A wonderful book that is funny, honest, fearless, and generous in its vulnerability. --Douglas Stuart, Booker Prize-winning author of Shuggie Bain There is absolutely no logical reason why I am here. The life trajectory my nationality and class and circumstances portended for me was not even remotely close to the one I now navigate. But logic is a science and living is an art. The release I felt in writing my first memoir, Not My Father's Son, was matched only by how my speaking out empowered so many to engage with their own trauma. I was reminded of the power of my words and the absolute duty of authenticity.But...No one ever fully recovers from their past. There is no cure for it. You just learn to manage and prioritize it. I believe the second you feel you have triumphed or overcome something - an abuse, an injury to the body or the mind, an addiction, a character flaw, a habit, a person - you have merely decided to stop being vigilant and embraced denial as your modus operandi. And that is what this book is about, and for: to remind you not to buy in to the Hollywood ending.Ironically maybe, much of Baggage chronicles my life in Hollywood and how, since I recovered from a nervous breakdown at 28, work has repeatedly whisked me away from personal calamities to sets and stages around the world. It is also about marriage(s): starting with the break-up of my first (to a woman) and ending with the ascension to my second (to a man) with many kissed toads in between! But in everything, each failed relationship or encounter with a legend (Liza! X Men! Gore Vidal! Kubrick! Spice Girls!), in every bad decision or moment of sensual joy I have endeavored to show what I have learned and how I've become who I am today: a happy, flawed, vulnerable, fearless middle-aged man, with a lot of baggage.

    Nic's had theatre friends and orchestra friends, but never just friend friends. And she's certainly never had a relationship.But on the very first day, she falls in with Katrina the Manic Computer Chick, Isaac the Nice-Guy-Despite-Himself, Kevin the Inarticulate Composer... and Battle.Battle Hall Davies is a beautiful blond dancer from North Carolina. She's everything Nic isn't. Soon the two are friends - and then, startlingly, more than friends. What do you do when you think you're attracted to guys, and then you meet a girl who steals your heart?

    The overachiever. The cheer captain. The dead girl.Like every high school in America, Jefferson-Lorne High contains all of the above.After the shocking murder of senior Emma Baines, three of her classmates are at the top of the suspect list: Claude, the notorious partier; Avery, the head cheerleader; and Gwen, the would-be valedictorian.Everyone has a label, whether they like it or not--and Emma was always known as a good girl. But appearances are never what they seem. And the truth behind what really happened to Emma may just be lying in plain sight. As long-buried secrets come to light, the clock is ticking to find Emma's killer--before another good girl goes down.

    For the first time in 25 years, the cast and crew of all five films in this franchise reveal the stories behind the movies, offering their own opinions and details about life on the sets of some of the most fraught productions in cinema history. Supported by dozens of cast and crew members, The Complete History of the Return of the Living Dead features hundreds of previously unreleased behind-the-scenes photographs and exclusive artwork. This eye-catching, comprehensive book is the ultimate celebration of The Return of the Living Dead franchise and all those who contributed to its creation.

    He has tapped archival materials and conducted dozens of interviews to present a life story filled with crucial new details: her hardships and struggles for recognition in 1920s Berlin; her transformation into a screen goddess; her entertainment of Allied troops during the World War II; and her stint as a nightclub singer in the 1950s. Spoto also includes accounts of her love affairs with Yul Brynner, Maurice Chevalier, Gary Cooper, Douglas Fairbanks, Jr, Eddie Fisher, general George S. Patton, Erich Maria Remarque, Frank Sinatra, and John Wayne.

    Allison; Cape Fear; The Longest Day; Farewell, My Lovely; and The Winds of War. Mitchum's powerful presence and simmering violence combined with hard-boiled humor and existential detachment to create a new style in movie acting: the screen's first hipster antihero-before Brando, James Dean, Elvis, or Eastwood-the inventor of big-screen cool.Robert Mitchum: "Baby, I Don't Care" is the first complete biography of Mitchum, and a book as big, colorful, and controversial as the star himself. Exhaustively researched, it makes use of thousands of rare documents from around the world and nearly two hundred in-depth interviews with Mitchum's family, friends, and associates (many going on record for the first time ever) ranging over his seventy-nine years of hard living. Written with great style, and vividly detailed, this is an intimate, comprehensive portrait of an amazing life, comic, tragic, daring, and outrageous.

    Suzanne Malherbe, a shy seventeen-year-old with a talent for drawing, is completely entranced by the brilliant but troubled Lucie Schwob, who comes from a family of wealthy Jewish intellectuals. They embark on a clandestine love affair, terrified they will be discovered, but then, in an astonishing twist of fate, the mother of one marries the father of the other. As “sisters” they are finally free of suspicion, and, hungry for a more stimulating milieu, they move to Paris at a moment when art, literature, and politics blend in an explosive cocktail.Having reinvented themselves as Claude Cahun and Marcel Moore, they move in the most glamorous social circles, meeting everyone from Hemingway and Dalí to André Breton, and produce provocative photographs that still seem avant-garde today. In the 1930s, with the rise of anti-Semitism and threat of fascism, they leave Paris for Jersey, and it is on this idyllic island that they confront their destiny, creating a campaign of propaganda against Hitler’s occupying forces that will put their lives in jeopardy.Brilliantly imagined, profoundly thought-provoking, and ultimately heartbreaking, Never Anyone But You infuses life into a forgotten history as only great literature can.

    Perfect for fans of The Walls Around Us and Bone Gap.Mercedes Moreno is an artist. At least, she thinks she could be, even though she hasn’t been able to paint anything worthwhile in the past year.Her lack of inspiration might be because her abuela is in a coma. Or the fact that Mercedes is in love with her best friend, Victoria, but is too afraid to admit her true feelings.Despite Mercedes’s creative block, art starts to show up in unexpected ways. A piano appears on her front lawn one morning, and a mysterious new neighbor invites Mercedes to paint with her at the Red Mangrove Estate.At the Estate, Mercedes can create in ways she hasn’t ever before. But Mercedes can’t take anything out of the Estate, including her new-found clarity. Mercedes can’t live both lives forever, and ultimately she must choose between this perfect world of art and truth and a much messier reality.“A dreamy and subtle work of art, The Gallery of Unfinished Girls explores love, family, and the maddening, magical drive to create art.”—Adi Alsaid, author of Let's Get Lost

    As an undergraduate at Columbia, he organized the school's first film society. Later, he even tried his own hand at filmmaking. But it was not until his ascent as a major essayist that Lopate found his truest and most lasting contribution to the medium. And, over the past twenty-five years, tackling subjects ranging from Visconti to Jerry Lewis, from the first New York Film Festival to the thirty-second, Phillip Lopate has made film his most cherished subject. Here, in one place, are the very best of these essays, a joy for anyone who loves movies.

    The film united Britain's leading actor, Laurence Olivier, with Hollywood's most glamorous sex symbol, Marilyn Monroe - and clashes between them entered film legend.For one glorious week, the world's biggest star sought comfort in the arms of the set's most junior employee. This is the frank, fresh and comic story of how Clark came to share Monroe's confidences - and her bed!This edition combines Colin Clark’s acclaimed 'The Prince, the Showgirl and Me' (191995) and his 'My Week with Marilyn' (2005).'More illuminating than the millions of words and pictures pumped out to expose or dish the dirt on the Monroe legend.' - Sunday TelegraphClark’s extraordinary experiences on and off set have now been turned into a major film starring Michelle Williams, Eddie Redmayne, Judi Dench, Emma Watson, Kenneth Branagh and Dominic Cooper.

    The critics initially disliked it, but the public loved it. And eventually, the film took its rightful place as one of the most innovative, brilliant, and pivotal works of modern cinema. The Making of 2001: A Space Odyssey consists of testimony from Kubrick's collaborators and commentary from critics and historians. This is the most complete book on the film to date--from Stanley Kubrick's first meeting with screenwriter Arthur C. Clarke to Kubrick's exhaustive research to the actual shooting and release of the movie.From the Trade Paperback edition.

    After all, Nat is a household name, the face of a dozen brands, and one of the most recognizable models on the planet. But she’s also a demon from Kate’s past.Nat is a wild-child, her antics frequently headlining gossip sites. She’s also a bully, one whose actions still sting Kate twenty years down the line. But the opportunity is too great to give up. Besides, there’s no way Nat will recognize Kate. Not after so long.Kate and Nat are inextricably linked by their past, and from the first click of the camera it’s clear that their futures are just as connected. But as feelings start to transform, and sparks start to fly, Kate can’t believe that time has changed Nat so much. And Nat’s relationship with hot-ticket actor Jake Allingham doesn’t help matters either.Once in a lifetime you meet the person that completes you. But what if that person is your worst enemy? Everything should be keeping them apart, yet Nat and Kate just can’t function without each other. Or can they?Fair of Face is the first in the Monday’s Child series of lesbian romance novels, and features a HEA ending. Monday’s Child books can be read independently and in any order.

    The first book on this legendary film figure in English, this highly visual biography details his fascinating life and career, featuring hundreds of film stills, posters, concept art, and delightful on-set photos of Tsuburaya prompting monsters to crush landmark buildings. A must-have for fans, this towering tribute also features profiles of Tsuburaya's film collaborators, details on his key films and shows (most available on DVD), and features on the enduring popularity of the characters he helped create.

    Produced by Turner Classic Movies, this playful and definitive guide to fifty unforgettable actresses mirrors the focus of a month-long film festival on the channel. The life and accomplishments of each actress is celebrated in an insightful career overview, accompanied by an annotated list of essential films, filmographies, behind the scenes facts and style notes, Academy Award wins and nominations. Full of delightful trivia, film stills, posters, and glamorous photos, Leading Ladies pays tribute to the most charismatic, enduring, and elegant actresses of the silver screen.

    Until now, there has been little scrutiny of that life. The reason: Woody viewed biographers as the Ebola plague, dangerous, uncontrollable contagions that might squish his public persona into mousse. Allen's prolific achievements are all but unparalleled in cinematic history. To fans, his films have always represented an ongoing autobiography, through which he has bared his self-deprecating overanalytical soul to the world. It was not until 1992, when his stormy private life turned into sensational headlines, that the cracks in the familiar persona appeared. The lines separating art and fact, myth and reality, public and private life, became increasingly blurred.Marion Meade has tracked down scores of people in Allen's life who have never before spoken to an Allen biographer: boyhood pals; Brooklyn neighbors and teachers; colleagues Buddy Hackett and Mel Brooks from his early career as a television writer and stand-up comic; actors Maureen Stapleton, Max von Sydow, and Bob Hope; director Sydney Pollack; and the film reviewers who have followed his career for decades -- Vincent Canby, Roger Ebert, Stanley Kauffmann, Andrew Sarris, and John Simon. She also details the numerous examples of art imitating life in Allen's films, particularly the extraordinary saga behind his marriage to the adopted daughter of his long-time lover, Mia Farrow.In reconstructing Allen's life, Meade explores the cult of celebrity in America -- how it is our own infatuation with the rich and famous that has made it possiblefor this supremely talented man to shrewdly manipulate both the media and the moviegoing public.