dazzling analysis"—Marina Warner, Tate Magazine"Ambitious and a pleasure to read ... a thoroughly worthwhile book."—Times Higher Education Supplement

    Once in a generation a historian will redefine his field, producing a book that demands to be read--a product of electrifying scholarship conveyed with commanding skill. Diarmaid MacCulloch's Christianity is such a book. Ambitious, it ranges back to the origins of the Hebrew Bible & covers the world, following the three main strands of the Christian faith. Christianity will teach modern readers things that have been lost in time about how Jesus' message spread & how the New Testament was formed. It follows the Christian story to all corners of the globe, filling in often neglected accounts of conversions & confrontations in Africa & Asia. It discovers the roots of the faith that galvanized America, charting the rise of the evangelical movement from its origins in Germany & England. This book encompasses all of intellectual history--we meet monks & crusaders, heretics & saints, slave traders & abolitionists, & discover Christianity's essential role in driving the Enlightenment & the age of exploration, & shaping the course of WWI & WWII.We live in a time of tremendous religious awareness, when both believers & non-believers are engaged by questions of religion & tradition, seeking to understand the violence sometimes perpetrated in the name of God. The son of an Anglican clergyman, MacCulloch writes with feeling about faith. His last book, The Reformation, was chosen by dozens of publications as Best Book of the Year & won the Nat'l Book Critics Circle Award. This inspiring follow-up is a landmark new history of the faith that continues to shape the world.

    Catholic apologists fight back with facts and sound arguments. But there’s another area where the Church’s enemies tell their own false story of Catholicism: its history. Whether it’s from the media, in classrooms, or out of the mouths of pastors and politicians, we’ve all heard a version of Catholic history filled with unrelenting violence, ignorance, worldliness, and bigotry. It’s enough to make many believers question whether the Church truly was founded by Christ! This kind of attack requires no less of a response from those who know the truth. In The Real Story of Catholic History, Steve Weidenkopf gives it to you. Weidenkopf (The Glory of the Crusades) collects over fifty of the most common and dangerous lies about Catholic history and, drawing on his experience as a historian and apologist, shows how to answer them simply and powerfully. Whether it’s claims about Catholicism’s supposedly pagan origins, old myths about Galileo or the Inquisition that never seem to go away, or more modern misconceptions that anti-Catholics cynically exploit, The Real Story provides the desperately needed corrective. Packed with research and diligent in pursuit of the truth, while never whitewashing or explaining away the Church’s past faults when they’re found, The Real Story of Catholic History is an essential resource for every Catholic’s bookshelf.

    Guiding the reader through a church outside Rome, Sant'Agnese fuori le Mura, she draws upon history, theology, anthropology, and folklore to illuminate the spiritual meanings embedded in its architecture.

     But who were its leaders? And how did it survive through waves of hostility and oppression? George Hodges, in this fascinating history, explains how the early Church developed from its lowly and persecuted origins of the first century through to becoming the main religion of the Roman Empire and the various kingdoms that succeeded it. Hodges provides a full picture of the Roman Empire and its religion at this time, explaining how the Church was able to gain a foothold, how heresy nearly tore it apart and how many men and women sacrificed their own lives to protect the faith. He uncovers why by the third century the Church began to develop into a settled and definite organisation, with leaders, like Cyprian and Cyril, who assisted their followers, convened at gatherings like the Council of Nicaea to agree on doctrinal matters and how monasticism developed in both the East and West. Finally, Hodges explains how the Church was able survive the collapse of the Roman Empire, a state that had begun to protect and support the Church after Constantine’s conversion in 312. The Church was forced to contend with the power vacuum of the tumultuous fourth and fifth centuries and to make allies and convert the pagans who were threatening them. The Early Church: From Ignatius to Augustine is a brilliant history of the late Roman Empire and how the Christian Church developed within it. George Hodges was an American theologian and dean of the Episcopal Theological School at Cambridge Massachusetts. The Independent stated that many of his works were reissued during his lifetime due to “the high esteem in which his religious messages are held by the reading public." This work was first published in 1915 and he died in 1919.

    J. Clark rewrites the history of modern art. With the fall of the Berlin Wall, he explains, the project called socialism may have come to an end at roughly the same moment as modernism. Did modernism and socialism depend on each other for their vitality—for their sense of the future and their wish to live in a fully material world? Have they died? Aware of modernism’s foibles and blind spots, but passionately attached to the movement’s wildness, Clark poses these fundamental questions in Farewell to an Idea. Modernism, Clark argues, was an extreme answer to an extreme condition—the one Max Weber summed up as “the disenchantment of the world.” Clark focuses on instances of maximum stress, when the movement revealed its true nature. The book begins with Jacques-Louis David, painting at the height of the Terror in 1793, then leaps forward to Pissarro a hundred years later, struggling to picture Two Young Peasant Women ina way that agreed with his anarchist politics. Next the author turns in succession to Cézanne’s paintings of the Grandes Baigneuses and their coincidence in time (and maybe intention) with Freud’s launching of psychoanalysis; to Picasso’s Cubism; and to avant-garde art after the Russian Revolution. Clark concludes with a reading of Jackson Pollock’s tragic version of abstraction and suggests a new set of terms to describe avant-garde art—perhaps in its final flowering—in America after 1945. Shifting between broad, speculative history and intense analysis of specific works, Clark not only transfigures our usual understanding of modern art, he also launches a new set of proposals about modernity itself.

    Jesus Wars is a must for the bookshelf of those who enjoy the work of Jared Diamond, Karen Armstrong, N.T. Wright, Elaine Pagels, and Alister McGrath, as well as anyone interested in early Christian history.

    With a clarity that will appeal to any reader, Thomas Bokenkotter divides his study into five parts that correspond to the major historical and epochal developments in Catholicism. His authoritative, thorough approach takes readers from the Church’s triumph over paganism, through "the sound and fury of renewal," to a new section devoted to such topics as dissent and current developments in the ecumenical movement. Informative illustrations throughout the book, new to this edition, enrich the reader's experience, and the addition of a wide-ranging bibliography increases its value as a sourcebook.

    This narrative account, from the earliest cave paintings up to the present day, has new things to say about almost every period of art. Taking account of changing scholarship and shifting opinions, he draws our attention to a number of neglected artists and styles, especially in Scandinavia, Germany, Russia and the Americas.Paul Johnson puts the creative originality of the individual at the heart of his story. He pays particular attention to key periods: the emergence of the artistic personality in the Renaissance, the new realism of the early seventeenth century, the discovery of landscape painting as a separate art form, and the rise of ideological art. He notes the division of 'fashion art' and fine art at the beginning of the twentieth century, and how it has now widened.Though challenging and controversial, Paul Johnson is not primarily a revisionist. He is a passionate lover of beauty who finds creativity in many places. With 300 colour illustrations, this book is vivid, evocative and immensely readable, whether the author is describing the beauty of Egyptian low-relief carving or the medieval cathedrals of Europe, the watercolours of Thomas Girtin or the utility of Roman bridges ('the best bridges in history'), the genius of Andrew Wyeth or the tranquility of the Great Mosque at Damascus, the paintings of Ilya Repin or a carpet-page from the Lindisfarne Gospels. The warmth and enthusiasm of Paul Johnson's descriptions will send readers hurrying off to see these wonders for themselves.

    Five hundred years after Luther’s now famous Ninety-five Theses appeared, Eric Metaxas, acclaimed biographer of the bestselling Bonhoeffer: Pastor, Martyr, Prophet, Spy and Amazing Grace: William Wilberforce and the Heroic Campaign to End Slavery, paints a startling portrait of the wild figure whose adamantine faith cracked the edifice of Western Christendom and dragged medieval Europe into the future. Written in riveting prose and impeccably researched, Martin Luther tells the searing tale of a humble man who, by bringing ugly truths to the highest seats of power, caused the explosion whose sound is still ringing in our ears. Luther’s monumental faith and courage gave birth to the ideals of liberty, equality, and individualism that today lie at the heart of all modern life.

    The Didache is an early handbook of an anonymous Christian community, likely written before some of the New Testament books were written. It spells out a way of life for Jesus-followers that includes instruction on how to treat one another, how to practice the Eucharist, and how to take in wandering prophets. In The Teaching of the Twelve, Jones unpacks the ancient document, and he traces the life of a small house church in Missouri that is trying to live according to its precepts. Readers will find The Teaching of the Twelve inspirational and challenging, and they will discover a unique window into the life of the very earliest followers of Jesus the Christ. A new, contemporary English translation of the Didache is included.

    Painters, theorists and philosophers are all included to show how the idea of art has developed over the last 5,000 years. Art is a visual representation of a range of concepts, stories and emotions, including curiosity, humanity, political statements, and the Self. Art Theory For Beginners examines and explains the development of the different ways in which people study, interpret and appreciate art in its rich variety of forms. Art Theory For Beginners is a clear and entertaining introduction to the complex questions that stem from the simple idea of 'art'.

    The book and attendant CNN series provide a dramatic way to retell "the greatest story ever told" while introducing a broad audience to the history, the latest controversies, and newest forensic science involved in sorting out facts from the fiction of would-be forgers and deceivers. The book and the show draw on experts from all over the world. Beyond the faithful, the book will also appeal to the skeptical and to curious readers of history and archaeology, while it takes viewers of the primetime TV series deeper into the story.

    These beliefs are an essential part of a shared identity. They have a unique power to define - and to divide - us, and are a driving force in the politics of much of the world today. Throughout history they have most often been, in the widest sense, religious.Yet this book is not a history of religion, nor an argument in favour of faith. It is about the stories which give shape to our lives, and the different ways in which societies imagine their place in the world. Looking across history and around the globe, it interrogates objects, places and human activities to try to understand what shared beliefs can mean in the public life of a community or a nation, how they shape the relationship between the individual and the state, and how they help give us our sense of who we are.For in deciding how we live with our gods, we also decide how to live with each other.

    Defines and explains various concepts regarding the painter's intentions in order to provide a basis for understanding of a work of art.