When this apocalypse happens, the gods must battle the monsters--wolves the size of the sun, serpents that span the seabeds, all bent on destroying the world.The gods died a long time ago.Matt Thorsen knows every Norse myth, saga, and god as if it was family history--because it is family history. Most people in the modern-day town of Blackwell, South Dakota, in fact, are direct descendants of either Thor or Loki, including Matt's classmates Fen and Laurie Brekke.However, knowing the legends and completely believing them are two different things. When the rune readers reveal that Ragnarok is coming and kids--led by Matt--will stand in for the gods in the final battle, he can hardly believe it. Matt, Laurie, and Fen's lives will never be the same as they race to put together an unstoppable team to prevent the end of the world.

    Meanwhile, even though her English-professor mother insists that Emily is destined to become a poet (she named her after Emily Dickinson!), Emily secretly corresponds with her idol, romance writer Danielle Steel.As Publishers Weekly says, "Fitzmaurice's story deftly mingles Dickinson, Danielle Steel, a budding crush, and protesting tree sitters while maintaining suspense that leads to a satisfying ending."

    She receives help from ExtraOrdinary Wizard Septimus Heap and Ex–ExtraOrdinary Wizard Marcia Overstrand, but the Lady’s brother, the Darke Sorcerer Oraton-Marr, has a plan that will put everyone Tod holds dear in danger. To save her people, Tod must embrace her identity as a PathFinder and navigate the often dangerous Ancient Ways.Full of Angie Sage’s characteristic humor and heart, PathFinder celebrates the joy of discovering one’s own personal Magyk, and of choosing the path that lets that Magyk flourish and grow.Perfect for anyone who can’t get enough of the world of Septimus Heap!

    Luckily, Miss Penelope Lumley is no ordinary governess. Only fifteen years old and a recent graduate of the Swanburne Academy for Poor Bright Females, Penelope embraces the challenge of her new position. Though she is eager to instruct the children in Latin verbs and the proper use of globes, first she must help them overcome their canine tendencies. But mysteries abound at Ashton Place: Who are these three wild creatures, and how did they come to live in the vast forests of the estate? Why does Old Timothy, the coachman, lurk around every corner? Will Penelope be able to teach the Incorrigibles table manners and socially useful phrases in time for Lady Constance's holiday ball? And what on earth is a schottische?

       The Willoughby children—Timothy, twins Barnaby A and Barnaby B, and their sister Jane—are fond all old-fashioned things, but especially old-fashioned adventures. What they aren't fond of, however, are their parents. Truth be told, their parents aren't the fondest of them, either, and they're concocting an evil plan to get rid of their children once and for all!   Both parents and children have plenty of dastardly ideas and tricks up their sleeves. The only thing they don't have is any idea of what lies between them and a happily-ever-after.   Complete with a cheeky glossary and bibliography, this hilarious and wonderfully old-fashioned parody pays playful homage to classic works of children’s literature like Mary Poppins and A Christmas Carol.

    Which kind of monster is Sophie?Sophie is a monster expert. Thanks to her Big Book of Monsters and her vivid imagination, Sophie can identify the monsters in her school and neighborhood. Clearly, the bullies are trolls and goblins. Her nice neighbor must be a good witch, and Sophie’s new best friend is obviously a fairy. But what about Sophie? She’s convinced she is definitely a monster because of the “monster mark” on her face. At least that’s what she calls it. The doctors call it a blood tumor. Sophie tries to hide it but it covers almost half her face. And if she’s a monster on the outside, then she must be a monster on the inside, too.Being the new kid at school is hard. Being called a monster is even harder. Sophie knows that it’s only a matter of time before the other kids, the doctors, and even her mom figure it out. And then her mom will probably leave — just like her dad did.Because who would want to live with a real monster?

    But he is wrong. Uncle Jonathan and his next-door neighbor, Mrs. Zimmermann, are both magicians! Lewis is thrilled. At first, watching magic is enough. Then Lewis experiments with magic himself and unknowingly resurrects the former owner of the house: a woman named Selenna Izard. It seems that Selenna and her husband built a timepiece into the walls—a clock that could obliterate humankind. And only the Barnavelts can stop it!

    In a journal he calls The Miraculous, he records stories of the inexplicable and the extraordinary. These miracles fill Wunder with the feeling that he is not alone, that the world is magical, that he is part of something brighter than he can imagine.But then his newborn sister dies, at only eight days old. If that can happen, then miracles don’t exist. So Wunder gets rid of The Miraculous. And he stops believing.Then Wunder meets Faye—a cape-wearing, outspoken girl with losses of her own. Together, they find an abandoned house by the cemetery and the old woman who lives there—and who might be a witch. The old woman asks for Wunder and Faye’s help. She asks them to go through graveyards and forests, to townhalls and police stations, by bike and by train. She asks them to believe. And together, they go on a journey that leads them to friendship, to healing—and to miracles.THE MIRACULOUS is Jess Redman’s stunning debut about facing grief, trusting the unknown, and finding the brightness in the darkest moments.

    A shadow fox, spirit and animal in one. From the minute the cub opens her eyes, she senses something very wrong. Someone—Jules.Jules: steadfast like their father.Jules: supreme maker of tiny snow foxes.Jules: collector of rocks.Jules: heartbroken.Who is this Jules? Who is this Sylvie she cries out for? And why does the air still prickle with something unsettled? As that dark unknown grows, the fates of the girl Jules and the fox cub, laced together with wishes and shadowy ties, are about to collide.

    Clair is going to be a lawyer. She was the fastest girl in New York City. She knows everything there is to know about the brain. And now that she’s living in Crow, Iowa, she wants to ride into her first day of school on a cow named Willowdale Princess Deon Dawn. But Gwyn isn’t in Crow, Iowa, just for royal cows. Her family has moved there, where her parents grew up, in the hopes of jogging her mother Vienna’s memory. Vienna has been suffering from memory loss since Gwyn was four. She can no longer remember anything past the age of thirteen, not even that she has two young daughters. Gwyn’s father is obsessed with finding out everything he can to help his wife, but Gwyn’s focused on problems that seem a little more within her reach. Like proving that the very strange Gaysie Cutter who lives next door is behind the disappearance of her only friend, Wilbur Truesdale. Gwyn is sure she can crack the case, but when she does she finds that not all of her investigations lead her to the places she would have expected. In fact they might just lead her to learn about the mother she’s been doing her best to forget.

    It’ll be the trip of a lifetime! The tour leaves from the Blue Moon office at 11 p.m. sharp. Groups of seven only. No pets.When the Flints win the trip to Bell Hoot, they board Captain Bontoc’s Blue Moon Mobile with the expectation of a grand holiday. Then something terrible happens: Bea Flint’s little brother, Theo, disappears on the journey, and the peculiar Ledbetter clan of Bell Hoot, who call Theo the Hidden Boy, is more desperate than even Bea and her family to find him. Bea will have to trust herself and the weird and wise words of an old man called Arkadi in order to find Theo. In her search, she’ll discover that Bell Hoot is more than a vacation destination, a wish is no good unless you give it legs, and Mumbo Jumbo is much more than nonsense—it’s hidden potential that she can find within herself.Jon Berkeley sends readers on the adventure of a lifetime with this first installment of a saga about a mysterious place called Bell Hoot, where strange and wonderful things happen.

    No one likes Nick. He's big, he's weird and he smells – or so everyone in Frank's class thinks.And yet, there's something nice about Nick's house. There's strange music playing there, and it feels light and good and makes Frank feel happy for the first time in forever.But there's more to Nick, and to his house, than meets the eye, and soon Frank realises she isn't the only one keeping secrets. Or the only one who needs help …

    Cricket. Vole. Peter. Can four creatures from four very different Nations help one another find their ways in the world that can feel oh-so-big? Delve into this lush, unforgettable tale in the tradition of Charlotte’s Web and The Rats of NIMH, from the author of the New York Times bestselling Someday.Firefly doesn’t merely want to fly, she wants to touch the moon. Cricket doesn’t merely want to sing about baseball, he wants to catch. When these two little creatures with big dreams wander out of Firefly Hollow, refusing to listen to their elders, they find themselves face-to-face with the one creature they were always told to stay away from…a giant.But Peter is a Miniature Giant. They’ve always been told that a Miniature Giant is nothing but a Future Giant, but this one just isn’t quite as big or as scary as the other Giants. Peter has a dream of his own, as well as memories to escape. He is overwhelmed with sadness, and a summer with his new unlikely friends Firefly and Cricket might be just what he needs. Can these friends’ dreams help them overcome the past?Firefly Hollow is nothing short of enchanting, reminding us all that the very best friend is the one who wants you to achieve your dreams. Full-color tip-in illustrations and dozens of black-and-white drawing provide added glow.

    All he has left of Eddie is the journal his friend wrote stories in. Tristan is dreading the month he’s going to spend on his grandparents’ farm in Alabama, where he’s being sent to heal from the tragedy. But on his first night there, a sticky creature shows up in his bedroom and steals Eddie’s journal. Tristan chases after it — is that a doll? — and a tug-of-war ensues between them underneath a Bottle Tree. In a last attempt to wrestle the journal out of the creature’s hands, Tristan punches the tree, accidentally ripping open a chasm into the MidPass, a volatile place with a burning sea, haunted bone ships, and iron monsters that are hunting the inhabitants of this world. Tristan finds himself in the middle of a battle that has left black American gods John Henry and Brer Rabbit exhausted. In order to get back home, Tristan and these new allies will need to entice the god Anansi, the Weaver, to come out of hiding and seal the hole in the sky. But bartering with the trickster Anansi always comes at a price. Can Tristan save this world before he loses more of the things he loves?

    T. Anderson and Eugene Yelchin pair up for an anarchic, outlandish, and deeply political saga of warring elf and goblin kingdoms.Uptight elfin historian Brangwain Spurge is on a mission: survive being catapulted across the mountains into goblin territory, deliver a priceless peace offering to their mysterious dark lord, and spy on the goblin kingdom — from which no elf has returned alive in more than a hundred years. Brangwain’s host, the goblin archivist Werfel, is delighted to show Brangwain around. They should be the best of friends, but a series of extraordinary double crosses, blunders, and cultural misunderstandings throws these two bumbling scholars into the middle of an international crisis that may spell death for them — and war for their nations. Witty mixed media illustrations show Brangwain’s furtive missives back to the elf kingdom, while Werfel’s determinedly unbiased narrative tells an entirely different story. A hilarious and biting social commentary that could only come from the likes of National Book Award winner M. T. Anderson and Newbery Honoree Eugene Yelchin, this tale is rife with thrilling action and visual humor . . . and a comic disparity that suggests the ultimate victor in a war is perhaps not who won the battles, but who gets to write the history.