Telling the true stories of humanity at its worst, this collection is a veritable rogues gallery of history's villains from the degenerate Roman Emperors, through Count Dracula to Mike Tyson and Liberace. Covering the truly despicable to the merely nauseating, this book lifts the lid on the dastardly deeds that humans inflict on one another. From the most reviled murderers of all time, to the worst singers, artists, poets, sports stars and scientific theories of the modern era.

    The Gambler is a stunning psychological portrait of a young man's exhilarating and destructive addiction to gambling, a compulsion that Dostoevsky–who once gambled away his young wife's wedding ring–knew intimately from his own experience. In chronicling the disastrous love affairs and gambling adventures of Alexei Ivanovich, Dostoevsky explores the irresistible temptation to look into the abyss of ultimate risk that he believed was an essential part of the Russian national character.

    In simple but vivid detail, Velma Wallis depicts a landscape and way of life that are at once merciless and starkly beautiful. In her old women, she has created two heroines of steely determination whose story of betrayal, friendship, community and forgiveness "speaks straight to the heart with clarity, sweetness and wisdom" (Ursula K. Le Guin).

    Written before the emergence of the Internet but newly updated for the twenty-first century reader, A Gentle Madness captures that last moment in time when collectors frequented dusty bookshops, street stalls, and high-stakes auctions, conducting themselves with the subterfuge befitting a true bibliomaniac. A Gentle Madness is vividly anecdotal and thoroughly researched. Nicholas A. Basbanes brings an investigative reporter’s heart and instincts to the task of chronicling collectors past and present in pursuit of bibliomania. Now a classic of collecting, A Gentle Madness is a book lover’s delight.

    This compendium of early Japanese life provides a panorama of Japan during its formation.

    Margaret Forster's father was not a man to answer questions - least of all questions about life and death, so she attempts to answer them for herself. As Forster looks back at Arthur's life and indomitable character, she evokes incidents from her childhood, his working life and stubborn old age, trying to make sense of their largely unspoken relationship, and of his tenacious hold on life, and on his family. Arthur and Marion's lives were ordinary, and apparently unremarkable, but, when faced with death, lives like these become strangely precious.

    Some move toward the future heartened by what they learn from those around them--a tattoo artist, an invented medicine man, zoo animals, strangers, fellow outsiders. Deftly rendered, these stories abound with oddness and grace.In “Tattooizm,” included in The Best American Short Stories 2006, a young woman struggles with a promise that her boyfriend is determined to make her keep. In the Nelson Algren Award–winning “Space,” a reluctantly undertaken errand forces a young man to finally confront the death of his mother. And in “The Medicine Man,” hailed by the Times (U.K.) as “perfectly pitched and perfectly written,” a man recounts his manic attachment to his sister.Moffett’s closely observed stories are candid and complex, funny and moving. The world of Permanent Visitors is an idiosyncratic and generous one, its inhabitants searching for constancy in a place crowded with contradiction.

    Moving from memories of her gentle grandfather to her uncanny ability to attract stray animals, Siddons' intimate stories of her family are graced with the same poetic lilt and vibrant detail that have so wonderfully served her novels. For all those who know and love her works of fiction, John Chancellor Makes Me Cry is a glorious and thoroughly entertaining treat.

    In the course of the essay, Tolstoy shows different attempts to find answers on the examples of science, philosophy, eastern wisdom, and the opinions of his fellow novelists. . . . finding no workable solution in any of these, Tolstoy recognizes the deep religious convictions of ordinary people as containing the key to true answers. The first attempt at its publication took place in 1882 (Russkaya Mysl, No 5), but Tolstoy's work was removed virtually from the whole edition of the journal by Orthodox Church censorship. The text was later published in Geneva (1884), in Russia as late as 1906 (Vsemirnyj Vestnik, No 1).

    Yet many of these ideas, timely as ever, have been reimagined (indeed, are often now first encountered) not only in modern fiction, theater, film, and the news but also in the literature of psychology, sociology, political theory, business, medicine, and law.Marjorie Garber delves into ten plays to explore the interrelationships between Shakespeare and twentieth century and contemporary culture — from James Joyce’s Ulysses to George W. Bush’s reading list. In The Merchant of Venice, she looks at the question of intention; in Hamlet, the matter of character; in King Lear, the dream of sublimity; in Othello, the persistence of difference; and in Macbeth, the necessity of interpretation. She discusses the conundrum of man in The Tempest; the quest for exemplarity in Henry V; the problem of fact in Richard III; the estrangement of self in Coriolanus; and the untimeliness of youth in Romeo and Juliet.Shakespeare and Modern Culture is a tour de force reimagining of our own mental and emotional landscape as refracted through the prism of protean “Shakespeare.”

    The first collection of fifteen short stories by the popular tri-media personality.

    Some of these stories have possible explanations, but others remain unsolved mysteries. Case files present the facts, leaving readers to play detective. Haunting, black-and-white illustrations accompany each collection, sure to leave the bravest of mystery fans sleeping with the lights on.

    G. Wodehouse is recognized as the greatest English comic writers of the twentieth century, rightly admired throughout the world and translated into more than thirty languages. Launched on the twenty-fifth anniversary of his death, this series presents each Overlook Wodehouse as the finest edition of the master’s work ever published—beautifully designed and faithful to the original. This season, Overlook is pleased to offer the latest two hilarious volumes. Louder and Funnier is a collection of articles written for Vanity Fair, with subjects ranging from Shakespeare and divorce to income tax and ocean liners. The Prince and Betty is an engrossing, hilarious story of an unscrupulous millionaire and his plans to build a casino in the Mediterranean. Revised by Wodehouse after the initial publication, it features the master’s signature reflections on the rich in one of his classic novels.

    This unique anthology, with fourteen superb examples of her fiction, journalism, folklore, and autobiography, rightfully establishes her as the intellectual and spiritual leader of the next generation of black writers. The original commentary by Alice Walker and Mary Helen Washington, two African-American writers in the forefront of the Hurston revival, provide illuminating insights into Hurston—the writer, and the person—as well as into American social and cultural history.

    “They are both brilliantly original and outsiders,” the narrator tells us. “They are both besotted with mathematics. But for all their devotion, mathematics is indifferent, unaltered by any of their dramas . . . Against indifference, I want to tell their stories.” Which she does in a haunting, incantatory voice, the two lives unfolding in parallel narratives that overlap in the magnitude of each man’s achievement and demise: Gödel, delusional and paranoid, would starve himself to death; Turing, arrested for homosexual activities, would be driven to suicide. And they meet as well in the narrator’s mind, where facts are interwoven with her desire and determination to find meaning in the maze of their stories: two men devoted to truth of the highest abstract nature, yet unable to grasp the mundane truths of their own lives.A unique amalgam of luminous imagination and richly evoked historic character and event—A Madman Dreams of Turing Machines is a story about the pursuit of truth and its effect on the lives of two men. A story of genius and madness, incredible yet true.