Throughout the week, she tries all sorts of things to get him past his grumpiness. Will she be able to make him smile before he goes home?

    At least, that's what everyone tells me." Marisol McDonald has flaming red hair and nut-brown skin. Polka dots and stripes are her favorite combination. She prefers peanut butter and jelly burritos in her lunch box. And don't even think of asking her to choose one or the other activity at recess--she'll just be a soccer playing pirate princess, thank you very much. To Marisol McDonald, these seemingly mismatched things make perfect sense together. Unfortunately, they don't always make sense to everyone else. Other people wrinkle their nose in confusion at Marisol--can't she just be one or the other? Try as she might, in a world where everyone tries to put this biracial, Peruvian-Scottish-American girl into a box, Marisol McDonald doesn't match. And that's just fine with her. A mestiza Peruvian American of European, Jewish, and Amerindian heritage, renowned author Monica Brown wrote this lively story to bring her own experience of being mismatched to life. Her buoyant prose is perfectly matched by Sara Palacios' engaging acrylic illustrations.

    Alta can only think about one thing: Wilma Rudolph, three-time Olympic gold medalist. She'll be riding on a float tomorrow. See, Alta is the quickest kid in Clarksville, Tennessee, just like Wilma once was. It doesn't matter that Alta's shoes have holes because Wilma came from hard times, too. But what happens when a new girl with shiny new shoes comes along and challenges Alta to a race? Will she still be the quickest kid? The Quickest Kid in Clarksville is a timeless story of dreams, determination, and the power of friendship.

    An American Library Association Notable Children's BookThis is the land that's never been sold, where work the hands, so wise and old, that reach through the water, clear and cold, into the mud to pick the taro to make the poi for our ohana's luau.Acclaimed illustrator and animator Kenard Pak's light-filled, dramatic illustrations pair exquisitely with Ilima Loomis' text to celebrate Hawaiian land and culture.The backmatter includes a glossary of Hawaiian terms used, as well as an author's note.A Kirkus Reviews Best Book of the YearA New York Public Library Best Book of the YearA Bank Street Best Childrens Book of the Year!A Booklist Editor's Choice

    A love letter to Black and brown children everywhere: reminding them how much they matter, that they have always mattered, and they always will.Tami Charles pens a text that is part love letter, part anthem, assuring readers that they always have, and always will, matter.

    Life in his hometown is cozy as can be, but the call of the capital city pulls Carlitos across the bay in search of his father. Jolly pirageros, mischievous cats, and costumed musicians color this tale of love, family, and the true meaning of home.

    "Misery loves company," Mama says to James Otis. It's been a rough couple of months for them, but Mama says as long as they have their health and strength, they're blessed. One Sunday before Valentine's Day, Reverend Dennis makes an announcement during the service-- the Temples have lost everything in a fire, and the church is collecting anything that might be useful to them. James thinks hard about what he can add to the Temple's "love box," but what does he have worth giving?

    A friend who shares. A friend who listens. Maybe even a friend who likes things to stay the same and all in order, as Henry does. But on a day full of too close and too loud, when nothing seems to go right, will Henry ever find a friend—or will a friend find him? A story from the perspective of a boy on the autism spectrum.

    But it's hard to think of anything to draw in a place where nothing beautiful grows—especially a place like Topaz, the internment camp where Mari's family and thousands of other Japanese Americans have been sent to live during World War II. Somehow, glimmers of hope begin to surface—in the eyes of a kindly art teacher, in the tender words of Mari's parents, and in the smile of a new friend. Amy Lee-Tai's sensitive prose and Felicia Hoshino's stunning mixed-media images show that hope can survive even the harshest injustice.

    With a garden full of produce, a joyfully chaotic kitchen, and a friendly meal shared at the table, Our Little Kitchen is a celebration of full bellies and looking out for one another. Bonus materials include recipes and an author’s note about the volunteering experience that inspired the book.

    He warmly conveys his own love for his two countries and described the strong and constant desire to be in both places at once: When in one country, he invariably misses the other. His grandfather, he tells us, would understand.

    She’s been called Theo, Tail, even Towel! But the teasing names―Tofu, Tiny, China Girl―are worse. Maybe it’s time to be someone else? Thao decides to try on a different name, something easy, like Jennifer.It works, but only until she opens her lunchbox to find her mother’s Vietnamese spring rolls, gỏi cuốn―Thao’s favorite! Now, it feels a lot more comfortable to be herself.Simple on the surface, this story inspired by Thao’s own childhood is full of humor, heart, and important ideas of diversity, inclusion, and cultural pride. The story will be instantly relatable to readers who have ever felt different.Designed with a playful emphasis on typography, and Thao’s own childhood photos added to her signature cut-paper collage, THAO champions being true to yourself and your background, and being empathetic towards others. It is a celebration of all that’s in a name and the power of owning your identity.

    But there's a problem, he tells her. Though he knows his letters, he doesn't know many words. “Every story starts with a single word and every word starts with a single letter,” his sister explains patiently. “Why don't you start there, with a letter?” So the boy tries. He writes a letter. An easy letter. The letter I. And from that one skinny letter, the story grows, and the little boy discovers that all of us, including him, have what we need to write our own perfect story.This picture book from award-winning author Andrew Larsen playfully and imaginatively explores a young child's process of learning to express himself. It promotes the idea that stories are available for everyone to tell, whatever way we can, and will inspire pre-readers to try writing stories of their own. The lively, fun illustrations by Mike Lowery incorporate story panels with dialogue bubbles, adding visual texture. Also helpful, the boy's story is shown both as he actually writes it --- with just a few letters, some punctuation marks and typographical symbols --- and as he imagines it. Celebrating self-expression, self-discovery and imagination, this book would enhance an early language arts lesson on writing, particularly on the parts of a story. It beautifully highlights the exciting worlds that are opened up when children begin to read and write. In a sweet touch, the boy and his sister model a close and supportive sibling relationship.

    Inspired by actual events in the author's life.

    . . and reading. In 1994, Yuyi Morales left her home in Xalapa, Mexico and came to the US with her infant son. She left behind nearly everything she owned, but she didn't come empty-handed.She brought her strength, her work, her passion, her hopes and dreams...and her stories.