At age nineteen in 1990s China, he feels pressure to follow suit with those around him and takes a job at the town’s saccharin factory. Slowly, he adjusts to the bureaucratic factory routine, making the best of the situation by bonding with coworkers, flirting with girls, and refusing to give in completely to the expectations of those around him.As Lu Xiaolu finds his way, a startling portrait of an economically expanding China comes into view; the propaganda of a common goal gives way to a bottom-line system that he sees as indifferent to individual happiness. But thanks to the relationships he develops, Lu Xiaolu decides to fight for the life he wants.

    Some stories have won awards; some have been included in various 'Year's Best' anthologies; some have been well reviewed by critics and readers; and some are simply Ken's personal favorites. Many of the authors collected here (with the obvious exception of Liu Cixin) belong to the younger generation of 'rising stars'.In addition, three essays at the end of the book explore Chinese science fiction. Liu Cixin's essay, The Worst of All Possible Universes and The Best of All Possible Earths, gives a historical overview of SF in China and situates his own rise to prominence as the premier Chinese author within that context. Chen Qiufan's The Torn Generation gives the view of a younger generation of authors trying to come to terms with the tumultuous transformations around them. Finally, Xia Jia, who holds the first Ph.D. issued for the study of Chinese SF, asks What Makes Chinese Science Fiction Chinese?.

    One of the greatest tragedies of the twentieth century, the famine is poorly understood, and in China is still euphemistically referred to as "the three years of natural disaster."As a journalist with privileged access to official and unofficial sources, Yang Jisheng spent twenty years piecing together the events that led to mass nationwide starvation, including the death of his own father. Finding no natural causes, Yang attributes responsibility for the deaths to China's totalitarian system and the refusal of officials at every level to value human life over ideology and self-interest.

    I Saw You As A Flower is a poetry collection that encompasses heartbreak, growth, and finding love. These poems are for those who love too deeply, for those who break too easily, and for those who continue to rise— time and time again. Ellen Everett's words enable readers to confront their deepest sorrows and piece together the parts that are broken. This is a story of heartbreak and love— but more importantly, a story of overcoming, empowerment, and survival.

    Mulberry is a young Chinese-American woman who has fled the turmoil of postwar China to settle in the United States. Unable to forget the terrors she has witnessed or to resolve the conflicts between her new life and her old, she copes by developing a second personality: the fearless, tough-talking, sexually uninhibited Peach. While Mulberry clings to her cultural and ethical roots, Peach renounces her past to embrace the American way of life with a vengeance.   These two women-both in flight-speak to their readers through an innovative narrative structure, combining journal entries, interior dialogue, letters, poetry, and myth. Mulberry's past-mainly her experiences during the Japanese occupation of China and the years of civil war between Communists and Nationalists-haunts the text. Separated from her family, she seeks refuge in the home of wealthy cousins, who try desperately to maintain their rigid traditions as warring forces close in around Peking and the house is systematically looted. Mulberry escapes downriver in a boat carrying a strange assortment of refugees. But her escape to Taiwan only brings new terrors: when her new husband is targeted by the police, Mulberry must go into hiding with him in a tiny attic room. There her young daughter who cannot remember life "outside", descends into a fantasy world of her own invention and unwittingly ensures her family's doom,   Mulberry's journal entires alternate with a series of letters from Peach to "the man from the USA immigration service." Peach has embarked on a cross-country journey in flight from possible deportation. Pregnant and penniless, she lives by her wits while taunting her pursuers and ridiculing her alter ego Mulberry, whom she seeks, finally, to conquer.   In Mulberry and Peach Hualing Nieh offers a rare perspective, through the eyes of a young refugee woman, of the upheavals of contemporary China (where the book was banned upon its first publication in 1976). Through her experimental, highly effective narrative, she also presents an unforgettable portrait of the pain of cultural dislocation and the anguish of psychological disintegration.

    Ten new poems introduce Prodigal, followed by fifty poems, culled from Gregerson's five collections, that range broadly in subject from class in America to our world's ravaged environment to the wonders of parenthood to the intersection of science and art to the passion of the Roman gods, and beyond. This selection reinforces Gregerson’s standing as “one of poetry’s mavens . . . whose poetics seek truth through the precise apprehension of the beautiful while never denying the importance of rationality” (Chicago Tribune). A brilliant stylist, known for her formal experiments as well as her perfected lines, Gregerson is a poet of great vision. Here, the growth of her art and the breadth of her interests offer a snapshot of a major poet's intellect in the midst of her career.

    99 to be exact. bleeding out to the backdrop of this new cartoon. a woodchuck in a tiny witch hat laughs at you, as you lay down, hands over your chest and think, 'perfect.' and a red light atop a powerline blinks in the distance to remind that there is no end, only one long try, deflate at your own pace. don't fight the freefall. 99 poems to cure whatever's wrong with you or create the problems you need. and yes, you need. im your fucking dad, honey. admit it, or we'll never get out of this alive.

    One by one, over a hundred men and women are forced by the harsh feudal officialdom to take to the hills. They band together and defeat every attempt of the government troops to crush them. Within this framework we find intrigue, adventure, murder, warfare, romance ... in a connected series of fascinating individual tales, told in the suspenseful manner of the traditional storyteller.

    Poetry for those wishing to know someone special while seeking the greater challenge to know themselves.

    Reflecting a new editorial approach, this volume demonstrates the breadth of Ted Berrigan's poetic accomplishments by presenting his most celebrated, interesting, and important work. This major second-wave New York School poet is often identified with his early poems, especially "The Sonnets, " but this selection encompasses his full poetic output, including the later sequences "Easter Monday" and "A Certain Slant of Sunlight, " as well as many of his uncollected poems. The Selected Poems of Ted Berrigan provides a new perspective for those already familiar with his remarkable wit and invention, and introduces new readers to what John Ashbery called the "crazy energy" of this iconoclastic, funny, brilliant, and highly innovative writer.Praise for" The Collected Poems of Ted Berrigan: ""This is a great, great book for all seasons of the mind and heart."--Robert Creeley"Thanks to this invaluable "Collected Poems, " one can hear, as never before, Ted Berrigan dreaming his dream."--"The Nation"""The Collected Poems of Ted Berrigan "is not only one of the most strikingly attractive books recently published, but is also a major work of 20th-century poetry. . . . It is a book that will darken with the grease of my hands. There is no better way to praise it than by saying, 'If you enjoy poetry, you should have it.'" --"Bloomsbury Review ""It's a must-have, a poetic knockout."--"Time Out New York"

    The light draws you in where you will find Caitlyn there digging. When you get close enough, she'll lean in & whisper, Baby, buried things will surface no matter what, get to them before they get to you first. Her unbounded love will propel you to pick up a shovel & help- even though the only thing you want to do is kiss her lips, kiss her hands, kiss every one of her stretch marks & the fire that is raging in pit of her stomach. She'll see your eyes made of devour & sadness, she'll hug you & say, Baby, if you eat me alive, I will cut my way out of your stomach. Don't let this be your funeral. Teach yourself to navigate the wound.

    This collection speaks of one's aching for the unknown, the desperate need to become known to ourselves, and just how healing love can be. Alison Malee writes of love, heartache, and healing with a truthful and delicate touch.This collection is for anyone who has ever felt lost and for those who were triumphant in finding themselves along the way.

    I quit trusting anything that anyone told me.My life was skidding into darkness at high speed, and I couldn't stop it.I didn't think that there was a man anywhere in the world who could love me.I was 22 years old and dead on the vine.I want to see a thousand lonely strangers dancing happily at my party.An international literary phenomenon - now available for the first time in English translation—Candy is a blast of sex, drugs, and rock 'n' roll that opens up to us a modern China we've never seen before.

    China's top martial arts novelist tells a thrilling story of an infamous bandit who allegedly kills without blinking, accentuated with a problematical romance filled with moral dilemmas.

    Even after he embarked on his masterful In Search of Lost Time at the age of thirty-eight, he never stopped writing poetry. His verse is often playful, filled with affection and satire, and is peppered with witty barbs at friends and people in his social circle of aristocrats, writers, musicians, and courtesans.            Few of the poems collected here under the editorship of Harold Augenbraum, founder of the Proust Society of America, have ever been published in book form or translated into English until now. In this dual-language edition of new translations, Augenbraum has brought together nineteen renowned poets and poetry translators to bring Proust's exuberant verse back to life.