Planning to remain only a few days, he is drawn into the tragic legacy of his childhood friend and beautiful girl next door, Eden Close. An adopted child, Eden had learned to avoid the mother who did not want her and to please the father who did. She also aimed to please Andrew and his friends, first by being one of the boys and later by seducing them. Then one hot night, Andrew was awakened by gunshots and piercing screams from the next farm: Mr. Close had been killed and Eden blinded.Now, seventeen years later, Andrew begins to uncover the grisly story––to unravel the layers of thwarted love between the husband, wife, and tormented girl. And as the truth about Eden's past comes to light, so too does Andrew's strange and binding attachment to her reveal itself.

    Taking off in Enzio’s ’62 Impala, she retreats to the Bronx home of her estranged daughter, Adrienne, and her granddaughter, Lucia, only to be turned away by Adrienne at the door. Their neighbor, Lacey “Wolfie” Wolfstein, a one-time Golden Age porn star and retired Florida Suncoast grifter, takes Rena in and befriends her.When Lucia discovers that Adrienne is planning to hit the road with her ex-boyfriend Richie, she figures Rena’s her only way out of a life on the run with a mother she can’t stand. But Richie has massacred a few members of the Brancaccio crime family for a big payday, and he drags even more trouble into the mix in the form of an unhinged enforcer named Crea. The stage is set for an explosion that will propel Rena, Wolfie, and Lucia down a strange path, each woman running from something and unsure what comes next.A Friend Is a Gift You Give Yourself is a screwball noir about finding friendship and family where you least expect it, in which William Boyle again draws readers into the familiar—and sometimes frightening—world in the shadows at the edges of New York’s neighborhoods.

    Bucking under the weight of being a single parent―her Turkish husband is unable to return to the United States because of a “processing error”―Daphne takes refuge in a mobile home left to her by her grandparents in hopes that the quiet will bring clarity.But clarity proves elusive. Over the next ten days Daphne is anxious, she behaves a little erratically, she drinks too much. She wanders the town looking for anyone and anything to punctuate the long hours alone with the baby. Among others, she meets Cindy, a neighbor who is active in a secessionist movement, and befriends the elderly Alice, who has traveled to Altavista as she approaches the end of her life. When her relationships with these women culminate in a dangerous standoff, Daphne must reconcile her inner narrative with the reality of a deeply divided world.Keenly observed, bristling with humor, and set against the beauty of a little-known part of California, The Golden State is about class and cultural breakdowns, and desperate attempts to bridge old and new worlds. But more than anything, it is about motherhood: its voracious worry, frequent tedium, and enthralling, wondrous love.

    As she mourns the recent death of her mother, she doesn’t realize that on Christmas Eve she is about to have the most extraordinary day—and night—of her life. After bravely facing down mean-spirited classmates and rejection at school, Madeleine doggedly searches for Philadelphia's legendary jazz club The Cat's Pajamas, where she’s determined to make her on-stage debut. On the same day, her fifth grade teacher Sarina Greene, who’s just moved back to Philly after a divorce, is nervously looking forward to a dinner party that will reunite her with an old high school crush, afraid to hope that sparks might fly again. And across town at The Cat's Pajamas, club owner Lorca discovers that his beloved haunt may have to close forever, unless someone can find a way to quickly raise the $30,000 that would save it. As these three lost souls search for love, music and hope on the snow-covered streets of Philadelphia, together they will discover life’s endless possibilities over the course of one magical night. A vivacious, charming and moving debut, 2 Am At The Cat's Pajamas will capture your heart and have you laughing out loud.

    Two cousins, irreversibly damaged by a childhood prank, reunite twenty years later to renovate a medieval castle in Eastern Europe. In an environment of extreme paranoia, cut off from the outside world, the men reenact the signal event of their youth, with even more catastrophic results. And as the full horror of their predicament unfolds, a prisoner, in jail for an unnamed crime, recounts an unforgettable story that seamlessly brings the crimes of the past and present into piercing relation.

    At the start of summer, a lonely and thoughtful teenager, Evie Boyd, sees a group of girls in the park, and is immediately caught by their freedom, their careless dress, their dangerous aura of abandon. Soon, Evie is in thrall to Suzanne, a mesmerizing older girl, and is drawn into the circle of a soon-to-be infamous cult and the man who is its charismatic leader. Hidden in the hills, their sprawling ranch is eerie and run down, but to Evie, it is exotic, thrilling, charged—a place where she feels desperate to be accepted. As she spends more time away from her mother and the rhythms of her daily life, and as her obsession with Suzanne intensifies, Evie does not realize she is coming closer and closer to unthinkable violence, and to that moment in a girl’s life when everything can go horribly wrong.

    Olivia Laguni is half-Chinese, but typically American in her uneasiness with her patchwork family. And no one in Olivia's family is more embarrassing to her than her half-sister, Kwan Li. For Kwan speaks mangled English, is cheerfully deaf to Olivia's sarcasm, and sees the dead with her "yin eyes."Even as Olivia details the particulars of her decades-long grudge against her sister (who, among other things, is a source of infuriatingly good advice), Kwan Li is telling her own story, one that sweeps us into the splendor, squalor, and violence of Manchu China. And out of the friction between her narrators, Amy Tan creates a work that illuminates both the present and the past sweetly, sadly, hilariously, with searing and vivid prose.

    Sandy Pressman is a nice suburban wife whose boredom is getting the best of her. She could be making friends at the club, like her husband keeps encouraging her to do.Or working on her golf game.Or getting her hair done.But for some reason, these things don't interest her as much as the naked man on the motorcycle...

    After escaping the Texas brothel where she'd been a virtual prisoner, Lucinda Carter heads for Middle Bayou to meet her lover, who has a plan to make them both rich, chasing rumors of a pirate's buried treasure. Meanwhile Nate Cannon, a young Texas policeman with a pure heart and a strong sense of justice, is on the hunt for a ruthless killer named McGill who has claimed the lives of men, women, and even children across the frontier. Who--if anyone--will survive when their paths finally cross? As Lucinda and Nate's stories converge, guns are drawn, debts are paid, and Kathleen Kent delivers an unforgettable portrait of a woman who will stop at nothing to make a new life for herself.

    “We are always telling a story to ourselves, about ourselves,” Dustin Tillman likes to say. It’s one of the little mantras he shares with his patients, and it’s meant to be reassuring. But what if that story is a lie?A psychologist in suburban Cleveland, Dustin is drifting through his forties when he hears the news: His adopted brother, Rusty, is being released from prison. Thirty years ago, Rusty received a life sentence for the massacre of Dustin’s parents, aunt, and uncle. The trial came to symbolize the 1980s hysteria over Satanic cults; despite the lack of physical evidence, the jury believed the outlandish accusations Dustin and his cousin made against Rusty. Now, after DNA analysis has overturned the conviction, Dustin braces for a reckoning.Meanwhile, one of Dustin’s patients gets him deeply engaged in a string of drowning deaths involving drunk college boys. At first Dustin dismisses talk of a serial killer as paranoid thinking, but as he gets wrapped up in their amateur investigation, Dustin starts to believe that there’s more to the deaths than coincidence. Soon he becomes obsessed, crossing all professional boundaries—and putting his own family in harm’s way.From one of today’s most renowned practitioners of literary suspense, Ill Will is an intimate thriller about the failures of memory and the perils of self-deception. In Dan Chaon’s nimble, chilling prose, the past looms over the present, turning each into a haunted place.

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    George's, befriends her. But even as their relationship develops, so too does another: Sheba has begun an illicit affair with an underage male student. When the scandal turns into a media circus, Barbara decides to write an account in her friend's defense—and ends up revealing not only Sheba's secrets, but also her own.

    While sixteen-year-old Rye yearns for a steady job and a home, his older brother, Gig, dreams of a better world, fighting alongside other union men for fair pay and decent treatment. Enter Ursula the Great, a vaudeville singer who performs with a live cougar and introduces the brothers to a far more dangerous creature: a mining magnate determined to keep his wealth and his hold on Ursula.Dubious of Gig’s idealism, Rye finds himself drawn to a fearless nineteen-year-old activist and feminist named Elizabeth Gurley Flynn. But a storm is coming, threatening to overwhelm them all, and Rye will be forced to decide where he stands. Is it enough to win the occasional battle, even if you cannot win the war?An intimate story of brotherhood, love, sacrifice, and betrayal set against the panoramic backdrop of an early twentieth-century America that eerily echoes our own time, The Cold Millions offers a kaleidoscopic portrait of a nation grappling with the chasm between rich and poor, between harsh realities and simple dreams. Featuring an unforgettable cast of cops and tramps, suffragists and socialists, madams and murderers, it is a tour de force from a “writer who has planted himself firmly in the first rank of American authors” (Boston Globe

    His second chance lies in a small Nebraska farm town, where the landmarks include McKibben's Mobil Station, Frmka's Superette, and a sign that says The Wages of Sin is Hell. This is Goodnight, a place so ingrown and provincial that Randall calls it "Sludgeville"-until he starts thinking of it as home. In this pitch-perfect novel, Tom McNeal explores the currents of hope, passion, and cruelty beneath the surface of the American heartland. In  Randall, McNeal creates an outcast whose redemption lies in Goodnight, a strange, small, but ultimately embracing community where Randall will inspire fear and adulation, win the love of a beautiful girl and nearly throw it all away.

    At the heart of this story is Ruth Anne Boatwright, known simply as Bone, a bastard child who observes the world around her with a mercilessly keen perspective. When her stepfather Daddy Glen, "cold as death, mean as a snake," becomes increasingly more vicious toward her, Bone finds herself caught in a family triangle that tests the loyalty of her mother, Anney—and leads to a final, harrowing encounter from which there can be no turning back.