There are Japanese families, but Satomi is neither a part of the white community nor the Japanese one. She is "other" to both. Things get worse for Satomi—and all people with even a drop of Japanese blood—when Japan poses a threat to the United States. Her father joins the Navy, in part to fight for his country, and in part to protect his wife and daughter from racist citizens, but dies in the bombing of Pearl Harbor. Rather than being celebrated as a hero, his death is ignored by the neighbors who shun Satomi and her mother. Shortly thereafter, they are taken to internment camps where they are treated like animals.Satomi's sudden loss of freedom is a terrible thing to bear, and she is disgusted by the utter lack of privacy, the open latrines, the sewage that runs behind their barrack, and the poorly built hovels that allow stinging dirt and dust to enter during frequent storms. But in the camp she finds a community for the first time. Not all of the Japanese residents welcome her, but Satomi and her mother find good friends in the family housed next to them in the barracks, and in the camp doctor, who is drawn to Satomi's spirit and her mother's grace. Satomi cares for Cora, one of the young orphans at the camp, as a daughter.Throughout it all, Satomi yearns for love. When she is finally freed from the internment camp, she heads east, finding a job, a shabby room, and several suitors in New York. There are men who would make her life easier, those who would take care of her, but Satomi insists on love—and finds it, in unexpected places.

    Sent to an obscure department of MI5 tasked with monitoring the comings and goings of British Fascist sympathizers, she discovers the work to be by turns both tedious and terrifying. But after the war has ended, she presumes the events of those years have been relegated to the past forever.Ten years later, now a radio producer at the BBC, Juliet is unexpectedly confronted by figures from her past. A different war is being fought now, on a different battleground, but Juliet finds herself once more under threat. A bill of reckoning is due, and she finally begins to realize that there is no action without consequence.

    In the bombed-out ruins of Cologne, Hanno Dasch is king. Director of the most successful black market operation in post-war Germany, Dasch has kept his clients supplied with goods so extravagant and rare that they were almost impossible to find even at the height of Germany's conquests.Nobody but Dasch, his enigmatic daughter and the war criminal he keeps as his bodyguard know how he does it.None of this has escaped the attention of Allied Intelligence, who face not only the systemic corruption of a country where everything is in short supply, but the growing threat of Stalin's KGB.Fearing that Dasch will soon expand his business to include dealings with Russia, and invite the further meddling of Russian agents in the west, the CIA sets in motion an undercover operation to infiltrate and, ultimately, destroy Dasch's empire. A disgraced American Army officer, Nathan Carter, is recruited to approach Dasch and to ingratiate himself with promises of stolen army supplies. As Carter moves further and further into the labyrinth of Dasch's world, it soon becomes clear that the black market ring has already been compromised, but by someone even more dangerous than the Russians.Carter stumbles upon a counterfeiting ring, with whom Dasch has unwittingly gone into business, which seems to have been created with the sole purpose of destroying the Soviet economy, something it could easily do with the superlative quality of the forged bills it is producing. With Carter caught in the middle, and facing the danger that his cover might be blown at any moment, a race begins between the Russian and American spy agencies to uncover who is responsible, before the situation escalates to war.

    As the Führer edges towards an invasion of Poland, total war looms in Europe.However in Krakow, seventeen-year-old Marie Karska’s primary concern is the unexplained disappearance of her mother fifteen years ago, and her father Dominik’s unbreakable silence on the matter. Even his wife’s name is a secret he guards closely.Dominik, a well-respected and innovative doctor at the local hospital, has devoted his life to caring for his only daughter. Yet a black fear haunts him - over the questionable act he committed to keep Marie safe. And with German troops now marching to the border, he needs to find her a husband. One who will protect her when he no longer can…But Marie has already met the man she wants to marry: her childhood friend Ben. She’s determined that his Jewish faith won’t stand in the way of their future together. And nor will her father’s refusal to explain the past stop her from unpicking his darkest secret. . .

    It ends with a promise. On her deathbed Frances extracts it from her three daughters—the utterly capable homemaker Alice; the recalcitrant Allegra, a recovering alcoholic; and bohemian Edie, who shrinks in the face of any commitment: their promise to “look after Libba.” As if the formidable, tough-minded Libba Charles, author of ten books, a literary celebrity, needed looking after. Yet when they are summoned by Libba to Creek Cabin, their mother’s summer hideaway in the Blue Ridge Mountains of North Carolina, they go. None of them is prepared, though, for what they will discover there—about their mother, about Libba, about themselves—in this poignant, adroit rendering of reunions and farewells.

    At the behest of his agent, renowned author Yoel Blum reluctantly agrees to visit his birthplace of Amsterdam to meet with his Dutch publisher, despite promising his late mother that he would never return to that city. While touring the Jewish Museum with his wife, Yoel stumbles upon a looping reel of photos offering a glimpse of pre-war Dutch Jewish life, and is astonished to see the youthful face of his beloved mother staring back at him, posing with her husband, Yoel’s older sister, Nettie…and an infant he doesn’t recognize.This unsettling discovery launches him into a fervent search for the truth, revealing Amsterdam’s dark wartime history and the underground networks which hid Jewish children away from danger—but at a cost. The deeper into the past Yoel digs, the better he understands his mother’s silence, and the more urgent the question that has unconsciously haunted him for a lifetime—Who am I?—becomes. Evocative, insightful, and deeply resonant, House on Endless Waters beautifully illustrates the complex nature of identity and belonging, and the inextricability of past and present.

    Slowly regaining vague memories of a man and young child, she vows to piece her life back together--though she can't help but feel she may be in danger. A budding friendship with the chef of a charming nearby restaurant takes her mind off of her foggy past, as does a startling mystery from decades prior...In Nazi-occupied Paris, young widow Celine lives a quiet life with her father, the local florist, and her daughter, Cosi. When a ruthless German officer discovers the family's Jewish ancestry, he blackmails Celine, forcing her to become his mistress in exchange for the others' safety. The trio plans an escape, but their mission goes horribly awry and Celine's beloved father and daughter are sent away to a cruel fate. Initially distraught, Celine fears the worst. Yet she soon discovers that Cosi has snuck away and followed her into captivity. More motivated than ever, Celine must now fight to hide and protect the person she loves most.Parallel timelines intersect when Caroline discovers Celine's diary tucked away in a closet, and it is revealed that the walls of her apartment harbor dark secrets. With the help of a local student from the Sorbonne, she realizes that she may have more in common with Celine than she could ever imagine.

    When she is twelve, the Nazis occupy Paris and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel.In a mining town in Germany, Werner Pfennig, an orphan, grows up with his younger sister, enchanted by a crude radio they find that brings them news and stories from places they have never seen or imagined. Werner becomes an expert at building and fixing these crucial new instruments and is enlisted to use his talent to track down the resistance. Deftly interweaving the lives of Marie-Laure and Werner, Doerr illuminates the ways, against all odds, people try to be good to one another.From the highly acclaimed, multiple award-winning Anthony Doerr, the stunningly beautiful instant New York Times bestseller about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II.An alternate cover for this ISBN can be found here

    But when World War II finally strikes the island of Jersey, the Nazi invaders ship Rebecca to Europe as part of Hitler’s Final Solution against the Jewish population.After Christopher and his family are deported back to their native Germany, he volunteers for the Nazi SS, desperate to save the woman he loves. He is posted to Auschwitz and finds himself put in control of the money stolen from the victims of the gas chambers. As Christopher searches for Rebecca, he struggles to not only maintain his cover, but also the grip on his soul. Managing the river of tainted money flowing through the horrific world of Auschwitz may give him unexpected opportunities. But will it give him the strength to accept a brave new fate that could change his life—and others’ lives—forever?

    But patriotism trumps passion, leaving La to worry if her life will always be "a play in which I have no real part." In McCall-Smith's quintessentially English world, perserverance, pots of tea and the power of music will show the way.(Ellen Shapiro for People magazine)

    They have been charged by their commanders to track down and bring back for execution 'one of them' - a Jew. Having flushed out the young man hiding in the woods, they decide to rest in an abandoned house before continuing their journey back to the camp. As they prepare food, they are joined by a passing Pole whose outspoken anti-Semitism adds tension to an already charged atmosphere. Before long, the group's sympathies have splintered as they consider the moral implications of their murderous mission and confront their own consciences to ask themselves: should the Jew be offered food? And, having shared their meal, should he be taken back, or set free?

    The only person she has left is her beloved grandmother, and she's determined to keep her safe. But protecting Grandmother won't be easy--not with a Nazi officer billeted below them.Anna must keep a low profile. There's one thing she refuses to give up, though. Despite instruments being declared illegal, Anna defiantly continues to practice her violin. She has to believe that the war will end someday and her career will be waiting. Fortunately for Anna, the officer, Horst Engel, enjoys her soothing music. It distracts him from his dissatisfaction with Nazi ideology and reminds him that beauty still exists in an increasingly ugly world.When his neighbors face deportation, Horst is moved to risk everything to hide them. Anna finds herself falling in love with the handsome officer and his brave heart. But what he reveals to her might break her trust and stop the music forever. . . .

    War-torn Paris is in flames, houses are being ransacked, streets barricaded. Amid the chaos, little Helene St Clair becomes separated from the rest of her family. Lost and alone, she must fend for herself on the streets. Her parents wait desperately for news of her, as the fighting rages. But Helene has vanished, swept away on the tides of war. Will she ever be found again?

    Here, in the dizzying heat of August 1939, five cousins have gathered at their aunt's house for their annual ritual of a holiday. For most of them it is the last summer of their youth, with the heady exhilarations and freedoms of lost innocence, as well as the fears of the coming war.The Camomile Lawn moves from Cornwall to London and back again, over the years, telling the stories of the cousins, their family and their friends, united by shared losses and lovers, by family ties and the absurd conditions imposed by war as their paths cross and recross over the years. Mary Wesley presents an extraordinarily vivid and lively picture of wartime London: the rationing, imaginatively circumvented; the fallen houses; the parties, the new-found comforts of sex, the desperate humour of survival - all of it evoked with warmth, clarity and stunning wit. And through it all, the cousins and their friends try to hold on to the part of themselves that laughed and played dangerous games on that camomile lawn.

    Pilot to crew. Bail out! Bail out!” On 19th October, 1944, 2/Lt Kenneth W. Simmons was forced to jump from the damaged B-24 aircraft while in a bombing raid over Germany. Once he landed he quickly became a ‘kriegie’, a prisoner of war, which he remained until General Patton’s men freed him in late April 1945. Much of these seven months of captivity were spent in the dismal conditions of the prison camp Stalag Luft II. Simmons provides fascinating insight into what life was like be an American prisoner of war in Nazi Germany, from undergoing interrogations to suffering cruelty and abuse from the guards. He records not only the mundane day to day life of the prisoners but also their private projects, from forging documents to using the latrine to dispose of waste material from their tunneling projects. “steadily interesting … due to the small details of everyday existence” Kirkus Reviews “The march of death … is one of the most impressive scenes to be portrayed of World War II.” Houston Chronicle “a story of hellish and holy experiences undergone by the men who became PW of the Nazis.” Daily Democrat Kenneth Simmons was an American airman with the 8th Air Force who was forced to bail out of his plane just north of Bad Kreuznach in Germany. His work Kreigie records his experiences as a prisoner of war and was first published in 1960. Simmons passed away in 1969.