The young couple falls under the spell of summer love, but not everyone approves. November's brother, Gabriel, is the keeper of the family's secret, and big brother is always watching, growing more sinister as his bloodlust gets the best of him. Directing his attention to Rocky's family, Gabriel aims to make sure little sister knows who is in charge.

    Until one day his desperate mother sells him to the mysterious Master of Mordew. The Master derives his magical power from feeding on the corpse of God. But Nathan, despite his fear and lowly station, has his own strength – and it is greater than the Master has ever known. Great enough to destroy everything the Master has built. If only Nathan can discover how to use it. So it is that the Master begins to scheme against him – and Nathan has to fight his way through the betrayals, secrets, and vendettas of the city where God was murdered, and darkness reigns… … WELCOME TO MORDEW – THE FIRST IN A MONUMENTAL NEW TRILOGY FROM THE WELLCOME BOOK PRIZE-SHORTLISTED AUTHOR, ALEX PHEBY

    He’s also a vampire. He lives alone and avoids the other vampires in L.A., but Pete’s simple life goes haywire when he falls for Angie, the cute bartender at a Sunset Strip dive -- and when sinister vampire lord Carson Fitzgerald returns to claim his children, Pete learns that nothing's ever easy for a creature of the night.

    no one.”Those were some of Rhode’s last words to me. The last time he would pronounce his love. The last time I would see his face.It was the first time in 592 years I could take a breath. Lay in the sun. Taste.Rhode sacrificed himself so I, Lenah Beaudonte, could be human again. So I could stop the blood lust. I never expected to fall in love with someone else that wasn’t Rhode.But Justin was... daring. Exciting. More beautiful than I could dream.I never expected to be sixteen again... then again, I never expected my past to come back and haunt me...

    and The Witching Hour begins.It begins in our time with a rescue at sea.  Rowan Mayfair, a beautiful woman, a brilliant practitioner of neurosurgery—aware that she has special powers but unaware that she comes from an ancient line of witches—finds the drowned body of a man off the coast of California and brings him to life.  He is Michael Curry, who was born in New Orleans and orphaned in childhood by fire on Christmas Eve, who pulled himself up from poverty, and who now, in his brief interval of death, has acquired a sensory power that mystifies and frightens him.As these two, fiercely drawn to each other, fall in love and—in passionate alliance—set out to solve the mystery of her past and his unwelcome gift, the novel moves backward and forward in time from today's New Orleans and San Francisco to long-ago Amsterdam and a château in the France of Louis XIV.  An intricate tale of evil unfolds—an evil unleashed in seventeenth-century Scotland, where the first "witch," Suzanne of the Mayfair, conjures up the spirit she names Lasher... a creation that spells her own destruction and torments each of her descendants in turn.From the coffee plantations of Port au Prince, where the great Mayfair fortune is made and the legacy of their dark power is almost destroyed, to Civil War New Orleans, as Julien—the clan's only male to be endowed with occult powers—provides for the dynasty its foothold in America, the dark, luminous story encompasses dramas of seduction and death, episodes of tenderness and healing.  And always—through peril and escape, tension and release—there swirl around us the echoes of eternal war: innocence versus the corruption of the spirit, sanity against madness, life against death.  With a dreamlike power, the novel draws us, through circuitous, twilight paths, to the present and Rowan's increasingly inspired and risky moves in the merciless game that binds her to her heritage. And in New Orleans, on Christmas Eve, this strangest of family sagas is brought to its startling climax.

    And die. Joey Peacock knows this as well as anybody—he has spent the last forty years as an adolescent vampire, perfecting the routine he now enjoys: womanizing in punk clubs and discotheques, feeding by night, and sleeping by day with others of his kind in the macabre labyrinth under the city’s sidewalks.The subways are his playground and his highway, shuttling him throughout Manhattan to bleed the unsuspecting in the Sheep Meadow of Central Park or in the backseats of Checker cabs, or even those in their own apartments who are too hypnotized by sitcoms to notice him opening their windows. It’s almost too easy.Until one night he sees them hunting on his beloved subway. The children with the merry eyes. Vampires, like him…or not like him. Whatever they are, whatever their appearance means, the undead in the tunnels of Manhattan are not as safe as they once were.And neither are the rest of us.

      One spring night in London, heiress Denise Thorne disappears while partying at a nightclub, never to be seen again. That very same night, Sonja Blue, a tough-as-nails punk vampire/vampire-slayer, conceived in terror and blood, is borne from the city’s gutters. Saved by modern medicine before she could die, she is a living vampire who still possesses a soul and is determined to fight for what remains of her humanity. In the years since her bizarre resurrection, Sonja Blue travels the globe, hunting down and disposing of those creatures that prey on the innocent while searching for the vampire Noble who created her. But when she investigates a sleazy televangelist named Catherine Wheele, who is exploiting Denise Thorne’s parents, Sonja finds herself up against a powerful inhuman adversary. But as dangerous as Catherine Wheele proves to be, Sonja’s greatest foe remains the Other, the demonic personality with whom she is locked in a constant battle for control of their shared body. Can Sonja Blue overcome her inner demon in time to rescue an innocent man from Catherine Wheele’s unholy clutches?    Acknowledged as one of the first Urban Fantasy novels, Sunglasses After Dark burst onto the fantasy/horror scene in 1989, garnering widespread critical praise and winning the Horror Writers Association’s coveted Bram Stoker Award, as well as the British Fantasy Society’s Icarus Award.

    She’s too busy stealing priceless art and rare jewels. But when the infuriatingly charming Ian Stott asks for help, Raylene finds him impossible to resist—even though Ian doesn’t want precious artifacts. He wants her to retrieve missing government files—documents that deal with the secret biological experiments that left Ian blind. What Raylene doesn’t bargain for is a case that takes her from the wilds of Minneapolis to the mean streets of Atlanta. And with a psychotic, power-hungry scientist on her trail, a kick-ass drag queen on her side, and Men in Black popping up at the most inconvenient moments, the case proves to be one hell of a ride.

    Bianca knows she doesn't fit in. Then she meets Lucas. He's not the "Evernight type" either, and he likes it that way. Lucas ignores the rules, stands up to the snobs, and warns Bianca to be careful—even when it comes to caring about him. "I couldn't stand it if they took it out on you," he tells Bianca, "and eventually they would." But the connection between Bianca and Lucas can't be denied. Bianca will risk anything to be with Lucas, but dark secrets are fated to tear them apart . . . and to make Bianca question everything she's ever believed.

    When Annelise meets dark and seductive Ronan, he promises her a new life-if she has the courage to chance the unknown. Now, she's whisked away to a mysterious island and pitted against other female recruits to become a Watcher-girls who are partnered with vampires and assist them in their missions. To survive and become a Watcher, Annelise has to beat out every other girl, but she's determined to do so, because to fail doesn't mean dishonor-it means death.

    Her world is suddenly upturned when Maanik, the daughter of India’s ambassador to the United Nations, starts speaking in tongues and having violent visions. Caitlin is sure that her fits have something to do with the recent assassination attempt on her father—a shooting that has escalated nuclear tensions between India and Pakistan to dangerous levels—but when teenagers around the world start having similar outbursts, Caitlin begins to think that there’s a more sinister force at work. In Haiti, a student claws at her throat, drowning on dry land. In Iran, a boy suddenly and inexplicably sets himself on fire. Animals, too, are acting irrationally, from rats in New York City to birds in South America to ordinary house pets. With Asia on the cusp of nuclear war, Caitlin must race across the globe to uncover the mystical links among these seemingly unrelated incidents in order to save her patient—and perhaps the world.

    The only thing greater than her thirst for human blood is her capacity for guilt. She does her best to avoid the human world, for everyone's sake.When Ava accidentally enslaves a human while saving him from a vampire, she realises she has to look for help setting him free. Despite her misgivings, she expands her world but finds herself dragged into a possible vampire civil war. With the help of some new friends with ambiguous loyalties, she tries to find a way to keep her human, and herself, alive.

    Rachaela worked in a bookstore, a conventional young woman, living a conventional life. Then they beckoned, using a variety of ruses to lure her to the house by the sea. Now she is a prisoner, part of a family of creatures she cannot escape, lover to a demon who thirsts for her blood.

    He works the graveyard shift. He has a poster of Bela Lugosi on his wall and a box of uneaten Count Chocula in his pantry. He drinks stem-cell-derived blood from cleverly packaged and marketed juice boxes. He is, in short, a vampire. But since his wildly successful scheme to turn as many mortals as possible into vampires -- "vamp" them rather than kill them -- resulted in a new immortal majority, Marty finds little of interest to fill his countless days. From the deeply imaginative mind of David Sosnowski -- who gave us the critically acclaimed junkie-angel classic Rapture -- bursts this neo-vampire novel studded with pint-size vampires known as "screamers" (children who were vamped and are none too happy about it); priest vampires who helped convert their flock into lifetime members of the Church; stripper vampires who lap-danced their way into customers' veins; and one very small, very outspoken human girl. When Marty decides to end his endless life of soul-crushing ennui -- call it vampire affluenza -- a three-foot blond obstacle is thrown in his path: Isuzu Trooper Cassidy, a refugee from a human hunting preserve. At first he thinks "midnight snack," but before the sun comes up, Isuzu is the one snacking on his prized cereal collection as she charms him into staying undead long enough to raise her in a world rife with danger and almost entirely populated by vampires yearning for the taste of real human blood. The critics applauded David Sosnowski when Rapture was published, saying he "staked out a patch of turf somewhere between Franz Kafka and Douglas Adams." Now with Vamped, Sosnowski takes on a time-honored genre and breathes new life into it by turning Martin Kowalski's vampire world upside down and telling his story with rich, masterful, and frequently hilarious prose.

    A manhunt ensues—though the authorities aren’t sure if it’s a man they should be looking for.Some suspect an escapee from the White Tower, a foreboding biotech facility owned by the Godfrey family—their personal fortune and the local economy having moved on from Pittsburgh steel—where, if rumors are true, biological experiments of the most unethical kind take place. Others turn to Peter Rumancek, a Gypsy trailer-trash kid who has told impressionable high school classmates that he’s a werewolf. Or perhaps it’s Roman, the son of the late JR Godfrey, who rules the adolescent social scene with the casual arrogance of a cold-blooded aristocrat, his superior status unquestioned despite his decidedly freakish sister, Shelley, whose monstrous medical conditions belie a sweet intelligence, and his otherworldly control freak of a mother, Olivia. At once a riveting mystery and a fascinating revelation of the grotesque and the darkness in us all, Hemlock Grove has the architecture and energy to become a classic in its own right—and Brian McGreevy the talent and ambition to enthrall us for years to come.