Luke Carman’s first book of fiction is about to change all that: a collection of monologues and stories which tells it how it is on Australia’s cultural frontier. His young, self-conscious but determined hero navigates his way through the complications of his divorced family, and an often perilous social world, with its Fobs, Lebbos, Greek, Serbs, Grubby Boys and scumbag Aussies, friends and enemies. He loves Whitman and Kerouac, Leonard Cohen and Henry Rollins, is awkward with girls, and has an imaginary friend called Tom. His sensitivity in a tough environment makes life difficult for him – he is anything but an elegant young man. Carman’s style is packed with thought and energy: it captures the voices of the street, and conveys fear and anger, beauty and affection, with a restless intensity.

    When a big-time producer threatens to ruin her career—and possibly the rest of her life—she flees to her remote hometown in the Snowy Mountains and opens a Little Theatre to put on her comedy whodunnit Who Shot the Producer.Childhood friend and ex-Commando Ryan Munroe has returned to Swallow’s Fall to see if there’s a future for him and Edie after their disastrous but unforgettable first and only kiss three years ago. She’s still dazzling, still in love with her career and still out of his reach. He’s about to leave town when he learns that Edie might have trouble on her heels.Struggling with her growing attraction to Ryan, and torn between her career and a rekindled love for her hometown, Edie focuses on generating her cast and crew from the 182 Swallow’s Fall residents, and producing her play. But when elements from the play start happening for real, the comedy turns dangerous.Edie is suddenly centre stage in the biggest role of her life.Can she pull it off? And can Ryan ensure everyone survives to make it to the curtain call?

    The flimsiest of 'walls', no pegs or nails to hang even a hat, no door, no rug for cold morning bare feet, no bookshelf for a voracious reader, no bedside cupboard for a lamp or a glass of water, no light source-just a bed and a suitcase for the next two years.In 1960, newly minted teacher Peter O'Brien started work as the only teacher at a bush school in Weabonga, two days' travel by train and mail cart from Armidale.Peter was only 20 years old and had never before lived away from his home in Sydney. He'd had some teaching experience, but nothing to prepare him for the monumental challenge of being solely responsible for the education of 18 students, ranging in age from five years to fifteen. With few lesson plans, scant teaching materials, a wide range of curious minds and ages to prepare for, Peter was daunted by the enormity of the task ahead.By their simple geographical isolation, the children were already at a disadvantage, but the students were keen and receptive and they'd been given the gift of an enthusiastic and committed young teacher. Indeed it was the children and their thirst for learning who kept Peter afloat during those early days of shockingly inadequate living conditions and a deficient diet-two boiled eggs for breakfast; rabbit, potatoes and choko for every other meal-and the terrible loneliness he felt being isolated, so far from family, friends and his burgeoning romance.Eventually the bleakness was offset by developing friendships and the offer of accommodation in a nearby homestead. The children continued to thrive under Peter's care and diligence. His long-distance love affair flourished with the assistance of Johnny O'Keefe. A growing understanding of the history of crippling poverty and war in the lives of the local families gradually brought respect, acceptance and admiration. By the end of his time in Weabonga, the young teacher found himself greatly changed in positive ways.Bush School is an engaging and fascinating memoir of how a young man rose to a challenge most would shrink from today. It tells movingly of the resilience and spirit of children, the importance of learning and the transformative power of teaching.

    If we really do get the government we deserve, On Mutiny might provoke a civilian rebellion.

    Choosing to ignore his many dubious achievements in the world of Australian show business (Martin/Molloy, The Late Show, a short-lived but torrid affair with Sharon on Kath & Kim), New Zealand-born Martin instead recalls dozens of tiny life-changing moments that, frankly, could have happened to anybody.In damning personal testimony spanning nearly forty years on both sides of the Tasman, Martin wreaks havoc as an apprentice props man in amateur theatre, attempts to corrupt his school’s ‘weird religious kid’, tries vainly to seduce an unwilling babysitter, turns an entire tour bus against him, battles an addiction to Donkey Kong, seeks to master the art of ‘kerning’ under the tutelage of a tyrannical Geordie, and is forced to donate an unfeasible amount of blood in an attempt to save his own life.Lolly Scramble is a light but flavoursome assortment from a man who appears to have learnt very little from his many mistakes. Tuck right in, but don’t eat them all at once or you’ll spoil your dinner.

    Two bodies buried in a suburban backyard. A further two found in the bush. Such was the findings of one of South Australia's most horrific murder trials.Informed by material never seen before - an interview with Bunting's last lover Elizabeth Harvey, and with the Crown's key eye-witness James Vlassakis and with details of the torture and crimes not previously released - this is a tensely woven and microscopic examination of tawdry lives and tragic deaths.Four men who tortured and killed for fun, for power. Four men who kept each other's dark secrets for years. By the time the police investigation concluded, the story had invited comparison with the nightmare of Rosemary and Fred West, the British House of Horrors. Details of what the killers did to their victims before and after their deaths were deemed so depraved that suppression orders were in place throughout the trial. But the killers were not insane. They made deliberate choices to kill and lived in a culture of complete anarchy, sadistic violence, deviance and chaos.Journalist and author Debi Marshall explores the killers' psychopathic makeup in minute and harrowing detail. She charts the victims' exposure to generational paedophilia, incest, unemployment and hopelessness. Marshall covers the exhaustive trials and interviews the lawyers who ran them. Through interviews, she captures the voices of the victim's families and examines the police and forensic investigation and then wades into the social structure that spawned the people in this story.This book was used as a primary source for the acclaimed Australian feature film, Snowtown.

    Sure, they have a purpose, and if one ever stopped a bullet or piece of shrapnel from spearing into my vital organs, I would kiss it, hang it up, and frame it. But that hasn't happened, yet.'For almost ten years Peter Stefanovic was Channel Nine's foreign correspondent in Europe, Africa and the Middle East. During that time he witnessed more than his fair share of death and destruction, and carried the burden of those images - all while putting his own personal safety very much in the firing line.From flak jackets to tuxedos. From celebrity funerals, to war zones and natural disasters. This is a thrilling account of a life lived on camera, delivering the news wherever it happens, whatever the risk.

    He and his friends while away their days smoking dope, trying to root chicks and surfing at Maroubra. Ned's life is only just beginning – tomorrow, some time.Ned is 35. He and his mates drift through the days snorting cocaine, trying to root chicks, clinging to the pub and surfing at Bondi. For Ned, this is it – tomorrow never came.What happens when life passes you by? When the drugs no longer work and the promise of the future has become the wreckage of the past? What happens when a generation of men lose their way?Confrontingly honest, blackly funny, The Lost Boys is a compelling look at the dark side of being a 21st century man from a powerful new voice in fiction.

    It is a play to make us question a standard institution - Anzac Day, the sacred cow among Australian annual celebrations - but it is the likeability and genuineness of the characters that give the play its memorable qualities: Alf, the nobody who becomes a somebody on this day of days; Mum, the anchor of the family; Hughie, their son, with all the uncertainties and rebelliousness of youth; and Wacka, the Anzac, with his simple, healing wisdom.Undoubtedly one of Australia's favourite plays, the One Day of the Year explores the universal theme of father-son conflict against the background of the beery haze and the heady, nostalgic sentimentality of Anzac Day. It is a play to make us question a standard institution - Anzac Day, the sacred cow among Australian annual celebrations - but it is the likeability and genuineness of the characters that give the play its memorable qualities: Alf, the nobody who becomes a somebody on this day of days; Mum, the anchor of the family; Hughie, their son, with all the uncertainties and rebelliousness of youth; and Wacka, the Anzac, with his simple, healing wisdom.

    Five years ago, she fled her successful career as a concert harpist in London to return to her Bondi home. She still plays, but now her audience is on the way out ... literally. It's complicated and complication is something Zoe understands well. Her best friend is chasing a new love, her brother's chasing too much love and her father has been married far too many times. Compared to them she thought she was doing okay. She's met the guy she is sure is the one. He wooed her and has been sleeping with her for almost five years. It would all be perfect ... if he wasn't married.Zoe is learning that hearts, like harps, are capable of beautiful music if treated the right way and can be tricky to manoeuvre. She's over the old tune. But does Zoe have the courage to rewrite the song of her own life?The Song Of Us is a soulful story of family, love and the notes that define our lives by the author of The Secret Recipe For Second Chances.

    An Australian classic. Depicts the enduring hardships of life in the Australian outback and the battles against sexist and racial prejudices.

    She leaves behind the graves of her husband Joe and her baby daughter. With no money and limited options, Stella accepts her brother-in-law Harry’s offer to live at the O’Riain cane farm in the Richmond Valley. There she hopes to get answers to the questions that plague her about her marriage. However Harry refuses to discuss Joe or the family’s secrets, even forbidding her to speak to the owner of the neighbouring property.Nearly a century earlier in County Tipperary, Irish cousins Brandon and Sean O’Riain also fled their homes – as wanted criminals. By 1867, they are working as cedar-cutters in New South Wales’s lush green Richmond Valley. But while Brandon embraces the opportunities this new country offers, Sean refuses to let go of the past. And one cousin is about to make a dangerous choice that will have devastating consequences down the generations . . .

    Captain James Cook first set sail to the Pacific in 1768 - 250 years ago. These vast waters, one third of the earth's surface, were uncharted - but not unknown. A rich diversity of people and cultures navigated, traded, lived and fought here for thousands of years. Before Cook, the Pacific was disconnected from the power and ideas of Europe, Asia and America. In the wake of Cook, everything changed. The Pacific with Sam Neill is the companion book to the Foxtel documentary series of the same name, in which actor and raconteur Sam Neill takes a deeply personal, present-day voyage to map his own understanding of James Cook, Europe's greatest navigator, and the immense Pacific Ocean itself. Voyaging on a wide variety on vessels, from container ships to fishing trawlers and sailing boats, Sam crosses the length and breadth of the largest ocean in the world to experience for himself a contemporary journey in Cook's footsteps, engaging the past and present in both modern and ancient cultural practice and peoples. Fascinating, engaging, fresh and vital - this is history - but not as you know it.

    Her life is glamorous and seemingly perfect – apart from her recurring desire to run away.Her younger sister Mimi is funny and bright but also hopelessly lost, with no career prospects, no money, no love life and a string of disastrous mistakes in her past, all of which seem to be curiously linked.Returning from overseas, Mimi is forced into a reluctant reconciliation with her estranged sister when Sabrina hires Mimi to be her bridesmaid. The sisters then join forces to do battle with intrusive paparazzi, out-of-control dress designers and, occasionally, with each other ...