She's grown accustomed to her brother, Peyton, being the focus of the family’s attention and, lately, concern. Peyton is handsome and charismatic, but seems bent on self-destruction. Now, after a drunk-driving accident that crippled a boy, Peyton’s serving some serious jail time, and Sydney is on her own, questioning her place in the family and the world.Then she meets the Chatham family. Drawn into their warm, chaotic circle, Sydney experiences unquestioning acceptance for the first time. There’s effervescent Layla, who constantly falls for the wrong guy, Rosie, who’s had her own fall from grace, and Mrs. Chatham, who even though ailing is the heart of the family. But it’s with older brother Mac—quiet, watchful, and protective—that Sydney finally feels seen, really seen, at last.Saint Anything is Sarah Dessen’s deepest and most psychologically probing novel yet, telling an engrossing story of a girl discovering friendship, love, and herself.

    The night of the party is hazy at best. But she knows what Adam did to her twin sister, Grace, and she knows he had to pay for it.What Joy doesn’t expect is that someone else saw what happened. And one night a note is shoved through her open window, threatening Joy that all will be revealed. Now the anonymous blackmailer starts using Joy to expose the secrets of their placid hometown. And as the demands escalate, Joy must somehow uncover the blackmailer’s identity before Joy is forced to make a terrible choice.In this darkly compelling narrative, debut author Laura Tims explores the complicated relationship between two sisters, and what one will do for the other. It’s a story that will keep readers turning pages and questioning their own sense of right and wrong.

    . . as an assassin moves in.Maddie and Logan were torn apart by a kidnapping attempt when they were young. They were only kids -- Logan's dad was POTUS and Maddie's father was the Secret Service agent meant to guard him. The kidnappers were stopped -- but Maddie was whisked off to Alaska with her father, for satety. Maddie and Logan had been inseparable . . . but then she never heard from him again.Now it's a few years later. Maggie's a teenager, used to living a solitary life with her father. It's quiet -- until Logan is sent to join them. After all this time without word, Maddie has nothing to say to him -- until their outpost is attacked, and Logan is taken. They won't be out of the woods until they're . . . out of the woods, and Maddie's managed to thwart the foes and reconcile with Logan.

    After putting her own baby up for adoption, she goes looking for her biological family, including—Maya, her loudmouthed younger bio sister, who has a lot to say about their newfound family ties. Having grown up the snarky brunette in a house full of chipper redheads, she’s quick to search for traces of herself among these not-quite-strangers. And when her adopted family’s long-buried problems begin to explode to the surface, Maya can’t help but wonder where exactly it is that she belongs.And Joaquin, their stoic older bio brother, who has no interest in bonding over their shared biological mother. After seventeen years in the foster care system, he’s learned that there are no heroes, and secrets and fears are best kept close to the vest, where they can’t hurt anyone but him.

    Now all they have in common is Carlton High and the beginning of a very bad day.Type A Ivy lost a student council election to the class clown, and now she has to face the school, humiliated. Heartthrob Mateo is burned out--he's been working two jobs since his family's business failed. And outsider Cal just got stood up.... again.So when Cal pulls into campus late for class and runs into Ivy and Mateo, it seems like the perfect opportunity to turn a bad day around. They'll ditch and go into the city. Just the three of them, like old times. Except they've barely left the parking lot before they run out of things to say...Until they spot another Carlton High student skipping school--and follow him to the scene of his own murder. In one chance move, their day turns from dull to deadly. And it's about to get worse.It turns out Ivy, Mateo, and Cal still have some things in common. They all have a connection to the dead kid. And they're all hiding something.Now they're all wondering--could it be that their chance reconnection wasn't by chance after all?From the author of One of Us Is Lying comes a brand-new pulse-pounding thriller. It's Ferris Bueller's Day Off with murder when three old friends relive an epic ditch day, and it goes horribly--and fatally--wrong.

    But now, she doesn’t even know what tomorrow will look like.She was happy once. Remy had her boyfriend Jack, and Elise, her best friend—her soulmate—who understood her better than anyone else in the world.But now Jack is dead, shot through the chest—And it was Elise who pulled the trigger.Was it self-defense? Or something deeper, darker than anything Remy could have imagined? As the police investigate, Remy does the same, sifting through her own memories, looking for a scrap of truth that could save the friendship that means everything to her.Told in alternating timelines, Thelma and Louise meets Gone Girl in this twisted psychological thriller about the dark side of obsessive friendship.

    In the morning, all she can "remember" are events from her future. London is used to relying on reminder notes and a trusted friend to get through the day, but things get complicated when a new boy at school enters the picture. Luke Henry is not someone you'd easily forget, yet try as she might, London can't find him in her memories of things to come. When London starts experiencing disturbing flashbacks, or flash-forwards, as the case may be, she realizes it's time to learn about the past she keeps forgetting-before it destroys her future.

    It’s the story of how her parents met: he, a forensic pathologist, she, a mysterious woman who came to identify a body. A woman who left Imogene and her father when Imogene was a baby, a woman who was always possessed by a powerful loneliness, a woman who many referred to as “troubled waters.”Now Imogene is seventeen, and her father, a famous author of medical mysteries, has struck out in the middle of the night and hasn’t come back. Neither Imogene’s stepmother nor the police know where he could’ve gone, but Imogene is convinced he’s looking for her mother. And she decides it’s up to her to put to use the skills she’s gleaned from a lifetime of reading her father’s books to track down a woman she’s only known in stories in order to find him and, perhaps, the answer to the question she’s carried with her for her entire life.

    Over one long, hot summer, Lane experiences the benefits of being one of the rich and beautiful Roanoke girls.But what she doesn't know is being a Roanoke girl carries a terrible legacy: either the girls run, or they die. For there is darkness at the heart of Roanoke, and when Lane discovers its insidious pull, she must make her choice...

    She’d be watching old comedy sketches with him. She’d be kissing him in the library stacks.She certainly wouldn’t be at The Wooden Barn, a therapeutic boarding school in rural Vermont, living with a weird roommate, and signed up for an exclusive, mysterious class called Special Topics in English.But life isn’t fair, and Reeve Maxfield is dead.Until a journal-writing assignment leads Jam to Belzhar, where the untainted past is restored, and Jam can feel Reeve’s arms around her once again. But there are hidden truths on Jam’s path to reclaim her loss.From New York Times bestselling author Meg Wolitzer comes a breathtaking and surprising story about first love, deep sorrow, and the power of acceptance.

    She's found new friends and has even started to fall for mysterious outsider Ollie Larsson. But her past isn't far behind.Then, one by one, the students of Osborne Hugh begin to die in a series of gruesome murders, each with increasingly grotesque flair. As the terror grows closer and her feelings for Ollie intensify, Makani is forced to confront her own dark secrets.

    Toten delves into the mesmerizing yet dysfunctional world of those who manipulate but seem ever so charming. With its gripping pace and Hitchcockian twists, Beware That Girl will keep readers guessing until the very last line.The Haves. The Have-Nots. Kate O’Brian appears to be a Have-Not. Her whole life has been a series of setbacks she’s had to snake her way out of—some more sinister than others. But she’s determined to change that. She’s book smart. She’s street-smart. Oh, and she’s also a masterful liar.As the scholarship student at the Waverly School in NYC, Kate has her work cut out for her: her plan is to climb the social ladder and land a spot at Yale. She’s already found her “people” among the senior class “it” girls—specifically in the cosseted, mega-wealthy yet deeply damaged Olivia Sumner. As for Olivia, she considers Kate the best friend she’s always needed, the sister she never had. When the handsome and whip-smart Mark Redkin joins the Waverly administration, he immediately charms his way into the faculty’s and students’ lives—becoming especially close to Olivia, a fact she’s intent on keeping to herself. It becomes increasingly obvious that Redkin poses a threat to Kate, too, in a way she can’t reveal—and can’t afford to ignore. How close can Kate and Olivia get to Mark without having to share their dark pasts?

    Addison killed a baby.Allegedly. She didn’t say much in that first interview with detectives, and the media filled in the only blanks that mattered: A white baby had died while under the care of a churchgoing black woman and her nine-year-old daughter. The public convicted Mary and the jury made it official. But did she do it? She wouldn’t say.Mary survived six years in baby jail before being dumped in a group home. The house isn’t really “home”—no place where you fear for your life can be considered a home. Home is Ted, who she meets on assignment at a nursing home.There wasn’t a point to setting the record straight before, but now she’s got Ted—and their unborn child—to think about. When the state threatens to take her baby, Mary must find the voice to fight her past. And her fate lies in the hands of the one person she distrusts the most: her Momma. No one knows the real Momma. But who really knows the real Mary?

    I am a human being.”Actually Sarah is several human beings. At once. And only one of them is sixteen. Her parents insist she’s a gifted artist with a bright future, but now she can’t draw a thing, not even her own hand. Meanwhile, there’s a ten-year-old Sarah with a filthy mouth, a bad sunburn, and a clear memory of the family vacation in Mexico that ruined everything. She’s a ray of sunshine compared to twenty-three-year-old Sarah, who has snazzy highlights and a bad attitude. And then there’s forty-year-old Sarah (makes good queso dip, doesn’t wear a bra, really wants sixteen-year-old Sarah to tell the truth about her art teacher). They’re all wandering Philadelphia—along with a homeless artist allegedly named Earl—and they’re all worried about Sarah’s future.But Sarah’s future isn’t the problem. The present is where she might be having an existential crisis. Or maybe all those other Sarahs are trying to wake her up before she’s lost forever in the tornado of violence and denial that is her parents’ marriage.“I am a human being. I am sixteen years old. That should be enough.”

    Three years since my best friend, Sarah, was killed in a bathroom stall during the mass shooting. Everyone knows Sarah's story--that she died proclaiming her faith. But it's not true. I know because I was with her when she died. I didn't say anything then, and people got hurt because of it. Now Sarah's parents are publishing a book about her, so this might be my last chance to set the record straight . . . but I'm not the only survivor with a story to tell about what did--and didn't--happen that day. Except Sarah's martyrdom is important to a lot of people, people who don't take kindly to what I'm trying to do. And the more I learn, the less certain I am about what's right. I don't know what will be worse: the guilt of staying silent or the consequences of speaking up . . .