Death Sentences—a work of science fiction that shares its conceit with the major motion picture The Ring—tells the story of a mysterious surrealist poem, penned in the 1940s, which, through low-tech circulation across time, kills its readers, including Arshile Gorky and Antonin Artaud, before sparking a wave of suicides after its publication in 1980s Japan. Mixing elements of Japanese hard-boiled detective story, horror, and science fiction, the novel ranges across time and space, from the Left Bank of Paris to the planet Mars.Paris, 1948: André Breton anxiously awaits a young poet, Who May. He recalls their earlier encounter in New York City and the mysterious effects of reading Who May’s poem “Other World.” Upon meeting, Who May gives Breton another poem, “Mirror,” an even more unsettling work. Breton shares it with his fellow surrealists. Before Breton can discuss the poem with him, Who May vanishes. Who May contacts Breton about a third poem, “The Gold of Time,” and then slips into a coma and dies (or enters another dimension). Copies of the poem are mailed to all of Who May’s friends—Breton, Gorky, Paul Éluard, Marcel Duchamp, and other famous surrealists and dadaists. Thus begins the “magic poem plague.”Death Sentences is the first novel by the popular and critically acclaimed science fiction author Kawamata Chiaki to be published in English. Released in Japan in 1984 as Genshi-gari (Hunting the magic poems), Death Sentences was a best seller and won the Japan Science Fiction Grand Prize. With echoes of such classic sci-fi works as George Orwell’s 1984, Ray Bradbury’s Fahrenheit 451, William Gibson’s Neuromancer, and Philip K. Dick’s Martian Time-Slip, Death Sentences is a fascinating mind-bender with a style all its own.

    Most of the island's inhabitants are oblivious to these changes, while those few imbued with the power to recall the lost objects live in fear of the draconian Memory Police, who are committed to ensuring that what has disappeared remains forgotten.When a young woman who is struggling to maintain her career as a novelist discovers that her editor is in danger from the Memory Police, she concocts a plan to hide him beneath her floorboards. As fear and loss close in around them, they cling to her writing as the last way of preserving the past.A surreal, provocative fable about the power of memory and the trauma of loss, The Memory Police is a stunning new work from one of the most exciting contemporary authors writing in any language.

    The boss there is its president—a large creature of unstable, shifting form once called “human.” The world of his dedicated worker contains only the deck and the sea of mud surrounding it, and and the worker’s daily routine is anything but peaceful. A mosaic novel of extreme science and high weirdness, Sisyphean will change the way you see existence itself.A strange journey into the far future of genetic engineering, and working life. After centuries of tinkering, many human bodies only have a casual similarity to what we now know, but both work and school continue apace. Will the enigmatic sad sack known only as “the worker” survive the day? Will the young student Hanishibe get his questions about the biological future of humanity answered, or will he have to transfer to the department of theology? Will Umari and her master ever comprehend the secrets of nanodust?

    Children are so weak they can barely stand or walk: the only people with any get-go are the elderly. Mumei lives with his grandfather Yoshiro, who worries about him constantly. They carry on a day-to-day routine in what could be viewed as a post-Fukushima time, with all the children born ancient—frail and gray-haired, yet incredibly compassionate and wise. Mumei may be enfeebled and feverish, but he is a beacon of hope, full of wit and free of self-pity and pessimism. Yoshiro concentrates on nourishing Mumei, a strangely wonderful boy who offers “the beauty of the time that is yet to come.”A delightful, irrepressibly funny book, The Emissary is filled with light. Yoko Tawada, deftly turning inside-out “the curse,” defies gravity and creates a playful joyous novel out of a dystopian one, with a legerdemain uniquely her own.

    What kind of world have we made, where human beings can live centuries if only they can afford the fix? What kind of creatures have we become? The same as we always were, but keener.In the ancient heart of Oxford University, the ultra-rich celebrate their vastly extended lifespans. But a few surprises are in store for them. From Nina and Alex, Margo and Fidget, scruffy anarchists sharing living space with an ever-shifting cast of crusty punks and lost kids. And also from the scientist who invented the longevity treatment in the first place.Everything Belongs to the Future is a bloody-minded tale of time, betrayal, desperation, and hope that could only have been told by the inimitable Laurie Penny.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    Concerns about society, gender and imperialism dovetail irresistibly with flights of speculative wonder. And with a kitchen sink in the corner of even her wildest stories, Suzuki reminds us that while society may be limitless, relationships remain impossible

    These creatures live alongside humans in near-inconspicuousness—save their greenish skin, serrated earlobes, and strange birthmarks. Aided by her elusive former professor and his enigmatic assistant, our narrator sets off to document each beast, and is slowly drawn deeper into a mystery that threatens her very sense of self. Part detective story, part metaphysical enquiry, Strange Beasts of China engages existential questions of identity, humanity, love and morality with whimsy and stylistic verve.

    Humanity has migrated to domes at the bottom of the sea to escape devastating climate change. The world is dominated by powerful media conglomerates and runs on exploited cyborg labor. Momo prefers to keep to herself, and anyway she's too busy for other relationships: her clients include some of the city's best-known media personalities. But after meeting her estranged mother, she begins to explore her true identity, a journey that leads to questioning the bounds of gender, memory, self, and reality.First published in Taiwan in 1995, The Membranes is a classic of queer speculative fiction in Chinese. Chi Ta-wei weaves dystopian tropes--heirloom animals, radiation-proof combat drones, sinister surveillance technologies--into a sensitive portrait of one young woman's quest for self-understanding. Predicting everything from fitness tracking to social media saturation, this visionary and sublime novel stands out for its queer and trans themes. The Membranes reveals the diversity and originality of contemporary speculative fiction in Chinese, exploring gender and sexuality, technological domination, and regimes of capital, all while applying an unflinching self-reflexivity to the reader's own role. Ari Larissa Heinrich's translation brings Chi's hybrid punk sensibility to all readers interested in books that test the limits of where speculative fiction can go.

    Hundreds of years later Lilith awakes, deep in the hold of a massive alien spacecraft piloted by the Oankali—who arrived just in time to save humanity from extinction. They have kept Lilith and other survivors asleep for centuries, as they learned whatever they could about Earth. Now it is time for Lilith to lead them back to her home world, but life among the Oankali on the newly resettled planet will be nothing like it was before.The Oankali survive by genetically merging with primitive civilizations—whether their new hosts like it or not. For the first time since the nuclear holocaust, Earth will be inhabited. Grass will grow, animals will run, and people will learn to survive the planet’s untamed wilderness. But their children will not be human. Not exactly.

    Along the way a new aesthetic for the ‘Iraqi fantastical’ begins to emerge: thus we meet time-travelling angels, technophobic dictators, talking statues, macabre museum-worlds, even hovering tiger-droids, and all the time buoyed by a dark, inventive humour that, in itself, offers hope.

    She is promised a nicely furnished apartment inside the Unit, where she will make new friends, enjoy the state of the art recreation facilities, and live the few remaining days of her life in comfort with people who are just like her. Here, women over the age of fifty and men over sixty-single, childless, and without jobs in progressive industries--are sequestered for their final few years; they are considered outsiders.In the Unit they are expected to contribute themselves for drug and psychological testing, and ultimately donate their organs, little by little, until the final donation. Despite the ruthless nature of this practice, the ethos of this near-future society and the Unit is to take care of others, and Dorrit finds herself living under very pleasant conditions: well-housed, well-fed, and well-attended. She is resigned to her fate and discovers her days there to be rather consoling and peaceful.But when she meets a man inside the Unit and falls in love, the extraordinary becomes a reality and life suddenly turns unbearable. Dorrit is faced with compliance or escape, and...well, then what?

    Vanna, raised as an eloi but secretly intelligent, needs money to help her doll-like sister, who has disappeared. Vanna forms a friendship with a man named Jare, and they become involved in buying and selling a stimulant known to the Health Authority to be extremely dangerous: chili peppers. Then Jare comes across a strange religious cult in possession of the Core of the Sun, a chili so hot that it is rumored to cause hallucinations. Does this chili have effects that justify its prohibition? How did Finland turn into the North Korea of Europe? And will Vanna succeed in her quest to find her sister, or will her growing need to satisfy her chili addiction destroy her?Johanna Sinisalo’s tautly told story of fight and flight is also a feisty, between-the-lines social polemic—a witty, inventive, and fiendishly engaging read.

    She remains hopeful that a customer will soon choose her, but when the possibility emerges that her circumstances may change forever, Klara is warned not to invest too much in the promises of humans.In Klara and the Sun, Kazuo Ishiguro looks at our rapidly changing modern world through the eyes of an unforgettable narrator to explore a fundamental question: what does it mean to love?

    She doesn't know how or why, but she must flee India and return to Ethiopia, the place of her birth. Having long heard about The Trail -- an energy-harvesting bridge that spans the Arabian Sea -- she embarks on foot on this forbidden bridge, with its own subculture and rules. What awaits her in Ethiopia is unclear; she's hoping the journey will illuminate it for her.Mariama, a girl from a different time, is on a quest of her own. After witnessing her mother's rape, she joins up with a caravan of strangers heading across Saharan Africa. She meets Yemaya, a beautiful and enigmatic woman who becomes her protector and confidante. Yemaya tells Mariama of Ethiopia, where revolution is brewing and life will be better. Mariama hopes against hope that it offers much more than Yemaya ever promised.As one heads east and the other west, Meena and Mariama's fates will entwine in ways that are profoundly moving and shocking to the core. Vividly imagined and artfully told, written with stunning clarity and deep emotion, The Girl in the Road is a true tour de force.

    She has a wand and a transformation mirror. She might be a witch, or an alien from another planet. Together with her cousin Yuu, Natsuki spends her summers in the wild mountains of Nagano, dreaming of other worlds. When a terrible sequence of events threatens to part the two children forever, they make a promise: survive, no matter what. Now Natsuki is grown. She lives a quiet life with her asexual husband, surviving as best she can by pretending to be normal. But the demands of Natsuki's family are increasing, her friends wonder why she's still not pregnant, and dark shadows from Natsuki's childhood are pursuing her. Fleeing the suburbs for the mountains of her childhood, Natsuki prepares herself with a reunion with Yuu. Will he still remember their promise? And will he help her keep it?