A tour de force." — KIRKUS REVIEWS (starred review)When the six-year-old narrator of this lyric novel watches her father march off to serve a year in the U.S. Army Medical Corps, a year seems like a very long time. A year is a long time when you’re waiting for letters, waiting for word. A year is almost forever when you’re wondering . . .and forgetting. Maria Testa has written a taut and tender American ballad of one family’s experience in the year 1968 — an ultimately heartening novel that has much to say to a new generation of readers.

    The Cure for Death by Lightning sold more than a staggering 100,000 copies in Canada alone and became a bestseller in Great Britain, later to be published in the United States and Europe. It was nominated for the Giller Prize, the richest fiction prize in Canada, and received a Betty Trask Award in the U.K.The Cure for Death by Lightning takes place in the poor, isolated farming community of Turtle Valley, British Columbia, in the shadow of the Second World War. The fifteenth summer of Beth Weeks’s life is full of strange happenings: a classmate is mauled to death; children go missing on the nearby reserve; an unseen predator pursues Beth. She is surrounded by unusual characters, including Nora, the sensual half-Native girl whose friendship provides refuge; Filthy Billy, the hired hand with Tourette’s Syndrome; and Nora’s mother, who has a man’s voice and an extra little finger. Then there’s the darkness within her own family: her domineering, shell-shocked father has fits of madness, and her mother frequently talks to the dead. Beth, meanwhile, must wrestle with her newfound sexuality in a harsh world where nylons, perfume and affection have no place. Then, in a violent storm, she is struck by lightning in her arm, and nothing is quite the same again. She decides to explore the dangers of the bush.Beth is a strong, honest, and compassionate heroine, bringing hope and joy into an environment that is often cruel. The character of Beth’s haunted mother infuses the book with life by means of her scrapbook of recipes scattered throughout, with luscious descriptions of food, gardening, and remedies, both practical and bizarre. Seen through Beth’s eyes, the West Coast landscape is full of beauty and mysteries, with its forests and rivers, and its rich native culture.The Globe and Mail commented that The Cure for Death by Lightning was "Canadian to the core," with hints of Susannah Moodie and Margaret Atwood and Alice Munro. Anderson-Dargatz’s vision of rural life has drawn comparisons with William Faulkner and John Steinbeck. A magic realism reminiscent of Latin American literature is also present, as flowers rain from the sky, and men turn into animals. Yet the style of The Cure for Death by Lightning, which the Boston Globe called "Pacific Northwest Gothic," is wholly original. Launched in a year with more than the usual number of excellent first novels (1996 was also the year of Fall On Your Knees by Ann-Marie MacDonald and Fugitive Pieces by Anne Michaels), this book with its assured voice heralds a worthy successor to Margaret Atwood, Carol Shields, Margaret Laurence and Alice Munro.

    She can’t do anything right, except draw, but she draws the wrong pictures. When her father moves the family to a small prairie city, Raphaelle wants to leave behind the misfit rebel, the outcast, the vengeful trouble-maker she was. Reborn as “Ella,” she plans fit in at her new school, while her perfect younger sister goes to the Catholic girls’ school and her emotionally fragile mother looks for a job. But Ella might just be a different kind of misfit. She’s drawn to a brooding boy in her art class, Samir, and expresses her confused feelings in an explicit artwork. When a classmate texts a photo of Ella’s art to a younger friend, the horrendous fallout spreads though Ella’s life like an uncontrollable disease. Ella is expelled from school and faces pornography charges, her mother is hospitalized, her sister fails all her classes, and her distant father finally notices something is wrong.

    He suspects his stepmother is glad to see him go, but his dad says he’s one of the lucky ones—one of ninety boys and girls to ship out aboard the SS City of Benares to safety in Canada.Life aboard the luxury ship is grand—nine-course meals, new friends, and a life far from the bombs, rations, and his stepmum’s glare. And after five days at sea, the ship’s officers announce that they’re out of danger.They’re wrong.Late that night, an explosion hurls Ken from his bunk. They’ve been hit. Torpedoed! The Benares is sinking fast. Terrified, Ken scrambles aboard Lifeboat 12 with five other boys. Will they get away? Will they survive?Author Susan Hood brings this little-known true World War II story to life in a novel in verse.

    When she answers a babysitting ad, LaVaughn meets Jolly, a seventeen-year-old single mother with two kids by different fathers. As she helps Jolly make lemonade out of the lemons her life has given her, LaVaughn learns some lessons outside the classroom.

    When she's barefoot and running, she can hear her heart beating . . . thump-THUMP, thump-THUMP. It's a rhythm that makes sense in a year when everything's shifting: Her mother is pregnant, her grandfather is forgetful, and her best friend, Max, is always moody. Everything changes over time, just like the apple Annie's been assigned to draw. But as she watches and listens, Annie begins to understand the many rhythms of life, and how she fits within them.Twelve-year-old Annie ponders the many rhythms of life the year that her mother becomes pregnant, her grandfather begins faltering, and her best friend (and running partner) becomes distant.

    To cope, she tries to live by the Fat Girl Rules–like “no making waves,” “avoid eating in public,” and “don’t move so fast that your body jiggles.” And she’s found her safe space–her swimming pool–where she feels weightless in a fat-obsessed world. In the water, she can stretch herself out like a starfish and take up all the room she wants. It’s also where she can get away from her pushy mom, who thinks criticizing Ellie’s weight will motivate her to diet. Fortunately, Ellie has allies in her dad, her therapist, and her new neighbor, Catalina, who loves Ellie for who she is. With this support buoying her, Ellie might finally be able to cast aside the Fat Girl Rules and starfish in real life–by unapologetically being her own fabulous self.

    . .Far from the isolated prairie ranch where they were born, orphaned twins Isabelle and Beatrice Thorn are living a glamorous 1920s Hollywood life as wards of Mr. Cecil, a mysterious and influential director. Isabelle is a silent film starlet, destined for greatness in the very first talking picture—a horror flick that will showcase her famous scream, often seen but never before heard by audiences. Meanwhile, Beatrice spends her days hidden away on the Cecil estate with her books and her insect collection, scarves covering her birthmarks and baldness. But Beatrice’s curiosity about Mr. Cecil, the death of her parents, the appearance of scorpion hornets—creatures that should not exist on this earth—and the unsettling fates of two people who visited his estate is getting the better of her, and she’s starting to realize the director has truly dark designs for this movie.

    He doesn't know that Wren is hiding in the back. The hours and days that follow change the lives of both girls. Darra is left with a question that only Wren can answer. Wren has questions, too.Years later, in a chance encounter at camp, the girls face each other for the first time. They can finally learn the truth—that is, if they're willing to reveal to each other the stories that they've hidden for so long. Told from alternating viewpoints, this novel-in-poems reveals the complexities of memory and the strength of a friendship that can overcome pain.

    Mary, just nineteen years old at the time, had been living on her own for three years and had already lost a baby days after birth. She was deeply in love with famed poet Percy Bysshe Shelley, a mad man who both enthralled and terrified her, and her relationship with him was rife with scandal and ridicule. But rather than let it crush her, Mary fueled her grief, pain, and passion into a book that the world has still not forgotten 200 years later.Dark, intense, and beautiful, this free-verse novel with over 300 pages of gorgeous black-and-white watercolor illustrations is a unique and unforgettable depiction of one of the greatest authors of all time.

    I wonder how much of us we inherit, and how much we create.Connor’s grandmother leaves his dad a letter when she dies, and the letter’s confession shakes their tight-knit Italian American family: The man who raised Dad is not his birth father.But the only clues to this birth father’s identity are a class ring and a pair of pilot’s wings. And so Connor takes it upon himself to investigate—a pursuit that becomes even more pressing when Dad is hospitalized after a stroke. What Connor discovers will lead him and his father to a new, richer understanding of race, identity, and each other.In this eloquent first novel in verse by renowned poet Marilyn Nelson, she tells the story of a boy embracing his newfound genealogy and his surprising connection to American history.

    Every Body Looking is a debut novel in verse tells the story of Ada--daughter of an immigrant father and an African American mother--and her struggle to find a place for herself in America and in her own family.Every Body Looking is a heavily autobiographical novel of a young woman's struggle to carve a place for herself--for her black female body--in a world of deeply conflicting messages.Told entirely in verse, Ada's story encompasses her earliest memories as a child, including her abuse at the hands of a young cousin, her mother's rejection and descent into addiction, and her father's attempts to create a home for his American daughter more like the one he knew in Nigeria.

    By her mother, who grew up far away in a different land. By her suburban town, which makes her feel too much like an outsider to fit in and not enough like an outsider to feel like that she belongs somewhere else. At least she has her childhood friend Haitham, with whom she can let her guard down and be herself. Until she doesn't.As the ground is pulled out from under her, Nima must grapple with the phantom of a life not chosen, the name her parents didn't give her at birth: Yasmeen. But that other name, that other girl, might just be more real than Nima knows. And more hungry. And the life Nima has, the one she keeps wishing were someone else's. . .she might have to fight for it with a fierceness she never knew she had.

    Nora longs for things to go back to normal, like they were when her mother was still alive, while her father keeps them isolated in fear of other people. But when they reach the bottom of the canyon, the unthinkable happens: A flash flood rips across their path, sweeping away Nora's father and all of their supplies. Suddenly, Nora finds herself lost and alone in the desert, facing dehydration, venomous scorpions, deadly snakes, and, worst of all, the Beast who has terrorized her dreams for the past year. If Nora is going to save herself and her father, she must conquer her fears, defeat the Beast, and find the courage to live her new life.

    But when her mother is diagnosed with breast cancer, Emma's family moves to a town outside Lowell, Massachusetts, to stay with Emma's grandmother while her mom undergoes treatment.Emma feels out of place in the United States.She begins to have migraines, and longs to be back in Japan. At her grandmother's urging, she volunteers in a long-term care center to help Zena, a patient with locked-in syndrome, write down her poems. There, Emma meets Samnang, another volunteer, who assists elderly Cambodian refugees. Weekly visits to the care center, Zena's poems, dance, and noodle soup bring Emma and Samnang closer, until Emma must make a painful choice: stay in Massachusetts, or return home early to Japan.