. . A man reading a mystery finds out too late that he is the murderer's victim . . . In the fifteen stories collected here—including "Blow-Up," which was the basis for Michelangelo Antonioni's film of the same name—Julio Cortazar explores the boundary where the everyday meets the mysterious, perhaps even the terrible.Axolotl House taken over Distances Idol of the Cyclades Letter to a young lady in Paris Yellow flower Continuity of parks Night face up Bestiary Gates of heaven Blow-up End of the game At your service Pursuer Secret weapons.

    She is an artist who evokes the wonder, terror, and heartache of her native Haiti--and the enduring strength of Haiti's women--with a vibrant imagery and narrative grace that bear witness to her people's suffering and courage.When Haitians tell a story, they say "Krik?" and the eager listeners answer "Krak!" In Krik? Krak! Danticat establishes herself as the latest heir to that narrative tradition with nine stories that encompass both the cruelties and the high ideals of Haitian life. They tell of women who continue loving behind prison walls and in the face of unfathomable loss; of a people who resist the brutality of their rulers through the powers of imagination. The result is a collection that outrages, saddens, and transports the reader with its sheer beauty.

    Italo Calvino once said about her, “I don’t know another writer who better captures the magic inside everyday rituals, the forbidden or hidden face that our mirrors don’t show us.” Thus Were Their Faces collects a wide range of Ocampo’s best short fiction and novella-length stories from her whole writing life. Stories about creepy doubles, a marble statue of a winged horse that speaks to a girl, a house of sugar that is the site of an eerie possession, children who lock their perverse mothers in a room and burn it, a lapdog who records the dreams of an old woman.Jorge Luis Borges wrote that the cruelty of Ocampo’s stories was the result of her nobility of soul, a judgment as paradoxical as much of her own writing. For her whole life Ocampo avoided the public eye, though since her death in 1993 her reputation has only continued to grow, like a magical forest. Dark, gothic, fantastic, and grotesque, these haunting stories are among the world’s finest.

    They casserole. They pinwheel. They pump the salad spinner like it's a CPR dummy. And then they kill a party crasher, carefully stepping around the body to pull cookies out of the oven. These twelve irresistible stories take us from a haunted prewar Manhattan apartment building to the set of a rigged reality television show, from the unique initiation ritual of a book club to the getaway car of a pageant princess on the lam, from the gallery opening of a tinfoil artist to the fitting room of a legendary lingerie shop. Vicious, fresh, and nutty as a poisoned Goo Goo Cluster, American Housewife is an uproarious, pointed commentary on womanhood.

    . . . Krauss’s depictions of the nuances of sex and love, intimacy and dependence, call to mind the work of Natalia Ginzburg in their psychological profundity, their intellectual rigor. . . . Krauss’s stories capture characters at moments in their lives when they’re hungry for experience and open to possibilities, and that openness extends to the stories themselves: narratives too urgent and alive for neat plotlines, simplistic resolutions or easy answers.”  —Molly Antopol, New York Times Book Review “From a contemporary master, an astounding collection of ten globetrotting stories, each one a powerful dissection of the thorny connections between men and women. . . . Each story is masterfully crafted and deeply contemplative, barreling toward a shimmering, inevitable conclusion, proving once again that Krauss is one of our most formidable talents in fiction.” — Esquire In one of her strongest works of fiction yet, Nicole Krauss plunges fearlessly into the struggle to understand what it is to be a man and what it is to be a woman, and the arising tensions that have existed from the very beginning of time. Set in our contemporary moment, and moving across the globe from Switzerland, Japan, and New York City to Tel Aviv, Los Angeles, and South America, the stories in To Be a Man feature male characters as fathers, lovers, friends, children, seducers, and even a lost husband who may never have been a husband at all. The way these stories mirror one other and resonate is beautiful, with a balance so finely tuned that the book almost feels like a novel. Echoes ring through stages of life: aging parents and new-born babies; young women’s coming of age and the newfound, somewhat bewildering sexual power that accompanies it; generational gaps and unexpected deliveries of strange new leases on life; mystery and wonder at a life lived or a future waiting to unfold. To Be a Man illuminates with a fierce, unwavering light the forces driving human existence: sex, power, violence, passion, self-discovery, growing older. Profound, poignant, and brilliant, Krauss’s stories are at once startling and deeply moving, but always revealing of all-too-human weakness and strength.

    Already an award-winning writer, ZZ Packer now shares with us her debut, Drinking Coffee Elsewhere. Her impressive range and talent are abundantly evident: Packer dazzles with her command of language, surprising and delighting us with unexpected turns and indelible images, as she takes us into the lives of characters on the periphery, unsure of where they belong. We meet a Brownie troop of black girls who are confronted with a troop of white girls; a young man who goes with his father to the Million Man March and must decides where his allegiance lies; an international group of drifters in Japan, who are starving, unable to find work; a girl in a Baltimore ghetto who has dreams of the larger world she has seen only on the screens in the television store nearby, where the Lithuanian shopkeeper holds out hope for attaining his own American Dream.With penetrating insight that belies her youth—she was only nineteen years old when Seventeen magazine printed her first published story—ZZ Packer helps us see the world with a clearer vision. Drinking Coffee Elsewhere is a striking performance—fresh, versatile, and captivating. It introduces us to an arresting and unforgettable new voice.Brownies --Every tongue shall confess --Our Lady of Peace --The ant of the self --Drinking coffee elsewhere --Speaking in tongues --Geese --Doris is coming

    Aghast at the failings of their bodies, this cast of misfit women and girls sets out to remedy the misdirection of their lives in bold and reckless ways. Figure skaters screw skate blades into the bones of their feet to master elusive jumps. A divorcee steals the severed arm of her ex to reclaim the fragments of a dissolved marriage. Following the advice of a fashion magazine, teenaged girls binge on grapes to dye their skin purple and attract prom dates. And a college freshman wages war on her roommate from Jupiter, who has inadvertently seduced all the boys in their dorm with her exotic hermaphroditic anatomy.But it isn’t just the characters who are in crisis. In Lungs Full of Noise, personal disasters mirror the dissolution of the natural world. Written in lyrical prose with imagination and humor, Tessa Mellas’s collection is an aviary of feathered stories that are rich, emotive, and imbued with the strength to suspend strange new worlds on delicate wings.

    edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

    An actor, phased out of Hollywood for his Communist ties during McCarthyism, tries to share a meaningful moment with his son. An Israeli soldier comes of age when his brother is maimed on their communal farm. A gallerist, swept up by the 1970s dissident art movement, begins smuggling paintings out of Moscow and curating underground shows in her Jerusalem home. This is a rare collection as accomplished at capturing our soaring triumphs as it is our crippling defeats--a hopeful reminder that we are all closer and more capable than we sometimes feel.

    In this debut collection of enormously perceptive and brutally unsentimental short stories, Parsons illuminates the ache of first love, the banality of self-loathing, the scourge of addiction, the myth of marriage, and the magic and inevitable disillusionment of childhood.Taking us from hot Texas highways to cold family kitchens, from the freedom of pay-by-the-hour motels to the claustrophobia of private school dorms, these stories erupt off the page with a primal howl—sharp-voiced, bitter, and wise. Black Light contains the type of storytelling that resonates somewhere deep, in the well of memory that repudiates nostalgia.

    In nine stories that range from the real to the unreal, strange to familiar, funny to frightening, Sarah Shun-lien Bynum reminds us why her wildly original debut, Madeleine Is Sleeping, and her masterful Ms. Hempel Chronicles have become contemporary classics--celebrated and beloved.In a nimble dance of lightness and gravity, Likes explores the full range and contradictions of our contemporary moment. Through unexpected visitors, Waldorf school fairs, aging indie-film stars, the struggle to gain a foothold in the capitalist shell-game of work, the Instagram posts of a twelve-year-old--these stories of friendship and parenthood, celebrity and obsession, race and class and the passage of time, form an engrossing collection that is both otherworldly and suffused with the deceitful humdrum of everyday life.For readers of Joy Williams, George Saunders, Lauren Groff, and Deborah Eisenberg, Likes helps us see into our unacknowledged desires and, in quick, artful, nearly invisible cuts, exposes the roots of our abiding terrors and delights.

    Monsters, real and imagined, external and internal, are the subject. They are us and we are them and Ballingrud's intense focus makes these stories incredibly intense and irresistible.These are love stories. And also monster stories. Sometimes these are monsters in their traditional guises, sometimes they wear the faces of parents, lovers, or ourselves. The often working-class people in these stories are driven to extremes by love. Sometimes, they are ruined; sometimes redeemed. All are faced with the loneliest corners of themselves and strive to find an escape.Nathan Ballingrud was born in Massachusetts but has spent most of his life in the South. He worked as a bartender in New Orleans and New York City and a cook on offshore oil rigs. His story "The Monsters of Heaven" won the inaugural Shirley Jackson Award. He lives in Asheville, North Carolina, with his daughter.

    M. Homes as one of the most provocative and daring writers of her generation. Here you'll find the cult classic A Real Doll, the tale of a teenage boy's erotic obsession with his sister's favorite doll; Adults Alone, which first introduced Paul and Elaine, the crack-smoking yuppie couple whose marriage careens out of control in Homes's novel Music for Torching; and Looking for Johnny, in which a kidnapped boy, having failed his abductor's expectations, is returned home. Brilliantly conceived, sharply etched, and exceptionally satisfying, these stories explore the American dream in ways you're not likely soon to forget. Working in Kodacolor hues, Homes offers an uncanny picture of a surreal suburbia-outrageous and utterly believable.

    An outsider builds a gingerbread house at the edge of an English village. A woman is seduced into buying special-offer babies at the supermarket. A father is reminded of his son as he watches the rescue of a group of Chilean miners. A little boy attempts to engineer a happily ever after following the death of his sister. With psychological insight and a lightness of touch frequently found in fairy tales, Bray delves under the surface of ordinary lives to explore loss, disappointment, frustrated expectations and regret. Described as ‘not just excellent, but significant,’ by poet and critic Robert Sheppard, these dark and lyrical stories illuminate extraordinary and everyday occurrences with humanity and humour.

    Dawkins reveals the idiosyncrasies, tedium, and desperation of long-term incarceration—he describes men who struggle to keep their souls alive despite the challenges they face. In “A Human Number,” a man spends his days collect-calling strangers just to hear the sounds of the outside world. In “573543,” an inmate recalls his descent into addiction as his prison softball team gears up for an annual tournament against another unit. In “Leche Quemada,” an inmate is released and finds freedom more complex and baffling then he expected. Dawkins’s stories are funny and sad, filled with unforgettable detail—the barter system based on calligraphy-ink tattoos, handmade cards, and cigarettes; a single dandelion smuggled in from the rec yard; candy made from powdered milk, water, sugar, and hot sauce. His characters are nuanced and sympathetic, despite their obvious flaws. The Graybar Hotel tells moving, human stories about men enduring impossible circumstances. Dawkins takes readers beyond the cells into characters’ pasts and memories and desires, into the unusual bonds that form during incarceration and the strained relationships with family members on the outside. He’s an extraordinary writer with a knack for metaphor, and this is a powerful compilation of stories that gives voice to the experience of perhaps the most overlooked members of our society.