A librarian is called to a remote Canadian island to inventory the estate of a secretive Colonel whose most surprising secret is a bear who keeps the librarian company--shocking company.

    With Great Apes, Self takes readers into a sort of "Planet of the Apes" with a twist. Simon Dykes is a London painter whose life suddenly becomes Kafkaesque. After an evening of routine debauchery, traipsing from toilet to toilet and partaking in a host of narcotics, the middle-aged painter wakes to discover that his girlfriend, Sarah, has turned into a chimpanzee. Simon is also a chimp, but he does not accept this fact—he is convinced that he is still human.He is then confined to an emergency psychiatric ward and placed under the care of alpha-psychiatrist Dr. Zack Busner. Simon finds chimp behavior a bit unnatural; he can't bring himself to use gestures rather than speech to communicate. He also finds it difficult to mate publicly or accept social grooming. Dr. Zack Busner—also a medical doctor, radical psychoanalyst, maverick axiolytic drug researcher, and former television personality—is prepared to help Simon get used to "chimpunity". It is during Simon's gradual simianization that Self's true satirical genius shines, as he examines anthropology, the trendy art world, animal rights, and much more.

    . .While vacationing at the beach with her mother, Sasha Samokhina meets the mysterious Farit Kozhennikov under the most peculiar circumstances. The teenage girl is powerless to refuse when this strange and unusual man with an air of the sinister directs her to perform a task with potentially scandalous consequences. He rewards her effort with a strange golden coin.As the days progress, Sasha carries out other acts for which she receives more coins from Kozhennikov. As summer ends, her domineering mentor directs her to move to a remote village and use her gold to enter the Institute of Special Technologies. Though she does not want to go to this unknown town or school, she also feels it’s the only place she should be. Against her mother’s wishes, Sasha leaves behind all that is familiar and begins her education.As she quickly discovers, the institute’s "special technologies" are unlike anything she has ever encountered. The books are impossible to read, the lessons obscure to the point of maddening, and the work refuses memorization. Using terror and coercion to keep the students in line, the school does not punish them for their transgressions and failures; instead, their families pay a terrible price. Yet despite her fear, Sasha undergoes changes that defy the dictates of matter and time; experiences which are nothing she has ever dreamed of . . . and suddenly all she could ever want.A complex blend of adventure, magic, science, and philosophy that probes the mysteries of existence, filtered through a distinct Russian sensibility, this astonishing work of speculative fiction—brilliantly translated by Julia Meitov Hersey—is reminiscent of modern classics such as Lev Grossman’s The Magicians, Max Barry’s Lexicon, and Katherine Arden’s The Bear and the Nightingale, but will transport them to a place far beyond those fantastical worlds.

    Bolano's narrators are usually writers grappling with private (and generally unlucky) quests, who typically speak in the first person, as if giving a deposition, like witnesses to a crime. These protagonists tend to take detours and to narrate unresolved efforts. They are characters living in the margins, often coming to pieces, and sometimes, as in a nightmare, in constant flight from something horrid.In the short story "Silva the Eye," Bolano writes in the opening sentence: "It's strange how things happen, Mauricio Silva, known as The Eye, always tried to escape violence, even at the risk of being considered a coward, but the violence, the real violence, can't be escaped, at least not by us, born in Latin America in the 1950s, those of us who were around 20 years old when Salvador Allende died."Set in the Chilean exile diaspora of Latin America and Europe, and peopled by Bolano's beloved "failed generation," the stories of Last Evenings on Earth have appeared in The New Yorker and Grand Street.

    Her pictures of the musicians and hangers on, the infamous, the damned, and the dead, got her into art galleries and a book deal. But thirty years later she is adrift, on her way down, and almost out. Then an old acquaintance sends her on a mercy gig to interview a famously reclusive photographer who lives on an island in Maine. When she arrives Downeast, Cass stumbles across a decades-old mystery that is still claiming victims, and into one final shot at redemption.

    He used to do brave things like go tramping through the forest with his gran after dark. He loved the stories she told him about the world before the Destruction--about nature, and books, and the silver owls. His favorite story, though, was about the Owl Keeper. According to Max's gran, in times of darkness the Owl Keeper would appear to unite owls and sages against the powers of the dark. Gran is gone now, and so are her stories of how the world used to be. Max is no longer brave. The forest is dangerous, the books Gran had saved have been destroyed, and the silver owls are extinct. At least that's what the High Echelon says. But Max knows better. Maxwell Unger has a secret. And when a mysterious girl comes to town, he might just have to start being brave again. The time of the Owl Keeper, Gran would say, is coming soon.

    1973: industrial strikes, bad pop music, corrosive class warfare, adolescent angst, IRA bombings. Four friends: a class clown who stoops very low for a laugh; a confused artist enthralled by guitar rock; an earnest radical with socialist leanings; and a quiet dreamer obsessed with poetry, God, and the prettiest girl in school. As the world appears to self-destruct around them, they hold together to navigate the choppy waters of a decidedly ambiguous decade.

    Lying in her bed, young Sylvie Mason overhears her parents on the phone across the hall. This is not the first late-night call they have received, since her mother and father have an uncommon occupation, helping "haunted souls" find peace. And yet, something in Sylvie senses that this call is different than the rest, especially when they are lured to the old church on the outskirts of town. Once there, her parents disappear, one after the other, behind the church's red door, leaving Sylvie alone in the car. Not long after, she drifts off to sleep only to wake to the sound of gunfire.Nearly a year later, we meet Sylvie again struggling with the loss of her parents, and living in the care of her older sister, who may be to blame for what happened the previous winter.As the story moves back and forth in time, through the years leading up to the crime and the months following, the ever inquisitive and tender-hearted Sylvie pursues the mystery, moving closer to the knowledge of what occurred that night, as she comes to terms with her family's past and uncovers secrets that have haunted them for years.

    Then one day Sam wakes to find the tooth fairy sitting on the edge of his bed—but this is not the benign figure of childhood myth. This is an enigmatic presence that both torments and seduces him, changing his life forever.

    St John Fox, celebrated novelist, hasn’t seen her in six years. He’s unprepared for her afternoon visit, not least because she doesn’t exist. He’s infatuated with her. But he also made her up.“You’re a villain,” she tells him. ‘A serial killer . . . can you grasp that?”Will Mr Fox meet his muse’s challenge, to stop murdering his heroines and explore something of love? What will his wife Daphne think of this sudden change in her husband? Can there be a happy ending – this time?

    The two form their own band, but the metal scene turns out to be no different than the misogynist world they want to change. Violent encounters escalate, and the friends decide there’s only one way forward . . .A bloodstained journey into the dark heart of the music industry, Boring Girls traces Rachel’s deadly coming-of-age, Fern at her side — as the madness deepens, their band’s success heightens, and their taste for revenge grows ravenous.

    . . until it swallows her up.Noah Turner sees monsters. But, unlike his family, Noah chooses to let them in .

    But something's not right at Thunderclap Casino. As the three of them come to terms with the ways in which they are haunted by the past and struggle with their addictions, they must confront the malevolent force that won't rest until old wrongs have been made right.

    He’s been hired by a ten-year-old to kill the kid’s stepdad, McKinsey. The man in question is abusive, abrasive, and abominable. He’s also a monster, which makes Persons the perfect thing to hunt him. Over the course of his ancient, arcane existence, he’s hunted gods and demons, and broken them in his teeth.As Persons investigates the horrible McKinsey, he realizes that he carries something far darker. He’s infected with an alien presence, and he’s spreading that monstrosity far and wide. Luckily Persons is no stranger to the occult, being an ancient and magical intelligence himself. The question is whether the private dick can take down the abusive stepdad without releasing the holds on his own horrifying potential.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

         It's late summer 1982 when the Houghton family uproots from Paterson, New Jersey and moves to Yorba Linda, California—the self-anointed "Land of Gracious Living." Fourteen year-old Reece is trying his best to believe his family has come to California for the opportunities it affords and not to outrun a shared family secret, but he's beginning to realize that even his heroes have flaws, everybody lies, and starting a band may be his only chance at salvation.        With a bullhorn, a borrowed guitar, and his new best friends—Keith, a know-it-all who knows very little; and Treat, a mohawked kid obsessed with obscure albums—Reece starts a punk group of his own.       While Reece's relationship with his parents suffers under the strain of new jobs, new friends, new crushes, and old secrets, his confidence soars. Even without a gig or a song they can play the same way twice, the buzz about the band is swirling, and it's not until the night of the band's first gig that Reece will fully understand how much of his new home is authentic, how much is artificial, and how some things, like the chemical element Californium, can be both at the same time.