they once were, and the girls they are finally letting themselves be.Rebecca Barrow’s tender story of friendship, music, and ferocious love asks — what will you fight for, if not yourself?

    New Year's Eve, 1929. Millie is running the show at the Cloak & Dagger, a swinging speakeasy in the French Quarter, while her aunt is out of town. The new year is just around the corner, and all of New Orleans is out to celebrate, but even wealthy partiers' diamond earrings can't outshine the real star of the night: the boy in the red dress. Marion is the club's star performer and his fans are legion--if mostly underground.When a young socialite wielding a photograph of Marion starts asking questions, Millie wonders if she's just another fan. But then her body is found crumpled in the courtyard, dead from an apparent fall off the club's balcony, and all signs point to Marion as the murderer. Millie knows he's innocent, but local detectives aren't so easily convinced.As she chases clues that lead to cemeteries and dead ends, Millie's attention is divided between the wry and beautiful Olive, a waitress at the Cloak & Dagger, and Bennie, the charming bootlegger who's offered to help her solve the case. The clock is ticking for the fugitive Marion, but the truth of who the killer is might be closer than Millie thinks..

    For being gay. For just being themselves. But as rough as things often seem, at least Evan can take comfort in his sweet, sexy boyfriend Erik - whom he’s kept secret from everyone for almost a year. Then Evan and Davis are recruited to join the Chasers, a fringe crowd that promises them protection and status. Davis is swept up in the excitement, but Evan is caught between his loyalty to Davis and his love for Erik. Evan’s lied to keep his two worlds separate. Now his lies are about to implode…and destroy the very relationships he’s been trying to protect.

    Includes:"Michael's Little Sister" / C. S. Adler"Dancing Backwards" / Marion Dane Bauer"Winnie and Tommy" / Francesca Lia Block"Am I Blue" / Bruce Coville"Parents Night" / Nancy Garden"Three Mondays in July" / James Cross Giblin"Running" / Ellen Howard"We Might as Well Be Strangers" / M. E. Kerr"Hands" / Jonathan London"Holding" / Lois Lowry"The Honorary Shepherds" / Gregory Maguire"Supper" / Lesléa Newman"50% Chance of Lightning" / Cristina Salat"In the Tunnels" / William Sleator"Slipping Away" / Jacqueline Woodson"Blood Sister" / Jane Yolen

    At age seventeen, Esofi's journey to Ieflaria is not for the wedding she always expected but instead to offer condolences on the death of her would-be husband.But Ieflaria is desperately in need of help from Rhodia for their dragon problem, so Esofi is offered a new betrothal to Prince Albion's younger sister, the new Crown Princess Adale. But Adale has no plans of taking the throne, leaving Esofi with more to battle than fire-breathing beasts.

    It's as rad as she imagined; her boss is BOSS, her co-workers spend their time arguing over music, pushing against the patriarchy, and endlessly trying to form a band. When Rosie Riot, the staff's favorite singer, mysteriously vanishes the night before her band’s show, Chris discovers her co-workers are doing more than just sorting vinyl . . . Her local indie record store is also a front for a teen girl vigilante fight club!    Follow writer Carly Usdin (director of Suicide Kale) and artist Nina Vakueva (Lilith’s World) into the Hi-Fi Fight Club, where they deliver a rock and roll tale of intrigue and boundless friendship.

    It isn’t until she finds a letter from the Countess of Moth, looking for someone to translate a groundbreaking French astronomy text, that she knows where to go. Showing up at the Countess’ London home, she hoped to find a challenge, not a woman who takes her breath away.Catherine St Day looks forward to a quiet widowhood once her late husband’s scientific legacy is fulfilled. She expected to hand off the translation and wash her hands of the project—instead, she is intrigued by the young woman who turns up at her door, begging to be allowed to do the work, and she agrees to let Lucy stay. But as Catherine finds herself longing for Lucy, everything she believes about herself and her life is tested.While Lucy spends her days interpreting the complicated French text, she spends her nights falling in love with the alluring Catherine. But sabotage and old wounds threaten to sever the threads that bind them. Can Lucy and Catherine find the strength to stay together or are they doomed to be star-crossed lovers?

    Yet Cara, the free spirit, and Pen, the stoic, craft a bond so strong it seems as though nothing could sever it: not the bickering, not the secrets, not even Cara’s infidelities.But thirteen years on, a car crash kills Cara and rips the lid off Pen’s world. Pen is still in the closet, teaching at her old school, living under the roof of Cara’s gentle father, who thinks of her as his daughter’s friend. How can she survive widowhood without even daring to claim the word? Over the course of one surreal week of bereavement, she is battered by memories that range from the humiliating, to the exalted, to the erotic, to the funny. It will take Pen all her intelligence and wit to sort through her tumultuous past with Cara, and all the nerve she can muster to start remaking her life.

    Stone Butch Blues traces a propulsive journey, powerfully evoking history and politics while portraying an extraordinary protagonist full of longing, vulnerability, and working-class grit. This once-underground classic takes the reader on a roller-coaster ride of gender transformation and exploration and ultimately speaks to the heart of anyone who has ever suffered or gloried in being different.

    Clever, rich, and beautiful, Ada Averley treats Rose as an equal. And Rose could use a friend. Especially now that she, at barely sixteen, has risen to the position of ladies' maid. Rose knows she should be grateful to have a place at a house like Somerton. Still, she can't help but wonder what her life might have been had she been born a lady, like Ada.For the first time in a decade, the Averleys have returned to Somerton, their majestic ancestral estate. But terrible scandal has followed Ada's beloved father all the way from India. Now Ada finds herself torn between her own happiness and her family's honor. Only she has the power to restore the Averley name-but it would mean giving up her one true love ... someone she could never persuade her father to accept.Sumptuous and enticing, the first novel in the At Somerton series introduces two worlds, utterly different yet entangled, where ruthless ambition, forbidden attraction, and unspoken dreams are hidden behind dutiful smiles and glittering jewels. All those secrets are waiting ... at Somerton.

    And once she returns to her grandfather’s estate, a bit banged up but alive, she begins to realize that her injury might not have been an accident. One of her family’s employees is missing, and he disappeared on the very same day she landed in the hospital.Desperate to figure out what happened, she befriends Euan McEwen, the Scottish Traveller boy who found her when she was injured, and his standoffish sister, Ellen. As Julie grows closer to this family, she experiences some of the prejudices they’ve grown used to firsthand, a stark contrast to her own upbringing, and finds herself exploring thrilling new experiences that have nothing to do with a missing-person investigation.Her memory of that day returns to her in pieces, and when a body is discovered, her new friends are caught in the crosshairs of long-held biases about Travellers. Julie must get to the bottom of the mystery in order to keep them from being framed for the crime.

    That’s life for Kirby Arrow—named after the most dissenting judge in Australia’s history—and her best friend Clancy Lee, would-be musical star.Clancy wants nothing more than to leave town and head for the big smoke, but Kirby is worried: her family has a history of leaving. She hasn’t heard from her father since he left when she was a baby. Shouldn’t she stay to help her mother with the goat’s-milk soap-making business, look after her grandfather who suffers from dementia, be an apprentice carpenter to old Mr Pool? And how could she leave her pet goat, Stanley, her dog Maude, and her cat Marianne?But two things happen that change everything for Kirby. She finds an article in the newspaper about her father, and Iris arrives in town. Iris is beautiful, wears crazy clothes, plays the mandolin, and seems perfect, really, thinks Kirby. Clancy has his heart set on winning over Iris. Trouble is Kirby is also falling in love with Iris…