The stories in Thomas Pierce’s Hall of Small Mammals take place at the confluence of the commonplace and the cosmic, the intimate and the infinite. A fossil-hunter, a comedian, a hot- air balloon pilot, parents and children, believers and nonbelievers, the people in these stories are struggling to understand the absurdity and the magnitude of what it means to exist in a family, to exist in the world. In “Shirley Temple Three,” a mother must shoulder her son’s burden—a cloned and resurrected wooly mammoth who wreaks havoc on her house, sanity, and faith. In “The Real Alan Gass,” a physicist in search of a mysterious particle called the “daisy” spends her days with her boyfriend, Walker, and her nights with the husband who only exists in the world of her dreams, Alan Gass.  Like the daisy particle itself—“forever locked in a curious state of existence and nonexistence, sliding back and forth between the two”—the stories in Thomas Pierce’s Hall of Small Mammals are exquisite, mysterious, and inextricably connected. From this enchanting primordial soup, Pierce’s voice emerges—a distinct and charming testament of the New South, melding contemporary concerns with their prehistoric roots to create a hilarious, deeply moving symphony of stories.

    A female sheriff in a flooded town attempts to cover up a murder. When a farmer harvesting a field accidentally runs over his son, his grief sets him off walking, mile after mile. A band of teens bent on destruction runs amok in a deserted town at night. As these men and women lash out at the inscrutable churn of the world around them, they find a grim measure of peace in their solitude.Throughout Volt, Alan Heathcock's stark realism is leavened by a lyric energy that matches the brutality of the surface. And as you move through the wind-lashed landscape of these stories, faint signs of hope appear underfoot. In Volt, the work of a writer who's hell-bent on wrenching out whatever beauty this savage world has to offer, Heathcock's tales of lives set afire light up the sky like signal flares touched off in a moment of desperation.

     In the hilarious, lacerating “I Can Say Many Nice Things,” a washed-up writer toying with infidelity leads a creative writing workshop on board a cruise ship. In the dystopian “Rollingwood,” a divorced father struggles to take care of his ill infant, as his ex-wife and colleagues try to render him irrelevant. In “Watching Mysteries with My Mother,” a son meditates on his mother’s mortality, hoping to stave off her death for as long as he sits by her side. And in the title story, told in a single breathtaking sentence, we watch as the narrator’s marriage and his sanity unravel, drawing him to the brink of suicide. As the collection progresses, we move from more traditional narratives into the experimental work that has made Ben Marcus a groundbreaking master of the short form. In these otherworldly landscapes, characters resort to extreme survival strategies to navigate the terrors of adulthood, one opting to live in a lightless cave and another methodically setting out to recover total childhood innocence; an automaton discovers love and has to reinvent language to accommodate it; filial loyalty is seen as a dangerous weakness that must be drilled away; and the distance from a cubicle to the office coffee cart is refigured as an existential wasteland, requiring heroic effort. In these piercing, brilliantly observed investigations into human vulnerability and failure, it is often the most absurd and alien predicaments that capture the deepest truths. Surreal and tender, terrifying and life-affirming, Leaving the Sea is the work of an utterly unique writer at the height of his powers.What have you done? --I can say many nice things --The dark arts --Rollingwood --On not growing up --My views on the darkness --Watching mysteries with my mother --The loyalty protocol --The father costume --First love --Fear the morning --Origins of the family --Against attachment --Leaving the sea --The moors

    A man sees his favorite elephant vanish into thin air; a newlywed couple suffers attacks of hunger that drive them to hold up a McDonald's in the middle of the night; and a young woman discovers that she has become irresistible to a little green monster who burrows up through her backyard.By turns haunting and hilarious, The Elephant Vanishes is further proof of Murakami's ability to cross the border between separate realities -- and to come back bearing treasure.

    Now, the award-winning writer, whose stories have appeared in four consecutive editions of The Best American Short Stories, returns with a highly anticipated collection bearing her signature mix of intelligence, wit, and heart. A reality show producer manipulates two contestants into falling in love, even as her own relationship falls apart. Just after the fall of the Berlin Wall, a young boy has a revelation about his father’s past when a renowned Romanian violinist plays a concert in their home. When the prized elephant of a traveling circus keels over dead, the small-town minister tasked with burying its remains comes to question his own faith. In an unnamed country, a composer records the folk songs of two women from a village on the brink of destruction. These transporting, deeply moving stories—some inspired by her own family history—amply demonstrate Makkai’s extraordinary range as a storyteller, and confirm her as a master of the short story form. “Richly imagined.” —Chicago Tribune   “Impressive.” —O, The Oprah Magazine   “Engrossing.” —Minneapolis Star-Tribune   “Inventive.” —W Magazine

    Thammavongsa is a master at homing in on moments like this -- moments of exposure, dislocation, and messy feeling that push us right up against the limits of language.The stories that make up How to Pronounce Knife focus on characters struggling to find their bearings in unfamiliar territory, or shuttling between idioms, cultures, and values. A failed boxer discovers what it truly means to be a champion when he starts painting nails at his sister's salon. A young woman tries to discern the invisible but immutable social hierarchies at a chicken processing plant. A mother coaches her daughter in the challenging art of worm harvesting.In a taut, visceral prose style that establishes her as one of the most striking and assured voices of her generation, Thammavongsa interrogates what it means to make a living, to work, and to create meaning.How to pronounce knife --Paris --Slingshot --Randy Travis --Mani pedi --Chick-a-chee! --The universe would be so cruel --Edge of the world --The school bus driver --You are so embarassing --Ewwrrkk --The gas station --A far distant thing --Picking worms

    Her Manhattan is a city of well-appointed drawing rooms, hansoms and broughams, all-night cotillions, and resplendent Fifth Avenue flats. Bishops’ nieces mingle with bachelor industrialists; respectable wives turn into excellent mistresses. All are governed by a code of behavior as rigid as it is precarious. What fascinates Wharton are the points of weakness in the structure of Old New York: the artists and writers at its fringes, the free-love advocates testing its limits, the widows and divorcées struggling to hold their own.The New York Stories of Edith Wharton gathers twenty stories of the city, written over the course of Wharton’s career. From her first published story, “Mrs. Manstey’s View,” to one of her last and most celebrated, “Roman Fever,” this new collection charts the growth of an American master and enriches our understanding of the central themes of her work, among them the meaning of marriage, the struggle for artistic integrity, the bonds between parent and child, and the plight of the aged. Illuminated by Roxana Robinson’s Introduction, these stories showcase Wharton’s astonishing insight into the turbulent inner lives of the men and women caught up in a rapidly changing society.

    Assembling an array of talent, this collection includes contributions from visionaries Michael Moorcock and China Miéville, modern icon Clive Barker, and audacious new talents Hal Duncan, Jeffrey Ford, and Sarah Monette. An essential snapshot of a vibrant movement in popular fiction, this anthology also features critical writings from authors, theorists, and international editors as well as witty selections from online debates.ContentsIntroduction: The New Weird: “It’s Alice?” by Jeff VanderMeer“The Gutter Sees the Light That Never Shines” by Alistair Rennie“Watson’s Boy” by Brian Evenson“Cornflowers Beside the Unuttered” by Cat Rambo“Jack” by China Miéville“In the Hills, the Cities” by Clive Barker“Forfend the Heaven’s Rending” by Conrad Williams“Locust-Mind” by Daniel Abraham“Tracking Phantoms” by Darja Malcolm-Clarke“Constable Chalch and the Ten Thousand Heroes” by Felix Gilman“The Lizard of Ooze” by Jay Lake“Festival Lives: Preamble: An Essay” by Jeff VanderMeer and Ann VanderMeer“At Reparata” by Jeffrey Ford“Immolation” by Jeffrey Thomas“The Art of Dying” by Darja Malcolm-Clarke“Whose Words You Wear” by K. J. Bishop“The Neglected Garden” by Kathy Koja“Letters from Tainaron” by Leena Krohn“The Luck in the Head” by M. John Harrison“Crossing Cambodia” by Michael Moorcock“Death in a Dirty Dhorti” by Paul Di Filippo“All God’s Chillun Got Wings” by Sarah Monette“The Braining of Mother Lamprey” by Simon D. Ings“The Ride of the Gabbleratchet” by Steph Swainston“A Soft Voice Whispers Nothing” by Thomas Ligotti“European Editor Perspectives on the New Weird: An Essay” by Martin Šust, Michael Haulica, Hannes Riffel, Jukka Halme, Konrad Walewski“The New Weird: I Think We’re the Scene” by Michael Cisco“New Weird Discussions: The Creation of a Term” by various authors

    Each short story cultivates a whimsical sense of imagination and reveals a mature, darker voice than previously experienced from this legendary author. In one tale the Angel of Death enjoys newfound celebrity while moonlighting as an anchorman on the network news, while in another the shortsighted ruler of a gentle realm betrays himself in dreaming of a "manageable war." Further storylines include an American librarian who discovers that, much to his surprise and sadness, he is the last living Frenchman, and rivals in a supernatural battle who decide to forgo pistols at dawn, choosing instead to duel with dramatic recitations of terrible poetry. Featuring several previously unpublished stories alongside a bevy of recently released works, this haunting compilation is appealing to both genre readers and mainstream literature lovers.Includes "By Moonlight," Locus Award-winner for Best Novelette.

    Brimming with humor, irony, and insights about the unpredictable nature of life, the unbearable beauty of fate, and the power that one moment, or one decision, can have to transform us, I Knew You'd Be Lovely delivers that rare thing—stories with both an edge and a heart.

    Her story "Pleiades" was called "a masterpiece" by Dave Eggers. Sachdeva has a talent for creating moving and poignant scenes, following her highly imaginative plots to their logical ends, and depicting how one small miracle can affect everyone in its wake.The world by night --Glass-lung --Logging lake --Killer of kings --All the names for God --Robert Greenman and the mermaid --Anything you might want --Manus --Pleiades

    Exotic beasts and improbable travelers roam restlessly through these darkly diverting and finely honed tales.In “The Situation,” a beleaguered office worker creates a child-swallowing manta-ray to be used for educational purposes (once described as Dilbert meets Gormenghast). In “Three Days in a Border Town,” a sharpshooter seeks the truth about her husband in an elusive floating city beyond a far-future horizon; “Errata” follows an oddly familiar writer who has marshaled a penguin, a shaman, and two pearl-handled pistols with which to plot the end of the world. Also included are two stories original to this collection, including “The Quickening,” in which a lonely child is torn between familial obligation and loyalty to a maligned talking rabbit.Chimerical and hypnotic, VanderMeer leads readers through the postmodern into a new literature of the imagination.

    Fortunes are made and squandered, honor betrayed and redeemed, and love lost and rediscovered.Embracing the passions that drive men and women to love and to hate, the short stories in A Quiver Full of Arrows will captivate the hearts and souls of readers of everywhere.

    This year's guest editor, Tobias Wolff, has assembled a lively collection that is certain to secure the series' place on bestseller lists across the nation. Includes stories by Thom Jones, Carol Anshaw, Chris Offutt and many more.

    These intimate portraits of people and relationships scour and soothe and blast a light on the nature of family, faith, forgiveness, consumption, and what we may, or may not, owe one another. A thirteen-year-old meditates on her sadness and the difference between herself and her white best friend when an unexpected tragedy occurs; a woman recovering from a miscarriage finds herself unable to let go of her daughter—whose body parts she sees throughout her daily life; a teenager resists her family’s church and is accused of courting the devil; servers at a supper club cater to the insatiable cravings of their wealthy clientele; and two estranged siblings take a road-trip with their father’s ashes and are forced to face the troubling reality of how he continues to shape them.Wise and subversive, spiritual and seductive, Milk Blood Heat forms an ouroboros of stories that bewitch with their truth.