Her feet hop from place to place; her exotic experiences are filling the pages faster than stamps on her passport. Someday, she aspires to land a big-time publishing deal.At a stopover in Atlanta, she is shocked to discover the body of a local businessman, Peter, dumped in a camp in the outskirts of the city. For the first time, her wings are clipped as the lead detective; Brian Johnston launches an investigation into Peter’s death – firmly suspecting that cause of death was murder.Patricia and Brian band together in his murder investigation, slowly uncovering leads to a shady underbelly behind Peter’s flashy ‘successful’ exterior, and the illicit dealings he was determined to keep from prying eyes. As the details begin to piece together, someone intends to step in and silence them. By any means necessary.

    But never drama with "the family." When a member of the mob shows up on her elderly neighbor's wedding day, Annabelle is surprised. But she's even more surprised when she learns the truth about Leatrice's past. To add insult to injury, Annabelle is one of the bridesmaids and everyone keeps asking her about her wedding plans. With wise guys on the loose, colorful hairdresser Fern dressed as a priest, and guests dropping from the heat, suddenly bridezillas don't seem so bad! Can Annabelle and her crew get the bride down the aisle before someone sleeps with the fishes?Godfather of the Bride, a novella, is the 14th book in Laura Durham's hilarious Annabelle Archer Wedding Planner Mystery series. If you like larger-than-life characters, madcap capers, and an insider’s look at glamorous society weddings, then you’ll love this award-winning cozy series.

    Combining close reading with a panoramic breadth of learning, Camille Paglia refreshes our understanding of poems we thought we knew, from Shakespeare’s “Sonnet 73” to Shelley’s “Ozymandias,” from Donne’s “The Flea” to Lowell’s “Man and Wife,” and from Dickinson’s “Because I Could Not Stop for Death” to Plath’s “Daddy.” Paglia also introduces us to less-familiar works by Paul Blackburn, Wanda Coleman, Chuck Wachtel, Rochelle Kraut–and even Joni Mitchell. Daring, riveting, and beautifully written, Break, Blow, Burn will excite even seasoned poetry lovers, and create a generation of new ones. Includes a new epilogue that details the selection process for choosing the 43 poems presented in this book and provides commentary on some of the pieces that didn't make the final cut.

    In this intriguing novel full of drama and plot twists, one family tries to hold on to their “perfect” life before their secrets, lies, and scandals are exposed.On the outside, the Joneses seem like the ideal family: Royce Jones, a funeral home mogul, and his wife, Lexi, are parents to Charity, Hope, and Lovie—and everybody wants to be them. But it’s true that money can’t buy happiness, and the Joneses are harboring secrets that can’t stay hidden forever… The funeral home business has been slow lately, and Royce is in serious trouble. When Lexi learns of their financial strain, she vows to hold on to her status by any means necessary—even if it means going behind her husband’s back. Lovie, seeing his beloved mother so stressed, will do whatever it takes to put a smile back on her face. And sibling rivalries tense up when Charity and Hope both fall for the same guy. On top of this, they all have secrets they’re hiding not only from people outside their family—but from each other. It’s only a matter of time before the Joneses’ perfect life goes spinning out of control and they’re revealed for who they truly are.

    . .   Toss, repair, sell, repeat. Most of the time, people are grateful for estate liquidator Jenna Matthews’ organizing services. Not Reece Porter, her new client’s handsome but grouchy grandson. As far as he’s concerned Jenna is a vulture, picking through his late grandfather’s treasures, during the holidays, no less. Personally, Jenna isn’t one for Christmas nostalgia, or any kind of nostalgia. Plus, she’s just doing her job. But when she and Reece are drawn together in an emergency, it becomes clear there’s a whole other kind of tension between them, one that’s pure electricity. And when Jenna discovers keepsakes that suggest an intriguing Porter family secret, unwrapping the mystery leads both Jenna and Reese to the greatest gifts of the holidays—and the truth in their hearts. . .   PRAISE FOR THE NOVELS OF KRISTINA McMORRIS   THE EDGE OF LOST   “Compelling, resonant and deeply moving, The Edge of Lost is an absorbing tale of deceit and self-deception, survival and second chances, the ties that bind and the lure of the unknown.”--Christina Baker Kline, # 1 New York Times bestselling author   “Will grab your heart on page one and won’t let go until the end.  I absolutely love this book, and so will you.” --Sara Gruen, #1 New York Times bestselling author of Water for Elephants   “Kristina McMorris takes us on a thrilling ride from the Emerald Isle, to the boroughs of New York, to the ‘Rock’ of Alcatraz. I found myself thoroughly immersed in her richly evocative settings, just as I was captivated by the pure humanity of her characters as they struggled for redemption. This book is a wonderful read!”--David R. Gillham, New York Times bestselling author of City of Women   “I adore everything that Kristina McMorris writes and this book is no exception.”--Jennifer Robson, author of Somewhere in France   “A beautifully told story about a young man’s journey through adversity and loss with an exhilarating ending that I couldn’t put down and stayed up well past my bedtime to finish.”--Charles Belfoure, New York Times bestselling author of The Paris Architect   “An absorbing, addictive read.”--Beatriz Williams   THE PIECES WE KEEP   “McMorris’s strong pacing keeps the two stories zipping along and all its many strings connected for a gratifying conclusion.”--Kirkus Reviews   BRIDGE OF SCARLET LEAVES   “Impeccably researched and beautifully written.” --Karen White   LETTERS FROM HOME   “An absolutely lovely debut novel filled with endearing chara

    The police officers pulled the body from the track and found no identification. The train’s 425 passengers were transferred to another train and delayed about twenty minutes.” The Guardians is an elegy for Manguso’s friend Harris, two years after he escaped from a psychiatric hospital and jumped under that train. The narrative contemplates with unrelenting clarity their crowded postcollege apartment, Manguso’s fellowship year in Rome, Harris’s death and the year that followed—the year of mourning and the year of Manguso’s marriage. As Harris is revealed both to the reader and to the narrator, the book becomes a monument to their intimacy and inability to express their love to each other properly, and to the reverberating effects of Harris’s presence in and absence from Manguso’s life. There is grief in the book but also humor, as Manguso marvels at the unexpected details that constitute a friendship. The Guardians explores the insufficiency of explanation and the necessity of the imagination in making sense of anything.

    In Meg, Jo, Beth, Amy, Anne Boyd Rioux brings a fresh and engaging look at the circumstances leading Louisa May Alcott to write Little Women and why this beloved story of family and community ties set in the Civil War has resonated with audiences across time.

    There’s not enough luck in the world to build a winning hand with those cards, but it’s so tempting to try. Meet Lennox Cooper. She’s a smart poker player, a smart detective, but she’s got issues. A year ago her affair with a married cop got her fired from the Portland Police. Now she’s trying to build a new life as a private investigator, but all she’d landed so far are surveillance gigs.The murder of a wealthy developer gives her a chance to reestablish herself as a homicide detective. During the course of the investigation she meets Mr. Right. Only problem, he’s on the short list of suspects. Lennox bets on her lover’s innocence. The odds aren’t much better than drawing A Bitch Called Hope.

    But here is the secret world of the index: an unsung but extraordinary everyday tool, with an illustrious but little-known history.Charting its curious path from the monasteries and universities of thirteenth-century Europe to Silicon Valley in the twenty-first, Dennis Duncan reveals how the index has saved heretics from the stake, kept politicians from high office, and made us all into the readers we are today. We follow it through German print shops and Enlightenment coffee houses, novelists’ living rooms and university laboratories, encountering emperors and popes, philosophers and prime ministers, poets, librarians, and—of course—indexers along the way. Duncan reveals the vast role of the index in our evolving literary and intellectual culture, and he shows that in the Age of Search we are all index-rakers at heart.

      The real-life scandals of Hollywood’s personalities rival any drama they bring to life on the silver screen. This book provides 365 daily doses of high and low crimes, fraud and deceit, culled from Tinseltown’s checkered past.   Whether it’s the exploits of silent-era star Fatty Arbuckle, the midcentury misdeeds of Frank Sinatra and Marilyn Monroe, or the modern excesses of Lindsay Lohan, this calendar of Hollywood transgressions has a sensational true tale for every day of the year. It’s an entertaining and sometimes shocking trip down memory lane filled with sneaky affairs, box-office bombs, and careers cut short—sometimes by murder. It shows that the drama doesn’t end when the credits roll.

    Into Thin Air explores the complex emotional bonds of families, the intricacies of love, and the impact on people's lives when they are unwilling or unable to connect with each other.

    In Librarian Tales, published in cooperation with the American Library Association, readers will learn about strange things librarians have found in book drops, weird and obscure reference questions, the stress of tax season, phrases your local librarians never want to hear, stories unique to children’s librarians, and more. Ottens uncovers common pet peeves among his colleagues, addresses misguided assumptions and stereotypes, and shares several hilarious stories along the way. This book is must reading for any librarian, or anyone who loves books and libraries, though non-library folks will also laugh and cry (from laughing) while reading this lighthearted analysis of your local community pillar, the library.

    No other commentary on Infinite Jest recognizes that Wallace clearly divided the book into 28 chapters that are thematically unified. A chronology at the end of the study reorders each section of the novel into a sequential timeline that orients the reader and that could be used to support a chronological reading of the novel. Other helpful reference materials include a thematic outline, more chronologies, a map of one the novel's settings, lists of characters grouped by association, and an indexed list of references. Elegant Complexity orients the reader at the beginning of each section and keeps commentary separate for those readers who only want orientation. The researcher looking for specific characters or themes is provided a key at the beginning of each commentary. Carlisle explains the novel's complex plot threads (and discrepancies) with expert insight and clear commentary. The book is 99% spoiler-free for first-time readers of Infinite Jest.

    The Easiest Way to Live is about finding your courage, following your passion, letting go of what is not you, learning to trust in yourself, walking in faith and living everyday with gratitude.

    On the one hand, working in the bridal business means she’s basically dedicating her life to love and the dream of happy ever after. On the other, she’s a jaded, love hating cynic who isn’t about to fall for any of that crap herself. Except of course, she already did. When she was six. Emerson Barrett isn’t worried about finding the right woman. After a tumultuous past, he’s happy just dedicating his life to his work. Content in knowing what to expect day in and day out, he’s thrown for a loop when he’s suddenly standing face to face with little Lissy Luvalle again. Only now she’s not so little anymore…