But Tango's family is not like any of the others. This illustrated children's book fictionalizes the true story of two male penguins who became partners and raised a penguin chick in the Central Park Zoo.

    It's an argument for beauty in the face of grief, loss, and chronic pain.

    A timely and important contribution to the body of recovery literature, Cruise Control provides understanding, empathy and encouragement to gay men seeking healthy sexual expression.

    The profound message of this delightful board book is you are free to be yourself; you'll always be loved.Celebrated author Robin Stevenson ends the book with an explanation of the meaning behind each color in the Pride flag.

    The poems’ subject is the natural world, but their images would never occur in nature. This book is serious and funny at the same time, like a big grave with a clown lying in it.

    He knows who he is in his heart and in his mind but he hasn't yet told his family. Finally, he can wait no longer: I'm not a girl, he tells his family. I'm a boy--a boy in my heart and in my brain. Quick to support him, his loving family takes Calvin shopping for the swim trunks he's always wanted and back-to-school clothes and a new haircut that helps him look and feel like the boy he's always known himself to be. As the first day of school approaches, he's nervous and the what-ifs gather up inside him. But as his friends and teachers rally around him and he tells them his name, all his what-ifs begin to melt away.Inspired by the authors' own transgender child and accompanied by warm and triumphant illustrations, this authentic and personal text promotes kindness and empathy, offering a poignant and inclusive back-to-school message: all should feel safe, respected, and welcomed.

    Gatwood's poems deftly deconstruct traditional stereotypes. The focus shifts from childhood to adulthood, gender to sexuality, violence to joy. And always and inexorably, the book moves toward celebration, culminating in a series of odes: odes to the body, to tough women, to embracing your own journey in all its failures and triumphs.

    Billy, the bisexual narrator and main character of In One Person, tells the tragicomic story (lasting more than half a century) of his life as a "sexual suspect," a phrase first used by John Irving in 1978 in his landmark novel of "terminal cases," The World According to Garp.In One Person is a poignant tribute to Billy’s friends and lovers—a theatrical cast of characters who defy category and convention. Not least, In One Person is an intimate and unforgettable portrait of the solitariness of a bisexual man who is dedicated to making himself "worthwhile.

    A youngster named Julep, who lives in a forest tribe, insists on growing up to be a goblin rather than a fairy. The tribe learns to accept that Julep is a goblin at heart, eventually coming around to support the physical transition that must be made for Julep to live as a goblin.

    Only nothing makes Delpha McGill's skin crawl more than rules. So when she finds her family's secret book of hexes, she's itching to use it to banish her mama's money troubles. She just has to keep it quiet as the grave -- not exactly Delpha's specialty.Trouble is, Katybird Hearn is hankering to get her hands on the spell book, too. The daughter of a rival witching family, Katy has reasons of her own for wanting to learn forbidden magic, and she's not going to let an age-old feud or Delpha's contrary ways stop her. But their quarrel accidentally unleashes a hex so heinous it resurrects a cemetery full of angry Hearn and McGill ancestors bent on total destruction. If Delpha and Katy want to reverse the spell in time to save everyone in the Hollow from rampaging zombies, they'll need to mend fences and work together.

    Influenced by everyday moments of Washington, DC living, the poems live outside of the outside and beyond the language of categorical difference, inviting anyone listening to listen a bit closer. Inheritance is about the self’s struggle with definition and assumption.

    J. Austrian and the acclaimed author-illustrator of Little Elliot, Big City, Mike Curato.You are cordially invited to celebrate the wedding of a worm . . . and a worm.When a worm meets a special worm and they fall in love, you know what happens next: They get married! But their friends want to know—who will wear the dress? And who will wear the tux?The answer is: It doesn't matter. Because Worm loves Worm.

    

    Unlike O'Neill's eternally damned pipe-dreamers, Williams' crass menagerie of barflies (an itinerant beautician, her loutish boyfriend, a lovesick short-order cook, the girl he's in love with, and an alcoholic doctor) survive on hope and the possibility of heaven.

    When the list began to take its toll on his mental health, he changed tack by asking different questions: how is beauty in transmasculinity found? And how is it maintained in a transphobic world?The Appendix, in its new incarnation, begins at the end. Considering the final item on the list, we travel back in time through Liam’s life and his formative experiences on both sides of the globe, and examine the wider hostile climate that trans people face today. In response, focus shifts to celebrate trans joy, the complexities of finding it and, crucially, holding on to it.