Based on little-known history, this timely book will strike a chord with readers of Fiona Davis, Tracey Lange, and Marie Benedict.Based on the true story of America’s only leper colony, The Second Life of Mirielle West brings vividly to life the Louisiana institution known as Carville, where thousands of people were stripped of their civil rights, branded as lepers, and forcibly quarantined throughout the entire 20th century. For Mirielle West, a 1920’s socialite married to a silent film star, the isolation and powerlessness of the Louisiana Leper Home is an unimaginable fall from her intoxicatingly chic life of bootlegged champagne and the star-studded parties of Hollywood’s Golden Age. When a doctor notices a pale patch of skin on her hand, she’s immediately branded a leper and carted hundreds of miles from home to Carville, taking a new name to spare her family and famous husband the shame that accompanies the disease.At first she hopes her exile will be brief, but those sent to Carville are more prisoners than patients and their disease has no cure. Instead she must find community and purpose within its walls, struggling to redefine her self-worth while fighting an unchosen fate.As a registered nurse, Amanda Skenandore’s medical background adds layers of detail and authenticity to the experiences of patients and medical professionals at Carville – the isolation, stigma, experimental treatments, and disparate community. A tale of repulsion, resilience, and the Roaring ‘20s, The Second Life of Mirielle West is also the story of a health crisis in America’s past, made all the more poignant by the author’s experiences during another, all-too-recent crisis.

    Angel Cortez has found... no matter the human cost.Because beneath the dirt and stone lies an ancient mystery, a secret history, and a warning of an implacable alien enemy. And if the warnings are true, then corporate mercenaries and Sea Dragon commandoes are the least of Chase’s worries.Can Sgt. Chase Weston and Dr. Evangeline Cortez uncover the mystery of the Sunkillers? Or will they just be the latest to die trying?

    Link has won an ardent following for her ability to take readers deep into an unforgettable, brilliantly constructed fictional universe with each new story. In “The Summer People,” a young girl in rural North Carolina serves as uneasy caretaker to the mysterious, never-quite-glimpsed visitors who inhabit the cottage behind her house. In “I Can See Right Through You,” a middle-aged movie star makes a disturbing trip to the Florida swamp where his former on- and off-screen love interest is shooting a ghost-hunting reality show. In “The New Boyfriend,” a suburban slumber party takes an unusual turn, and a teenage friendship is tested, when the spoiled birthday girl opens her big present: a life-size animated doll. Hurricanes, astronauts, evil twins, bootleggers, Ouija boards, iguanas, The Wizard of Oz, superheroes, the Pyramids...These are just some of the talismans of an imagination as capacious and as full of wonder as that of any writer today. But as fantastical as these stories can be, they are always grounded in sly humor and an innate generosity of feeling for the frailty--and the hidden strengths--of human beings. In Get in Trouble, this one-of-a-kind talent expands the boundaries of what short fiction can do.

    In “The View from Castle Rock,” the short story master Alice Munro imagines a fictional account of her Scottish ancestors’ emigration to Canada in 1818. Nathan Englander’s cast of young characters in “How We Avenged the Blums” confronts a bully dubbed “The Anti-Semite” to both comic and tragic ends. In “Refresh, Refresh,” Benjamin Percy gives a forceful, heart-wrenching look at a young man’s choices when his father -- along with most of the men in his small town -- is deployed to Iraq. Yiyun Li’s “After a Life” reveals secrets, hidden shame, and cultural change in modern China. And in “Tatooizm,” Kevin Moffett weaves a story full of humor and humanity about a young couple’s relationship that has run its course.Ann Patchett “brought unprecedented enthusiasm and judiciousness [to The Best American Short Stories 2006],” writes Katrina Kenison in her foreword, “and she is, surely, every story writer’s ideal reader, eager to love, slow to fault, exquisitely attentive to the text and all that lies beneath it.”

    Interwoven with themes of brutality and faith, guilt and fear, helplessness and survival, the characters in these stories struggle to make meaning out of chaos. In "Redeployment", a soldier who has had to shoot dogs because they were eating human corpses must learn what it is like to return to domestic life in suburbia, surrounded by people "who have no idea where Fallujah is, where three members of your platoon died." In "After Action Report", a Lance Corporal seeks expiation for a killing he didn't commit, in order that his best friend will be unburdened. A Morturary Affairs Marine tells about his experiences collecting remains - of U.S. and Iraqi soldiers both. A chaplain sees his understanding of Christianity, and his ability to provide solace through religion, tested by the actions of a ferocious Colonel. And in the darkly comic "Money as a Weapons System", a young Foreign Service Officer is given the absurd task of helping Iraqis improve their lives by teaching them to play baseball. These stories reveal the intricate combination of monotony, bureaucracy, comradeship and violence that make up a soldier's daily life at war, and the isolation, remorse, and despair that can accompany a soldier's homecoming. Redeployment is poised to become a classic in the tradition of war writing. Across nations and continents, Klay sets in devastating relief the two worlds a soldier inhabits: one of extremes and one of loss. Written with a hard-eyed realism and stunning emotional depth, this work marks Phil Klay as one of the most talented new voices of his generation.

    You learn too much. And you learn to move quietly through your own small domain. You also know when the men are gone. No more boots stomping above, no more football games turned up too high, and, best of all, no more front doors slamming before dawn as they trudge out for their early formation, sneakers on metal stairs, cars starting, shouts to the windows above to throw them down their gloves on cold desert mornings. Babies still cry, telephones ring, Saturday morning cartoons screech, but without the men, there is a sense of muted silence, a sense of muted life. There is an army of women waiting for their men to return in Fort Hood, Texas. Through a series of loosely interconnected stories, Siobhan Fallon takes readers onto the base, inside the homes, into the marriages and families-intimate places not seen in newspaper articles or politicians' speeches. When you leave Fort Hood, the sign above the gate warns, You've Survived the War, Now Survive the Homecoming. It is eerily prescient.

    “If you know exactly what you are going to get from the experience of reading a story, you probably wouldn’t go looking for it; you need, in order to be an open reader of fiction, to be willing. To cast a vote for what you love and then wait for the outcome,” writes Meg Wolitzer in her introduction. The Best American Short Stories 2017 casts a vote for and celebrates all that is our country. Here you’ll find a man with a boyfriend and a girlfriend, naval officers trapped on a submarine, a contestant on America’s Funniest Home Videos, and a gay man desperate to be a father—unforgettable characters waiting for an outcome, burning with stories to tell.Maidencane / Chad B. Anderson --Are we not men? / T.C. Boyle --God's work / Kevin Canty --A small sacrifice for an enormous happiness / Jai Chakrabarti --Arcadia / Emma Cline --Hog for sorrow / Leopoldine Core --Campoamor / Patricia Engel --Richard of York gave battle in vain / Danielle Evans --Ugly / Mary Gordon --The midnight zone / Lauren Groff --The Chicane / Amy Hempel --Tally / Noy Holland --Gabe Dove / Sonya Larson --Let's go to the videotape / Fiona Maazel --Ancient Rome / Kyle McCarthy --Last day on earth / Eric Puchner --Novostroïka / Maria Reva --Telemachus / Jim Shepherd --Gender Studies / Curtis Sittenfeld --Famous actor / Jess Walter

    'Let me buy you a cup of tea... what are you doing in England?' 'Do these children of yours speak any Luganda?' 'Did you know that man Idi Amin?' But perhaps the most difficult question of all is the one they ask themselves: 'You mean this is England?' Told with empathy, humour and compassion, these vibrant, kaleidoscopic stories re-imagine the journey of Ugandans who choose to make England their home. Weaving between Manchester and Kampala, this dazzling, polyphonic collection will captivate anyone who has ever wondered what it means to truly belong.

    But when her beloved grandmother passes away and she loses her job at the local library, Jess' life is turned upside down.Determined to pick up the pieces, Jess decides it's time for a new beginning. Unable to part with her grandmother's cherished books, she packs them all up and moves to a tiny cottage in the English countryside. To her surprise, Jess discovers that she's now the owner of an old red phone box that was left on the property. Missing her job at the local library, Jess decides to give back to her new community--using her grandmother's collection to turn the ordinary phone box into the littlest library in England.It's not long before the books are borrowed and begin to work their literary magic--bringing the villagers together... and managing to draw Jess' grumpy but handsome neighbor out of his shell.Maybe it's finally time for Jess to follow her heart, let go of her old life, and make the village her home? But will she be able to take the leap?

    Extraordinarily educated and quick-witted, she is being groomed by her uncle to become an abbess in the service of God. But with one encounter, her destiny changes forever. Pierre Abelard, headmaster at the Nôtre Dame Cloister School, is acclaimed as one of the greatest philosophers in France. His controversial reputation only adds to his allure, yet despite the legions of women swooning over his poetry and dashing looks, he is captivated by the brilliant Heloise alone. As their relationship blossoms from a meeting of the minds to a forbidden love affair, both Heloise and Abelard must choose between love, duty, and ambition.Sherry Jones weaves the lovers’ own words into an evocative account of desire and sacrifice. As intimate as it is erotic, as devastating as it is beautiful, The Sharp Hook of Love is a poignant, tender tribute to one of history’s greatest romances, and to love’s power to transform and endure.

    . . Hilarious and poignant."--Entertainment Weekly Bream Gives Me Hiccups: And Other Stories is the whip-smart fiction debut of Academy Award-nominated actor Jesse Eisenberg. Known for his iconic film roles but also for his regular pieces in the New Yorker and his two critically acclaimed plays, Eisenberg is an emerging literary voice.Taking its title from a group of stories that begin the book, Bream Gives Me Hiccups moves from contemporary L.A. to the dorm rooms of an American college to ancient Pompeii, throwing the reader into a universe of social misfits, reimagined scenes from history, and ridiculous overreactions. In one piece, a tense email exchange between a young man and his girlfriend is taken over by his sister, who is obsessed with the Bosnian genocide (The situation reminds me of a little historical blip called the Karadordevo agreement); in another, a college freshman forced to live with a roommate is stunned when one of her ramen packets goes missing (she didn't have "one" of my ramens. She had a chicken ramen); in another piece, Alexander Graham Bell has teething problems with his invention (I've been calling Mabel all day, she doesn't pick up! Yes, of course I dialed the right number - 2!).United by Eisenberg's gift for humor and character, and grouped into chapters that open with illustrations by award-winning cartoonist Jean Jullien, the witty pieces collected in Bream Gives Me Hiccups explore the various insanities of the modern world, and mark the arrival of a fantastically funny, self-ironic, and original voice.

    The earliest stories are Rebecca Harding Davis' naturalistic "Life in the Iron Mills" (published in 1861 and predating Émile Zola's Germinal by almost 25 years) and Louisa May Alcott's semiautobiographical tale "Transcendental Wild Oats" (1873). The most recent ones are Zora Neale Hurston's "Sweat," an ironic tale of contested loyalty.In between is a grand cavalcade of superbly crafted fiction by Sarah Orne Jewett, Mary E. Wilkins Freeman, Charlotte Perkins Gilman, Kate Chopin, Willa Cather, Alice Dunbar-Nelson, Djuna Barnes, Susan Glaspell and Edith Wharton. Brief biographies of each of the writers are included.

    For the way in which the affair was dropped upon my doorstep left me with little choice as to the contrary. Not twelve months prior, the siren’s call of quiet domesticity and married life had robbed me of Watson’s assistance as both partner and recorder of my cases. Thus, when detective inspector Lestrade of Scotland Yard required a lead—any lead—I found myself forced to pursue Jack the Ripper alone and without the aid of my faithful friend. And all for the most damnedable of reasons:Early on in my investigations, Dr. John H. Watson, formerly of 221b Baker Street, emerged as my prime suspect.

    The gossip comes to an abrupt halt when five-year-old Billy Barnes goes missing on his walk home from kindergarten. Billy’s mother, Rachel, blames herself for being at work and letting her only child walk alone. Cassidy, Billy’s teenage babysitter, was also late to arrive on the afternoon he disappeared and blames herself for his disappearance. As the clock ticks down, police are unable to find any trace of Billy, forcing Rachel to ponder the enemies she’s made in their well-off suburb. Could it be one of her neighbors who stole her son? Would they abduct Billy to hurt her? How easy would it be to take a child while the parents or nannies are distracted? When another child goes missing, the town is put under a microscope as the police try to get to the bottom of the disappearances. Will they be able to find the two children, or will it be too late? What secrets lie at the heart of this tragedy, and how far will one go to keep those dangerous secrets buried?

    They are led to believe that here they will leave behind all the distractions of 'real life' that are keeping them from creating the masterpiece that is in them. But 'here' turns out to be a cavernous and ornate old theater where they are utterly isolated from the outside world - and where heat and power and, most importantly, food are in increasingly short supply. And the more desperate the circumstances become, the more desperate the stories they tell - and the more devious their machinations to make themselves the hero of the inevitable play/movie/non-fiction blockbuster that will certainly be made from their plight.